37 10 8302 https://omeka2.svsu.edu/files/original/3dacef3f558fd95bfccb69cd63083de7.jpg 85fb0160218ae67d0a16a7fc002e52c9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marshall M. Fredericks Archives Collection Description An account of the resource The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including: Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum Financial (30 linear feet) document the day-to-day operations of running a studio Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc. Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life Ephemera:(8 linear feet) containing portfolio postcards, posters, etc. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Color print Physical Dimensions The actual physical size of the original image. 4" x 6" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Freedom of the Human Spirit" - Marshall Fredericks and two unidentified men examine the sculpture in Shain Park Subject The topic of the resource Animal sculpture--20th century. Bronze sculpture, American--20th century. Figure sculpture, American--20th century. Fredericks, Marshall M., 1908-1998 Outdoor sculpture--United States. Public sculpture, American Description An account of the resource The businessmen backers of the 1964-65 New York World’s Fair aspired to produce an economic boom for the city that would rival the hugely successful New York World’s Fair of 1939-40 that brought more than 44 million visitors to the city. Many of these planners, kids during the ’39-40 Fair, hoped that the experience would be as memorable for their children and families has it had been for them. Dedicated to “Man’s Achievement on a Shrinking Globe in an Expanding Universe,” the Fair’s theme was “Peace through Understanding.” The Fair’s Sculpture Committee requested that Marshall Fredericks submit a proposal for a sculpture to be included at the event. Fredericks submitted several sketches and the Committee selected a sketch of two figures with swans. Originally the figures in the sketch had wings, but the review panel requested that Fredericks remove them in the final sculpture. According to the artist, the sculpture “depicts human figures as if soaring in migratory flights with huge swans, an ancient symbol of eternal life.” One of four major sculptures at the Fair, the sculpture stood in the Court of States at the entrance of the U S Government Pavilion. This marked the second time Fredericks contributed a sculpture to a New York World’s Fair, as he previously exhibited a fountain at the 1939 Fair. The Freedom of the Human Spirit still stands at its original location in Flushing Meadows Corona Park in Queens borough. In 1983, Fredericks donated the design for this sculpture to his adopted hometown of Birmingham, Michigan in honor of the city’s fiftieth anniversary. Erected in Shain Park, the city financed the sculpture through generous donations from over one thousand individuals and corporations. In 2009, the city of Birmingham renovated the park and relocated the sculpture to an area in the center of the park. A small-scale casting of Freedom of the Human Spirit also serves as the annual Communications Award for the International Center for the Disabled (ICD), an organization of which Fredericks was a longtime benefactor. Source A related resource from which the described resource is derived Marshall M. Fredericks Papers Series V, Box 13 Folder 14 Date A point or period of time associated with an event in the lifecycle of the resource 1993 Rights Information about rights held in and over the resource Use of this image requires permission from the Marshall M. Fredericks Archives. Relation A related resource V-13-14 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Birmingham (Mich.) Animal Animal Sculpture Birmingham Bronze Bronze Sculpture Figure Figure sculpture Freedom of the Human Spirit Marshall Fredericks Michigan Public Sculpture Sculpture Shain Park Swan V1314 https://omeka2.svsu.edu/files/original/526c650489d47033884b2c5c87e1b047.jpg 727cc79ad401c55b3f6471ac059015e3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marshall M. Fredericks Archives Collection Description An account of the resource The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including: Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum Financial (30 linear feet) document the day-to-day operations of running a studio Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc. Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life Ephemera:(8 linear feet) containing portfolio postcards, posters, etc. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Color print Physical Dimensions The actual physical size of the original image. 