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              <text>With the LEAPING GAZELLE of 1936, this sculpture brackets a half-century of creativity. The hand, symbolic of a higher being, gives support or perhaps transport to the individual who is accompanied by two flying swans. The upward flowing contours of the hand, the human form, and the swans communicate the optimistic spiritual content, or meaning, of the sculpture. Fredericks was inspired by the 139th Psalm, verses 9 and 10: "If I take the wings of the morning, and dwell in the uttermost parts of the sea; even there shall Thy hand lead me, and Thy right hand shall hold me." This is inscribed on the pedestal of the cast in the Sculpture Garden, as well as the pedestal of the cast in the columbarium of Kirk in the Hills Presbyterian Church in Bloomfield Hills. &#13;
&#13;
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                <text>Fredericks was one of six artists commissioned to design sculpture for Northland Shopping Center in Southfield.  At the time it opened in 1954, Northland was the country's largest shopping center as well as the first regional shopping center.  The architects planned for sculpture to play an important role in the shopping center's courts and malls.  It is obvious that Fredericks designed this sculpture with children in mind.  As with his other large animal sculptures, he gave the bear a benevolent quality so it would not frighten children.  This bear could be a child's best friend.  The contrast of the massive body of the bear with the almost frail body of the boy on his back emphasizes this special relationship.  The bear's head is down, communicating only amicable intentions.  Its erect ears and furrowed brow suggest interest in a viewer at this low eye level.  Frederick's portrayal of the bear is not totally realistic, but like several of his other sculptures of animals, he has portrayed the bear as in a child's imagination.  The sculpture at Northland still attracts as much attention today as when it was first placed there, pleasing children and adults alike.  &#13;
&#13;
Despite similarities between this sculpture and the characters in Walt Disney's movie The Jungle Book, Fredericks disavows any influence from Walt Disney or Rudyard Kipling, the author of The Jungle Book which was originally published in 1894.  Fredericks has said that he simply wanted to make a sculpture of a boy and bear because it would be fun      &#13;
In a display case at the front of the gallery is a smaller and earlier version of this sculpture in bronze. A cast similar to this is on display in the children's room of the Grosse Pointe Public Library. &#13;
&#13;
Cast in 1988.</text>
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The Night and Day Fountain can also be seen in the Sculpture Garden.  An image of the clock and sculptures can be seen on page 141 of Marshall M. Fredericks, Sculptor.&#13;
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In Greek mythology, Persephone was the goddess of spring.  She was abducted by Hades (known to the Romans as Pluto) and taken to the Underworld to be his wife.  Her mother, Demeter (Ceres), the goddess of agriculture, searched the earth for her.  Demeter finally found her, but since Persephone had eaten the seed of a pomegranate Hades offered her while in the Underworld, she could not return to the land of the living.  &#13;
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&#13;
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&#13;
&#13;
Cast in 1988.</text>
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&#13;
Fredericks first made the Siberian Ram in 1941, but the first documented bronze cast was not installed until 1966, when a 24 inch tall sculpture was placed in the rose garden of the Henry Ford estate in Dearborn. Fredericks carved a Siberian Ram in limestone on commission for the Birmingham Bloomfield Bank and that 30 inch tall stone sculpture was donated to the Baldwin Public Library in Birmingham where it was installed in 1972. In the late 1980s, Fredericks made molds from that sculpture and cast bronzes for his personal collection and for the Museum (#55). He created the 9 inch tall reduction in the mid 1990s.&#13;
&#13;
Cast in 1987.</text>
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