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- Collection: Marshall M. Fredericks Archives Collection
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An unidentified woman viewing "Wings of the Morning" at Brookgreen Gardens
The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…
An unidentified woman with "Wings of the Morning" (Edgar B. Flint Memorial)
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The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…
An unidentified woman, Urban Hansen, Rosalind Fredericks, Marshall Fredericks and two unidentified men pose beside a Scandinavian Airlines System airplane
An unidentified woman, Urban Hansen, Rosalind Fredericks, Marshall Fredericks and two unidentified men following the landing of the plane carrying DIADEM participants.
An unidentified woman, Victor Borge and Marshall Fredericks at the 1981 ICD Communications Award Dinner
ICD Communications Award Dinner at the Waldorf-Astoria Hotel, New York City – October 1981.
An unidentified worker installs "Wings of the Morning" in the Marshall M. Fredericks Sculpture Museum
Mrs. Dorothy (Honey) Arbury studied with Fredericks when she attended Kingswood School at the Cranbrook Educational Community in Bloomfield Hills, Michigan, in the 1930s. She met him through her uncle, Alden B. Dow, a prominent architect in Midland,…
An unidentified worker polishes "Wings of the Morning" at the foundry
The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…
An unidentified worker polishes the bronze cast of "Wings of the Morning" at the foundry
The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…
Angel armature and maquette for "God on the Rainbow" (Gud Fader På Himmelsbågan)with pantograph f
Based on a 1946 sketch by Carl Milles for a peace monument intended for the United Nations Building in New York, Fredericks’ enlargement now stands at the entrance to Stockholm Harbor, a project spearheaded by Cilla Jahn, in collaboration with…
Angel armature for "God on the Rainbow" (Gud Fader På Himmelsbågan)
Based on a 1946 sketch by Carl Milles for a peace monument intended for the United Nations Building in New York, Fredericks’ enlargement now stands at the entrance to Stockholm Harbor, a project spearheaded by Cilla Jahn, in collaboration with…
Angel armature with plasteline on legs for "God on the Rainbow" (Gud Fader På Himmelsbågan)
Based on a 1946 sketch by Carl Milles for a peace monument intended for the United Nations Building in New York, Fredericks’ enlargement now stands at the entrance to Stockholm Harbor, a project spearheaded by Cilla Jahn, in collaboration with…