36 10 8302 https://omeka2.svsu.edu/files/original/7dfc230428797f1a4ec4daf69a8a6ed6.jpg e92b0a790de295fddea40662688cf270 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marshall M. Fredericks Archives Collection Description An account of the resource The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including: Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum Financial (30 linear feet) document the day-to-day operations of running a studio Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc. Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life Ephemera:(8 linear feet) containing portfolio postcards, posters, etc. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Color print Physical Dimensions The actual physical size of the original image. 3.5" x 5" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Flying Wild Geese" behind a stone wall at an unidentified private residence with a pond Subject The topic of the resource Animal sculpture--20th century. Bronze sculpture, American--20th century. Fredericks, Marshall M., 1908-1998 Outdoor sculpture--United States. Description An account of the resource Atop a wooded hill overlooking a small pond in Detroit’s Elmwood Cemetery stands a memorial to the late attorney turned industrialist Alvan Macauley. Commissioned by his wife and son soon after his death in 1952, the sculpture reflects Macauley’s love of nature and wildlife. On a simple granite pedestal sit two bronze geese as they take off into flight. Beneath their bodies, the tips of swamp rushes bend under the weight of the birds’ wings. According to the sculptor, waterfowl are a symbol of eternal life and this sculpture symbolizes “the ascendency of the soul no longer imprisoned by the body.” It is a fitting memorial to a man said to have deeply appreciated nature and “people who worked with their hands.” In addition to its original commission by the Macauley family, Flying Wild Geese also serves as a memorial to two former faculty members at Alma College. Commissioned by an Alma College alumni committee, the sculpture is set on a glacial sandstone pedestal in the college’s Monteith Library mall. At the sculpture’s dedication in 1971, Fredericks stated that “the birds in flight express freedom of inquiry and symbolized Michigan and its environment.” Found throughout the United States and the world, Flying Wild Geese is one of Marshall Fredericks’ most popular sculptures. Many corporations, universities, cultural institutions and private individuals have chosen one of these sculptures for their collections. Source A related resource from which the described resource is derived Marshall M. Fredericks Papers Series V, Box 11 Folder 20 Date A point or period of time associated with an event in the lifecycle of the resource n.d. Rights Information about rights held in and over the resource Use of this image requires permission from the Marshall M. Fredericks Archives. Relation A related resource V-11-20 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Image Animal Animal Sculpture Bronze Bronze Sculpture Flying Wild Geese Geese Sculpture V1120 https://omeka2.svsu.edu/files/original/692c583d556cf1886ae753b320c1f963.jpg d3af5bd6bc8be94bcdff3ed4cf2a2a28 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marshall M. Fredericks Archives Collection Description An account of the resource The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including: Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum Financial (30 linear feet) document the day-to-day operations of running a studio Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc. Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life Ephemera:(8 linear feet) containing portfolio postcards, posters, etc. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Color 3-D print Physical Dimensions The actual physical size of the original image. 3.5" x 4.5" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Flying Wild Geese" by the side of a pool at an unidentified private residence Subject The topic of the resource Animal sculpture--20th century. Bronze sculpture, American--20th century. Fredericks, Marshall M., 1908-1998 Outdoor sculpture--United States. Description An account of the resource Atop a wooded hill overlooking a small pond in Detroit’s Elmwood Cemetery stands a memorial to the late attorney turned industrialist Alvan Macauley. Commissioned by his wife and son soon after his death in 1952, the sculpture reflects Macauley’s love of nature and wildlife. On a simple granite pedestal sit two bronze geese as they take off into flight. Beneath their bodies, the tips of swamp rushes bend under the weight of the birds’ wings. According to the sculptor, waterfowl are a symbol of eternal life and this sculpture symbolizes “the ascendency of the soul no longer imprisoned by the body.” It is a fitting memorial to a man said to have deeply appreciated nature and “people who worked with their hands.” In addition to its original commission by the Macauley family, Flying Wild Geese also serves as a memorial to two former faculty members at Alma College. Commissioned by an Alma College alumni committee, the sculpture is set on a glacial sandstone pedestal in the college’s Monteith Library mall. At the sculpture’s dedication in 1971, Fredericks stated that “the birds in flight express freedom of inquiry and symbolized Michigan and its environment.” Found throughout the United States and the world, Flying Wild Geese is one of Marshall Fredericks’ most popular sculptures. Many corporations, universities, cultural institutions and private