3.5" x 4.5" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Freedom of the Human Spirit" - small scale bronze Subject The topic of the resource Animal sculpture--20th century. Bronze sculpture, American--20th century. Figure sculpture, American--20th century. Fredericks, Marshall M., 1908-1998 Description An account of the resource The businessmen backers of the 1964-65 New York World’s Fair aspired to produce an economic boom for the city that would rival the hugely successful New York World’s Fair of 1939-40 that brought more than 44 million visitors to the city. Many of these planners, kids during the ’39-40 Fair, hoped that the experience would be as memorable for their children and families has it had been for them. Dedicated to “Man’s Achievement on a Shrinking Globe in an Expanding Universe,” the Fair’s theme was “Peace through Understanding.” The Fair’s Sculpture Committee requested that Marshall Fredericks submit a proposal for a sculpture to be included at the event. Fredericks submitted several sketches and the Committee selected a sketch of two figures with swans. Originally the figures in the sketch had wings, but the review panel requested that Fredericks remove them in the final sculpture. According to the artist, the sculpture “depicts human figures as if soaring in migratory flights with huge swans, an ancient symbol of eternal life.” One of four major sculptures at the Fair, the sculpture stood in the Court of States at the entrance of the U S Government Pavilion. This marked the second time Fredericks contributed a sculpture to a New York World’s Fair, as he previously exhibited a fountain at the 1939 Fair. The Freedom of the Human Spirit still stands at its original location in Flushing Meadows Corona Park in Queens borough. In 1983, Fredericks donated the design for this sculpture to his adopted hometown of Birmingham, Michigan in honor of the city’s fiftieth anniversary. Erected in Shain Park, the city financed the sculpture through generous donations from over one thousand individuals and corporations. In 2009, the city of Birmingham renovated the park and relocated the sculpture to an area in the center of the park. A small-scale casting of Freedom of the Human Spirit also serves as the annual Communications Award for the International Center for the Disabled (ICD), an organization of which Fredericks was a longtime benefactor. Source A related resource from which the described resource is derived Marshall M. Fredericks Papers Series V, Box 13 Folder 2 Date A point or period of time associated with an event in the lifecycle of the resource n.d. Rights Information about rights held in and over the resource Use of this image requires permission from the Marshall M. Fredericks Archives. Relation A related resource V-13-02 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Image Animal Animal Sculpture Bronze Bronze Sculpture Figure Figure sculpture Freedom of the Human Spirit Sculpture Small Scale Swan V1302 https://omeka2.svsu.edu/files/original/d873a05e036de196af27a94af9b88e8b.jpg 1cecd93f0fa3536527544caa38b1f96e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marshall M. Fredericks Archives Collection Description An account of the resource The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including: Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum Financial (30 linear feet) document the day-to-day operations of running a studio Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc. Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life Ephemera:(8 linear feet) containing portfolio postcards, posters, etc. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Color print Physical Dimensions The actual physical size of the original image. 3.5" x 4.5" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Freedom of the Human Spirit" - small scale bronze - front view Subject The topic of the resource Animal sculpture--20th century. Bronze sculpture, American--20th century. Figure sculpture, American--20th century. Fredericks, Marshall M., 1908-1998 Description An account of the resource The businessmen backers of the 1964-65 New York World’s Fair aspired to produce an economic boom for the city that would rival the hugely successful New York World’s Fair of 1939-40 that brought more than 44 million visitors to the city. Many of these planners, kids during the ’39-40 Fair, hoped that the experience would be as memorable for their children and families has it had been for them. Dedicated to “Man’s Achievement on a Shrinking Globe in an Expanding Universe,” the Fair’s theme was “Peace through Understanding.” The Fair’s Sculpture Committee requested that Marshall Fredericks submit a proposal for a sculpture to be included at the event. Fredericks submitted several sketches and the Committee selected a sketch of two figures with swans. Originally the figures in the sketch had wings, but the review panel requested that Fredericks remove them in the final sculpture. According to the artist, the sculpture “depicts human figures as if soaring in migratory flights with huge swans, an ancient symbol of eternal life.” One of four major sculptures at the Fair, the sculpture stood in the Court of States