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Rear view of Wings of the Morning (Edgar B. Flint Memorial) at Kirk in the Hills Presbyterian Church.jpg
The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…

Rear view of Wings of the Morning (Edgar B. Flint Memorial) at the foundry prior to patinization.tif
The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…

Item 3828.tif
The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…

Rear view of Wings of the Morning (Edgar B. Flint Memorial) in Kirk in the Hills Presbyterian Church Columbarium surrounded by snow.tif
The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…

Rear view of Wings of the Morning (Edgar B. Flint Memorial) prior to patinization.tif
The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…

Rear view of Wings of the Morning at the foundry.tif
The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…

Rear view of Youth in the Hands of God as it is raised for installation at the Marshall M. Fredericks Sculpture Museum.tif
The façade of the New Dallas Public Library contained an 880-pound, 20 foot high aluminum sculpture by Marshall Fredericks entitled "Youth in the Hands of God." Symbolizing "the hands of God supporting youth reaching for learning through the medium…

Rear view of Youth in the Hands of God during its installation at the New Dallas Public Library.jpg
The façade of the New Dallas Public Library contained an 880-pound, 20 foot high aluminum sculpture by Marshall Fredericks entitled "Youth in the Hands of God." Symbolizing "the hands of God supporting youth reaching for learning through the medium…

A worker standing on scaffolding directs Youth in the Hands of God as it is raised for installation at the Marshall M. Fredericks Sculpture Museum.tif
The façade of the New Dallas Public Library contained an 880-pound, 20 foot high aluminum sculpture by Marshall Fredericks entitled "Youth in the Hands of God." Symbolizing "the hands of God supporting youth reaching for learning through the medium…

Rear view of aluminum Youth in the Hands of God prior to its installation at the Marshall M. Fredericks Sculpture Museum.tif
The façade of the New Dallas Public Library contained an 880-pound, 20 foot high aluminum sculpture by Marshall Fredericks entitled "Youth in the Hands of God." Symbolizing "the hands of God supporting youth reaching for learning through the medium…
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