individuals have chosen one of these sculptures for their collections. Source A related resource from which the described resource is derived Marshall M. Fredericks Papers Series V, Box 11 Folder 20 Date A point or period of time associated with an event in the lifecycle of the resource n.d. Rights Information about rights held in and over the resource Use of this image requires permission from the Marshall M. Fredericks Archives. Relation A related resource V-11-20 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Image Animal Animal Sculpture Bronze Bronze Sculpture Flying Wild Geese Geese Sculpture V1120 https://omeka2.svsu.edu/files/original/42f37c1b7b09b376f435892b8bfed1a0.jpg bbb826c3b89e3a95de63f3d72efff63d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marshall M. Fredericks Archives Collection Description An account of the resource The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including: Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum Financial (30 linear feet) document the day-to-day operations of running a studio Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc. Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life Ephemera:(8 linear feet) containing portfolio postcards, posters, etc. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Color print Physical Dimensions The actual physical size of the original image. 3.5" x 5" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Flying Wild Geese" in place at the W. K. Kellogg Foundation Subject The topic of the resource Animal sculpture--20th century. Bronze sculpture, American--20th century. Fredericks, Marshall M., 1908-1998 Outdoor sculpture--United States. W.K. Kellogg Foundation Description An account of the resource Atop a wooded hill overlooking a small pond in Detroit’s Elmwood Cemetery stands a memorial to the late attorney turned industrialist Alvan Macauley. Commissioned by his wife and son soon after his death in 1952, the sculpture reflects Macauley’s love of nature and wildlife. On a simple granite pedestal sit two bronze geese as they take off into flight. Beneath their bodies, the tips of swamp rushes bend under the weight of the birds’ wings. According to the sculptor, waterfowl are a symbol of eternal life and this sculpture symbolizes “the ascendency of the soul no longer imprisoned by the body.” It is a fitting memorial to a man said to have deeply appreciated nature and “people who worked with their hands.” In addition to its original commission by the Macauley family, Flying Wild Geese also serves as a memorial to two former faculty members at Alma College. Commissioned by an Alma College alumni committee, the sculpture is set on a glacial sandstone pedestal in the college’s Monteith Library mall. At the sculpture’s dedication in 1971, Fredericks stated that “the birds in flight express freedom of inquiry and symbolized Michigan and its environment.” Found throughout the United States and the world, Flying Wild Geese is one of Marshall Fredericks’ most popular sculptures. Many corporations, universities, cultural institutions and private individuals have chosen one of these sculptures for their collections. Source A related resource from which the described resource is derived Marshall M. Fredericks Papers Series V, Box 11 Folder 15 Date A point or period of time associated with an event in the lifecycle of the resource n.d. Rights Information about rights held in and over the resource Use of this image requires permission from the Marshall M. Fredericks Archives. Relation A related resource V-11-15 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Battle Creek (Mich.) Animal Animal Sculpture Bronze Bronze Sculpture Flying Wild Geese Geese Sculpture V1115 W. K. Kellogg Foundation https://omeka2.svsu.edu/files/original/4817c6da0adbccc77c6eaea14c8a9bb1.jpg 837a8e36323db2542ae12d1078ebf3e9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marshall M. Fredericks Archives Collection Description An account of the resource The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including: Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum Financial (30 linear feet) document the day-to-day operations of running a studio Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc. Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life Ephemera:(8 linear feet) containing portfolio postcards, posters, etc. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Color print Physical Dimensions The actual physical size of the original image. 4" x 6" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Flying Wild Geese" located in front of a pond at an unidentified private residence Subject The topic of the resource Animal sculpture--20th century. Bronze sculpture, American--20th century. Fredericks, Marshall M., 1908-1998 Outdoor sculpture--United States. Description An account of the resource Atop a wooded hill overlooking a small pond in Detroit’s Elmwood Cemetery stands a memorial to the late attorney turned industrialist Alvan Macauley. Commissioned by his wife and son soon after his death in 1952, the sculpture reflects Macauley’s love of nature and wildlife. On a simple granite pedestal sit two bronze geese as they take off into flight. Beneath their bodies, the tips of swamp rushes bend under the weight of the birds’ wings. According to the sculptor, waterfowl are a symbol of eternal life and this sculpture symbolizes “the ascendency of the soul no longer imprisoned by the body.” It is a fitting memorial to a man said to have deeply appreciated nature and “people who worked with their hands.” In