at the entrance of the U S Government Pavilion. This marked the second time Fredericks contributed a sculpture to a New York World’s Fair, as he previously exhibited a fountain at the 1939 Fair. The Freedom of the Human Spirit still stands at its original location in Flushing Meadows Corona Park in Queens borough. In 1983, Fredericks donated the design for this sculpture to his adopted hometown of Birmingham, Michigan in honor of the city’s fiftieth anniversary. Erected in Shain Park, the city financed the sculpture through generous donations from over one thousand individuals and corporations. In 2009, the city of Birmingham renovated the park and relocated the sculpture to an area in the center of the park. A small-scale casting of Freedom of the Human Spirit also serves as the annual Communications Award for the International Center for the Disabled (ICD), an organization of which Fredericks was a longtime benefactor. Source A related resource from which the described resource is derived Marshall M. Fredericks Papers Series V, Box 13 Folder 2 Date A point or period of time associated with an event in the lifecycle of the resource n.d. Rights Information about rights held in and over the resource Use of this image requires permission from the Marshall M. Fredericks Archives. Relation A related resource V-13-02 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Image Animal Animal Sculpture Bronze Bronze Sculpture Figure Figure sculpture Freedom of the Human Spirit Sculpture Small Scale Swan V1302 https://omeka2.svsu.edu/files/original/freedom-of-the-human-spirit-covered-by-a-tarp_1bd65eb722.tif d14a82a92f18617f0b64b33df16a02e1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marshall M. Fredericks Archives Collection Description An account of the resource The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including: Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum Financial (30 linear feet) document the day-to-day operations of running a studio Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc. Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life Ephemera:(8 linear feet) containing portfolio postcards, posters, etc. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Color print Physical Dimensions The actual physical size of the original image. 4" x 6" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Freedom of the Human Spirit" covered by a tarp Subject The topic of the resource Animal sculpture--20th century. Bronze sculpture, American--20th century. Figure sculpture, American--20th century. Fredericks, Marshall M., 1908-1998 Outdoor sculpture--United States. Public sculpture, American Description An account of the resource The businessmen backers of the 1964-65 New York World’s Fair aspired to produce an economic boom for the city that would rival the hugely successful New York World’s Fair of 1939-40 that brought more than 44 million visitors to the city. Many of these planners, kids during the ’39-40 Fair, hoped that the experience would be as memorable for their children and families has it had been for them. Dedicated to “Man’s Achievement on a Shrinking Globe in an Expanding Universe,” the Fair’s theme was “Peace through Understanding.” The Fair’s Sculpture Committee requested that Marshall Fredericks submit a proposal for a sculpture to be included at the event. Fredericks submitted several sketches and the Committee selected a sketch of two figures with swans. Originally the figures in the sketch had wings, but the review panel requested that Fredericks remove them in the final sculpture. According to the artist, the sculpture “depicts human figures as if soaring in migratory flights with huge swans, an ancient symbol of eternal life.” One of four major sculptures at the Fair, the sculpture stood in the Court of States at the entrance of the U S Government Pavilion. This marked the second time Fredericks contributed a sculpture to a New York World’s Fair, as he previously exhibited a fountain at the 1939 Fair. The Freedom of the Human Spirit still stands at its original location in Flushing Meadows Corona Park in Queens borough. In 1983, Fredericks donated the design for this sculpture to his adopted hometown of Birmingham, Michigan in honor of the city’s fiftieth anniversary. Erected in Shain Park, the city financed the sculpture through generous donations from over one thousand individuals and corporations. In 2009, the city of Birmingham renovated the park and relocated the sculpture to an area in the center of the park. A small-scale casting of Freedom of the Human Spirit also serves as the annual Communications Award for the International Center for the Disabled (ICD), an organization of which Fredericks was a longtime benefactor. Creator An entity primarily responsible for making the resource Lagerkvist, James B. Source A related resource from which the described resource is derived Marshall M. Fredericks Papers Series V, Box 13 Folder 12 Date A point or period of time associated with an event in the lifecycle of the resource 1986-09 Rights Information about rights held in and over the resource Use of this image requires permission from the creator. Relation A related resource V-13-12 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Birmingham (Mich.) Animal Animal Sculpture Bronze Bronze Sculpture Figure Figure sculpture Freedom of the Human Spirit Outdoor Sculpture Public Sculpture Unveiling V1312 https://omeka2.svsu.edu/files/original/92beb4501a0739ed4f3f89e889e3b440.jpg bdbfa03fc00d501469ec164090109707 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marshall M. Fredericks Archives Collection Description An account of the resource The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including: Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum Financial (30 linear feet) document the day-to-day operations of running a studio Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc. Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life Ephemera:(8 linear feet) containing portfolio postcards, posters, etc. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Color print Physical Dimensions The actual physical size of the original image. 4" x 6" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Freedom of the Human Spirit" during its restoration with the Unisphere in the background Source A related resource from which the described resource is derived Marshall M. Fredericks Papers Series II, Box 14, Folder 3 Date A point or period of time associated with an event in the lifecycle of the resource 1996 July 1 Rights Information about rights held in and over the resource Use of this image requires permission from the Marshall M. Fredericks Archives. Relation A related resource II-14-03 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context No. 23 Subject The topic of the resource Animal sculpture--20th century. Bronze sculpture, American--20th century. Figure sculpture, American--20th century. Fredericks, Marshall M., 1908-1998 New York World's Fair (1964-1965) Outdoor sculpture--United States. Public sculpture, American Sculpture--Conservation and restoration--United States. Unisphere (New York, N.Y.) Description An account of the resource The businessmen backers of the 1964-65 New York World’s Fair aspired to produce an economic boom for the city that would rival the hugely successful New York World’s Fair of 1939-40 that brought more than 44 million visitors to the city. Many of these planners, kids during the ’39-40 Fair, hoped that the experience would be as memorable for their children and families has it had been for them. Dedicated to “Man’s Achievement on a Shrinking Globe in an Expanding Universe,” the Fair’s theme was “Peace through Understanding.” The Fair’s Sculpture Committee requested that Marshall Fredericks submit a proposal for a sculpture to be included at the event. Fredericks submitted several sketches and the Committee selected a sketch of two figures with swans. Originally the figures in the sketch had wings, but the review panel requested that Fredericks remove them in the final sculpture. According to the artist, the sculpture “depicts human figures as if soaring in migratory flights with huge swans, an ancient symbol of eternal life.” One of four major sculptures at the Fair, the sculpture stood in the Court of States at the entrance of the U S Government Pavilion. This marked the second time Fredericks contributed a sculpture to a New York World’s Fair, as he previously exhibited a fountain at the 1939 Fair. The Freedom of the Human Spirit still stands at its original location in Flushing Meadows Corona Park in Queens borough. In 1983, Fredericks donated the design for this sculpture to his adopted hometown of Birmingham, Michigan in honor of the city’s fiftieth anniversary. Erected in Shain Park, the city financed the sculpture through generous donations from over one thousand individuals and corporations. In 2009, the city of Birmingham renovated the park and relocated the sculpture to an area in the center of the park. A small-scale casting of Freedom of the Human Spirit also serves as the annual Communications Award for the International Center for the Disabled (ICD), an organization of which Fredericks was a longtime benefactor. Creator An entity primarily responsible for making the resource Possibly photographed by Joe Jernejcic Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Flushing Meadows-Corona Park (New York, N.Y.) Freedom of the Human Spirit II1403 Unisphere https://omeka2.svsu.edu/files/original/adccb9dbaafa7fe254fd249a116da01b.jpg 1d451a83b6dcc3166ab7ec0ab1186217 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marshall M. Fredericks Archives Collection Description An account of the resource The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including: Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum Financial (30 linear feet) document the day-to-day operations of running a studio Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc. Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life Ephemera:(8 linear feet) containing portfolio postcards, posters, etc. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Color print Physical Dimensions The actual physical size of the original image. 4" x 6" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Freedom of the Human Spirit" following its restoration Source A related resource from which the described resource is derived Marshall M. Fredericks Papers Series II, Box 14, Folder 3 Date A point or period of time associated with an event in the lifecycle of the resource 1996 July 1 Rights Information about rights held in and over the resource Use of this image requires permission from the Marshall M. Fredericks Archives. Relation A related resource II-14-03 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 01 Subject The topic of the resource Animal sculpture--20th century. Bronze sculpture, American--20th century. Figure sculpture, American--20th century. Fredericks, Marshall M., 1908-1998 New York World's Fair (1964-1965) Outdoor sculpture--United States. Public sculpture, American Sculpture--Conservation and restoration--United States. Description An account of the resource The businessmen backers of the 1964-65 New York World’s Fair aspired to produce an economic boom for the city that would rival the hugely successful New York World’s Fair of 1939-40 that brought more than 44 million visitors to the city. Many of these planners, kids during the ’39-40 Fair, hoped that the experience would be as memorable for their children and families has it had been for them. Dedicated to “Man’s Achievement on a Shrinking Globe in an Expanding Universe,” the Fair’s theme was “Peace through Understanding.” The Fair’s Sculpture Committee requested that Marshall Fredericks submit a proposal for a sculpture to be included at the event. Fredericks submitted several sketches and the Committee selected a sketch of two figures with swans. Originally the figures in the sketch had wings, but the review panel requested that Fredericks remove them in the final sculpture. According to the artist, the sculpture “depicts human figures as if soaring in migratory flights with huge swans, an ancient symbol of eternal life.” One of four major sculptures at the Fair, the sculpture stood in the Court of States at the entrance of the U S Government Pavilion. This marked the second time Fredericks contributed a sculpture to a New York World’s Fair, as he previously exhibited a fountain at the 1939 Fair. The Freedom of the Human Spirit still stands at its original location in Flushing Meadows Corona Park in Queens borough. In 1983, Fredericks donated the design for this sculpture to his adopted hometown of Birmingham, Michigan in honor of the city’s fiftieth anniversary. Erected in Shain Park, the city financed the sculpture through generous donations from over one thousand individuals and corporations. In 2009, the city of Birmingham renovated the park and relocated the sculpture to an area in the center of the park. A small-scale casting of Freedom of the Human Spirit also serves as the annual Communications Award for the International Center for the Disabled (ICD), an organization of which Fredericks was a longtime benefactor. Creator An entity primarily responsible for making the resource Possibly photographed by Joe Jernejcic Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Flushing Meadows-Corona Park (New York, N.Y.) Freedom of the Human Spirit II1403 https://omeka2.svsu.edu/files/original/833bf31c4e6b464d7536dc8bbe1ab54d.jpg 472aea8800072b828104dab567835922 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marshall M. Fredericks Archives Collection Description An account of the resource The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including: Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum Financial (30 linear feet) document the day-to-day operations of running a studio Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc. Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life Ephemera:(8 linear feet) containing portfolio postcards, posters, etc. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Color print Physical Dimensions The actual physical size of the original image. 