addition to its original commission by the Macauley family, Flying Wild Geese also serves as a memorial to two former faculty members at Alma College. Commissioned by an Alma College alumni committee, the sculpture is set on a glacial sandstone pedestal in the college’s Monteith Library mall. At the sculpture’s dedication in 1971, Fredericks stated that “the birds in flight express freedom of inquiry and symbolized Michigan and its environment.” Found throughout the United States and the world, Flying Wild Geese is one of Marshall Fredericks’ most popular sculptures. Many corporations, universities, cultural institutions and private individuals have chosen one of these sculptures for their collections. Source A related resource from which the described resource is derived Marshall M. Fredericks Papers Series V, Box 11 Folder 23 Date A point or period of time associated with an event in the lifecycle of the resource n.d. Rights Information about rights held in and over the resource Use of this image requires permission from the Marshall M. Fredericks Archives. Relation A related resource V-11-23 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Image Animal Animal Sculpture Bronze Bronze Sculpture Flying Wild Geese Geese Sculpture V1123 https://omeka2.svsu.edu/files/original/c65913458168d1f8f53851948fa5a472.jpg 1d0514677ffcfc06a76aa19baaab34b5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marshall M. Fredericks Archives Collection Description An account of the resource The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including: Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum Financial (30 linear feet) document the day-to-day operations of running a studio Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc. Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life Ephemera:(8 linear feet) containing portfolio postcards, posters, etc. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Color 3-D print Physical Dimensions The actual physical size of the original image. 3.5" x 4.5" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Flying Wild Geese" overlooking a pool at an unidentified private residence Subject The topic of the resource Animal sculpture--20th century. Bronze sculpture, American--20th century. Fredericks, Marshall M., 1908-1998 Outdoor sculpture--United States. Description An account of the resource Atop a wooded hill overlooking a small pond in Detroit’s Elmwood Cemetery stands a memorial to the late attorney turned industrialist Alvan Macauley. Commissioned by his wife and son soon after his death in 1952, the sculpture reflects Macauley’s love of nature and wildlife. On a simple granite pedestal sit two bronze geese as they take off into flight. Beneath their bodies, the tips of swamp rushes bend under the weight of the birds’ wings. According to the sculptor, waterfowl are a symbol of eternal life and this sculpture symbolizes “the ascendency of the soul no longer imprisoned by the body.” It is a fitting memorial to a man said to have deeply appreciated nature and “people who worked with their hands.” In addition to its original commission by the Macauley family, Flying Wild Geese also serves as a memorial to two former faculty members at Alma College. Commissioned by an Alma College alumni committee, the sculpture is set on a glacial sandstone pedestal in the college’s Monteith Library mall. At the sculpture’s dedication in 1971, Fredericks stated that “the birds in flight express freedom of inquiry and symbolized Michigan and its environment.” Found throughout the United States and the world, Flying Wild Geese is one of Marshall Fredericks’ most popular sculptures. Many corporations, universities, cultural institutions and private individuals have chosen one of these sculptures for their collections. Source A related resource from which the described resource is derived Marshall M. Fredericks Papers Series V, Box 11 Folder 20 Date A point or period of time associated with an event in the lifecycle of the resource n.d. Rights Information about rights held in and over the resource Use of this image requires permission from the Marshall M. Fredericks Archives. Relation A related resource V-11-20 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Image Animal Animal Sculpture Bronze Bronze Sculpture Flying Wild Geese Geese Sculpture V1120 https://omeka2.svsu.edu/files/original/f0db5584d03d1885a42d27588a301e44.jpg a6b118540f653253bc20eee6ff5c2f90 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marshall M. Fredericks Archives Collection Description An account of the resource The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including: Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum Financial (30 linear feet) document the day-to-day operations of running a studio Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc. Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life Ephemera:(8 linear feet) containing portfolio postcards, posters, etc. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Color print Physical Dimensions The actual physical size of the original image. 4" x 6" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Flying Wild Geese" partially covered in snow at an unidentified private residence Subject The topic of the resource Animal sculpture--20th century. Bronze sculpture, American--20th century. Fredericks, Marshall M., 1908-1998 Outdoor sculpture--United States. Description An account of the resource Atop a wooded hill overlooking a small pond in Detroit’s Elmwood Cemetery stands a memorial to the late attorney turned industrialist Alvan Macauley. Commissioned by his wife and son soon after his death in 1952, the sculpture reflects Macauley’s love of nature and wildlife. On a simple granite pedestal sit two bronze geese as they take off into flight. Beneath their bodies, the tips of swamp rushes bend under the weight of the birds’ wings. According to the sculptor, waterfowl are a symbol of eternal life and this sculpture symbolizes “the ascendency of the soul no longer imprisoned by the body.” It is a fitting memorial to a man said to have deeply appreciated nature and “people who worked with their hands.” In addition to its original commission by the Macauley family, Flying Wild Geese also serves as a memorial to two former faculty members at Alma College. Commissioned by an Alma College alumni committee, the sculpture is set on a glacial sandstone pedestal in the college’s Monteith Library mall. At the sculpture’s dedication in 1971, Fredericks stated that “the birds in flight express freedom of inquiry and symbolized Michigan and its environment.” Found throughout the United States and the world, Flying Wild Geese is one of Marshall Fredericks’ most popular sculptures. Many corporations, universities, cultural institutions and private individuals have chosen one of these sculptures for their collections. Source A related resource from which the described resource is derived Marshall M. Fredericks Papers Series V, Box 11 Folder 22 Date A point or period of time associated with an event in the lifecycle of the resource n.d. Rights Information about rights held in and over the resource Use of this image requires permission from the Marshall M. Fredericks Archives. Relation A related resource V-11-22 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Image Animal Animal Sculpture Bronze Bronze Sculpture Flying Wild Geese Geese Sculpture Snow V1122 https://omeka2.svsu.edu/files/original/701108e5dde6311b141ce10563d1479f.jpg a466e96494dfd45cbfe6ec2df36a5f1b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marshall M. Fredericks Archives Collection Description An account of the resource The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including: Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum Financial (30 linear feet) document the day-to-day operations of running a studio Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc. Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life Ephemera:(8 linear feet) containing portfolio postcards, posters, etc. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Color print Physical Dimensions The actual physical size of the original image. 3.5" x 5" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Flying Wild Geese" with large bushes in the background at an unidentified private residence Subject The topic of the resource Animal sculpture--20th century. Bronze sculpture, American--20th century. Fredericks, Marshall M., 1908-1998 Outdoor sculpture--United States. Description An account of the resource Atop a wooded hill overlooking a small pond in Detroit’s Elmwood Cemetery stands a memorial to the late attorney turned industrialist Alvan Macauley. Commissioned by his wife and son soon after his death in 1952, the sculpture reflects Macauley’s love of nature and wildlife. On a simple granite pedestal sit two bronze geese as they take off into flight. Beneath their bodies, the tips of swamp rushes bend under the weight of the birds’ wings. According to the sculptor, waterfowl are a symbol of eternal life and this sculpture symbolizes “the ascendency of the soul no longer imprisoned by the body.” It is a fitting memorial to a man said to have deeply appreciated nature and “people who worked with their hands.” In addition to its original commission by the Macauley family, Flying Wild Geese also serves as a memorial to two former faculty members at Alma College. Commissioned by an Alma College alumni committee, the sculpture is set on a glacial sandstone pedestal in the college’s Monteith Library mall. At the sculpture’s dedication in 1971, Fredericks stated that “the birds in flight express freedom of inquiry and symbolized Michigan and its environment.” Found throughout the United States and the world, Flying Wild Geese is one of Marshall Fredericks’ most popular sculptures. Many corporations, universities, cultural institutions and private individuals have chosen one of these sculptures for their collections. Source A related resource from which the described resource is derived Marshall M. Fredericks Papers Series V, Box 11 Folder 20 Date A point or period of time associated with an event in the lifecycle of the resource n.d. Rights Information about rights held in and over the resource Use of this image requires permission from the Marshall M. Fredericks Archives. Relation A related resource V-11-20 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Image Animal Animal Sculpture Bronze Bronze Sculpture Flying Wild Geese Geese Sculpture V1120 https://omeka2.svsu.edu/files/original/a70a9f6d6edf657e089cfbe46fcb4d60.jpg 6449da195e2161d93b4957c24449844d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marshall M. Fredericks Archives Collection Description An account of the resource The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including: Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum Financial (30 linear feet) document the day-to-day operations of running a studio Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc. Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life Ephemera:(8 linear feet) containing portfolio postcards, posters, etc. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Black and white print Physical Dimensions The actual physical size of the original image. 8" x 10" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Freedom of the Human Spirit" Subject The topic of the resource Animal sculpture--20th century. Bronze sculpture, American--20th century. Figure sculpture, American--20th century. Fredericks, Marshall M., 1908-1998 New York World's Fair (1964-1965) Outdoor sculpture--United States. Public sculpture, American Description An account of the resource The businessmen backers of the 1964-65 New York World’s Fair aspired to produce an economic boom for the city that would rival the hugely successful New York World’s Fair of 1939-40 that brought more than 44 million visitors to the city. Many of these planners, kids during the ’39-40 Fair, hoped that the experience would be as memorable for their children and families has it had been for them. Dedicated to “Man’s Achievement on a Shrinking Globe in an Expanding Universe,” the Fair’s theme was “Peace through Understanding.” The Fair’s Sculpture Committee requested that Marshall Fredericks submit a proposal for a sculpture to be included at the event. Fredericks submitted several sketches and the Committee selected a sketch of two figures with swans. Originally the figures in the sketch had wings, but the review panel requested that Fredericks remove them in the final sculpture. According to the artist, the sculpture “depicts human figures as if soaring in migratory flights with huge swans, an ancient symbol of eternal life.” One of four major sculptures at the Fair, the sculpture stood in the Court of States at the entrance of the U S Government Pavilion. This marked the second time Fredericks contributed a sculpture to a New York World’s Fair, as he previously exhibited a fountain at the 1939 Fair. The Freedom of the Human Spirit still stands at its original location in Flushing Meadows Corona Park in Queens borough. In 1983, Fredericks donated the design for this sculpture to his adopted hometown of Birmingham, Michigan in honor of the city’s fiftieth anniversary. Erected in Shain Park, the city financed the sculpture through generous donations from over one thousand individuals and corporations. In 2009, the city of Birmingham renovated the park and relocated the sculpture to an area in the center of the park. A small-scale casting of Freedom of the Human Spirit also serves as the annual Communications Award for the International Center for the Disabled (ICD), an organization of which Fredericks was a longtime benefactor. Source A related resource from which the described resource is derived Marshall M. Fredericks Papers Series V, Box 13 Folder 8 Date A point or period of time associated with an event in the lifecycle of the resource n.d. Rights Information about rights held in and over the resource Use of this image requires permission from the Marshall M. Fredericks Archives. Relation A related resource V-13-08 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 4908 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Flushing Meadows-Corona Park (New York, N.Y.) Animal Animal Sculpture Bronze Bronze Sculpture Figure Figure sculpture Freedom of the Human Spirit New York New York World's Fair Outdoor Sculpture Public Sculpture Sculpture Swan V1308 World's Fair https://omeka2.svsu.edu/files/original/228b06eea7a0ebb17a4a54c385c4238d.jpg e70bb025987fc44e06783c85c590a6db Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marshall M. Fredericks Archives Collection Description An account of the resource The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including: Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum Financial (30 linear feet) document the day-to-day operations of running a studio Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc. Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life Ephemera:(8 linear feet) containing portfolio postcards, posters, etc. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Color print Physical Dimensions The actual physical size of the original image. 4" x 6" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Freedom of the Human Spirit" - Marshall Fredericks and others examine the sculpture in Shain Park Subject The topic of the resource Animal sculpture--20th century. Bronze sculpture, American--20th century. Figure sculpture, American--20th century. Fredericks, Marshall M., 1908-1998 Outdoor sculpture--United States. Public sculpture, American Description An account of the resource The businessmen backers of the 1964-65 New York World’s Fair aspired to produce an economic boom for the city that would rival the hugely successful New York World’s Fair of 1939-40 that brought more than 44 million visitors to the city. Many of these planners, kids during the ’39-40 Fair, hoped that the experience would be as memorable for their children and families has it had been for them. Dedicated to “Man’s Achievement on a Shrinking Globe in an Expanding Universe,” the Fair’s theme was “Peace through Understanding.” The Fair’s Sculpture Committee requested that Marshall Fredericks submit a proposal for a sculpture to be included at the event. Fredericks submitted several sketches and the Committee selected a sketch of two figures with swans. Originally the figures in the sketch had wings, but the review panel requested that Fredericks remove them in the final sculpture. According to the artist, the sculpture “depicts human figures as if soaring in migratory flights with huge swans, an ancient symbol of eternal life.” One of