4" x 6" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Freedom of the Human Spirit" following its restoration with the USTA Billie Jean King National Tennis Center in the background Source A related resource from which the described resource is derived Marshall M. Fredericks Papers Series II, Box 14, Folder 3 Date A point or period of time associated with an event in the lifecycle of the resource 1996 July 1 Rights Information about rights held in and over the resource Use of this image requires permission from the Marshall M. Fredericks Archives. Relation A related resource II-14-03 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 01 Subject The topic of the resource Animal sculpture--20th century. Bronze sculpture, American--20th century. Figure sculpture, American--20th century. Fredericks, Marshall M., 1908-1998 New York World's Fair (1964-1965) Outdoor sculpture--United States. Public sculpture, American Sculpture--Conservation and restoration--United States. Description An account of the resource The businessmen backers of the 1964-65 New York World’s Fair aspired to produce an economic boom for the city that would rival the hugely successful New York World’s Fair of 1939-40 that brought more than 44 million visitors to the city. Many of these planners, kids during the ’39-40 Fair, hoped that the experience would be as memorable for their children and families has it had been for them. Dedicated to “Man’s Achievement on a Shrinking Globe in an Expanding Universe,” the Fair’s theme was “Peace through Understanding.” The Fair’s Sculpture Committee requested that Marshall Fredericks submit a proposal for a sculpture to be included at the event. Fredericks submitted several sketches and the Committee selected a sketch of two figures with swans. Originally the figures in the sketch had wings, but the review panel requested that Fredericks remove them in the final sculpture. According to the artist, the sculpture “depicts human figures as if soaring in migratory flights with huge swans, an ancient symbol of eternal life.” One of four major sculptures at the Fair, the sculpture stood in the Court of States at the entrance of the U S Government Pavilion. This marked the second time Fredericks contributed a sculpture to a New York World’s Fair, as he previously exhibited a fountain at the 1939 Fair. The Freedom of the Human Spirit still stands at its original location in Flushing Meadows Corona Park in Queens borough. In 1983, Fredericks donated the design for this sculpture to his adopted hometown of Birmingham, Michigan in honor of the city’s fiftieth anniversary. Erected in Shain Park, the city financed the sculpture through generous donations from over one thousand individuals and corporations. In 2009, the city of Birmingham renovated the park and relocated the sculpture to an area in the center of the park. A small-scale casting of Freedom of the Human Spirit also serves as the annual Communications Award for the International Center for the Disabled (ICD), an organization of which Fredericks was a longtime benefactor. Creator An entity primarily responsible for making the resource Possibly photographed by Joe Jernejcic Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant USTA Billie Jean King National Tennis Center Freedom of the Human Spirit II1403 https://omeka2.svsu.edu/files/original/5c49efb6d5e2f48c4f1c7604a52944c3.jpg 75f757537d03b4c706feeaf8e79aed5b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marshall M. Fredericks Archives Collection Description An account of the resource The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including: Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum Financial (30 linear feet) document the day-to-day operations of running a studio Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc. Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life Ephemera:(8 linear feet) containing portfolio postcards, posters, etc. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Color print Physical Dimensions The actual physical size of the original image. 4" x 6" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Freedom of the Human Spirit" in Shain Park Subject The topic of the resource Animal sculpture--20th century. Bronze sculpture, American--20th century. Figure sculpture, American--20th century. Fredericks, Marshall M., 1908-1998 Outdoor sculpture--United States. Public sculpture, American Description An account of the resource The businessmen backers of the 1964-65 New York World’s Fair aspired to produce an economic boom for the city that would rival the hugely successful New York World’s Fair of 1939-40 that brought more than 44 million visitors to the city. Many of these planners, kids during the ’39-40 Fair, hoped that the experience would be as memorable for their children and families has it had been for them. Dedicated to “Man’s Achievement on a Shrinking Globe in an Expanding Universe,” the Fair’s theme was “Peace through Understanding.” The Fair’s Sculpture Committee requested that Marshall Fredericks submit a proposal for a sculpture to be included at the event. Fredericks submitted several sketches and the Committee selected a sketch of two figures with swans. Originally the figures in the sketch had wings, but the review panel requested that Fredericks remove them in the final sculpture. According to the artist, the sculpture “depicts human figures as if soaring in migratory flights with huge swans, an ancient symbol of eternal life.” One of four major sculptures