four major sculptures at the Fair, the sculpture stood in the Court of States at the entrance of the U S Government Pavilion. This marked the second time Fredericks contributed a sculpture to a New York World’s Fair, as he previously exhibited a fountain at the 1939 Fair. The Freedom of the Human Spirit still stands at its original location in Flushing Meadows Corona Park in Queens borough. In 1983, Fredericks donated the design for this sculpture to his adopted hometown of Birmingham, Michigan in honor of the city’s fiftieth anniversary. Erected in Shain Park, the city financed the sculpture through generous donations from over one thousand individuals and corporations. In 2009, the city of Birmingham renovated the park and relocated the sculpture to an area in the center of the park. A small-scale casting of Freedom of the Human Spirit also serves as the annual Communications Award for the International Center for the Disabled (ICD), an organization of which Fredericks was a longtime benefactor. Source A related resource from which the described resource is derived Marshall M. Fredericks Papers Series V, Box 13 Folder 14 Date A point or period of time associated with an event in the lifecycle of the resource 1993 Rights Information about rights held in and over the resource Use of this image requires permission from the Marshall M. Fredericks Archives. Relation A related resource V-13-14 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Birmingham (Mich.) Animal Animal Sculpture Birmingham Bronze Bronze Sculpture Figure Figure sculpture Freedom of the Human Spirit Marshall Fredericks Michigan Public Sculpture Sculpture Shain Park Swan V1314 https://omeka2.svsu.edu/files/original/a72df497cb09f68c4306562d15ed2584.jpg c282dec8b6d8253dcd966deeae340fa7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marshall M. Fredericks Archives Collection Description An account of the resource The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including: Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum Financial (30 linear feet) document the day-to-day operations of running a studio Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc. Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life Ephemera:(8 linear feet) containing portfolio postcards, posters, etc. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Color print Physical Dimensions The actual physical size of the original image. 4" x 6" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Freedom of the Human Spirit" - Marshall Fredericks and two men examine the base of the sculpture in Shain Park Subject The topic of the resource Animal sculpture--20th century. Bronze sculpture, American--20th century. Figure sculpture, American--20th century. Fredericks, Marshall M., 1908-1998 Outdoor sculpture--United States. Public sculpture, American Description An account of the resource The businessmen backers of the 1964-65 New York World’s Fair aspired to produce an economic boom for the city that would rival the hugely successful New York World’s Fair of 1939-40 that brought more than 44 million visitors to the city. Many of these planners, kids during the ’39-40 Fair, hoped that the experience would be as memorable for their children and families has it had been for them. Dedicated to “Man’s Achievement on a Shrinking Globe in an Expanding Universe,” the Fair’s theme was “Peace through Understanding.” The Fair’s Sculpture Committee requested that Marshall Fredericks submit a proposal for a sculpture to be included at the event. Fredericks submitted several sketches and the Committee selected a sketch of two figures with swans. Originally the figures in the sketch had wings, but the review panel requested that Fredericks remove them in the final sculpture. According to the artist, the sculpture “depicts human figures as if soaring in migratory flights with huge swans, an ancient symbol of eternal life.” One of four major sculptures at the Fair, the sculpture stood in the Court of States at the entrance of the U S Government Pavilion. This marked the second time Fredericks contributed a sculpture to a New York World’s Fair, as he previously exhibited a fountain at the 1939 Fair. The Freedom of the Human Spirit still stands at its original location in Flushing Meadows Corona Park in Queens borough. In 1983, Fredericks donated the design for this sculpture to his adopted hometown of Birmingham, Michigan in honor of the city’s fiftieth anniversary. Erected in Shain Park, the city financed the sculpture through generous donations from over one thousand individuals and corporations. In 2009, the city of Birmingham renovated the park and relocated the sculpture to an area in the center of the park. A small-scale casting of Freedom of the Human Spirit also serves as the annual Communications Award for the International Center for the Disabled (ICD), an organization of which Fredericks was a longtime benefactor. Source A related resource from which the described resource is derived Marshall M. Fredericks Papers Series V, Box 13 Folder 14 Date A point or period of time associated with an event in the lifecycle of the resource 1993 Rights Information about rights held in and over the resource Use of this image requires permission from the Marshall M. Fredericks Archives. Relation A related resource V-13-14 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Birmingham (Mich.) Animal Animal Sculpture Birmingham Bronze Bronze Sculpture Figure Figure sculpture Freedom of the Human Spirit Marshall Fredericks Michigan Public Sculpture Sculpture Shain Park Swan V1314