at the Fair, the sculpture stood in the Court of States at the entrance of the U S Government Pavilion. This marked the second time Fredericks contributed a sculpture to a New York World’s Fair, as he previously exhibited a fountain at the 1939 Fair. The Freedom of the Human Spirit still stands at its original location in Flushing Meadows Corona Park in Queens borough. In 1983, Fredericks donated the design for this sculpture to his adopted hometown of Birmingham, Michigan in honor of the city’s fiftieth anniversary. Erected in Shain Park, the city financed the sculpture through generous donations from over one thousand individuals and corporations. In 2009, the city of Birmingham renovated the park and relocated the sculpture to an area in the center of the park. A small-scale casting of Freedom of the Human Spirit also serves as the annual Communications Award for the International Center for the Disabled (ICD), an organization of which Fredericks was a longtime benefactor. Source A related resource from which the described resource is derived Marshall M. Fredericks Papers Series V, Box 13 Folder 14 Date A point or period of time associated with an event in the lifecycle of the resource n.d. Rights Information about rights held in and over the resource Use of this image requires permission from the Marshall M. Fredericks Archives. Relation A related resource V-13-14 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource IMage Identifier An unambiguous reference to the resource within a given context 03 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Birmingham (Mich.) Animal Animal Sculpture Birmingham Bronze Bronze Sculpture Figure Figure sculpture Freedom of the Human Spirit Michigan Public Sculpture Sculpture Shain Park Swan V1314 https://omeka2.svsu.edu/files/original/f4b9930eeca6b373316fc3db0bd11672.jpg 5988c0b2b17bddbde77c885e9ce2ef9d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marshall M. Fredericks Archives Collection Description An account of the resource The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including: Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum Financial (30 linear feet) document the day-to-day operations of running a studio Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc. Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life Ephemera:(8 linear feet) containing portfolio postcards, posters, etc. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Color print Physical Dimensions The actual physical size of the original image. 4" x 6" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Freedom of the Human Spirit" in Shain Park - front view Subject The topic of the resource Animal sculpture--20th century. Bronze sculpture, American--20th century. Figure sculpture, American--20th century. Fredericks, Marshall M., 1908-1998 Outdoor sculpture--United States. Public sculpture, American Description An account of the resource The businessmen backers of the 1964-65 New York World’s Fair aspired to produce an economic boom for the city that would rival the hugely successful New York World’s Fair of 1939-40 that brought more than 44 million visitors to the city. Many of these planners, kids during the ’39-40 Fair, hoped that the experience would be as memorable for their children and families has it had been for them. Dedicated to “Man’s Achievement on a Shrinking Globe in an Expanding Universe,” the Fair’s theme was “Peace through Understanding.” The Fair’s Sculpture Committee requested that Marshall Fredericks submit a proposal for a sculpture to be included at the event. Fredericks submitted several sketches and the Committee selected a sketch of two figures with swans. Originally the figures in the sketch had wings, but the review panel requested that Fredericks remove them in the final sculpture. According to the artist, the sculpture “depicts human figures as if soaring in migratory flights with huge swans, an ancient symbol of eternal life.” One of four major sculptures at the Fair, the sculpture stood in the Court of States at the entrance of the U S Government Pavilion. This marked the second time Fredericks contributed a sculpture to a New York World’s Fair, as he previously exhibited a fountain at the 1939 Fair. The Freedom of the Human Spirit still stands at its original location in Flushing Meadows Corona Park in Queens borough. In 1983, Fredericks donated the design for this sculpture to his adopted hometown of Birmingham, Michigan in honor of the city’s fiftieth anniversary. Erected in Shain Park, the city financed the sculpture through generous donations from over one thousand individuals and corporations. In 2009, the city of Birmingham renovated the park and relocated the sculpture to an area in the center of the park. A small-scale casting of Freedom of the Human Spirit also serves as the annual Communications Award for the International Center for the Disabled (ICD), an organization of which Fredericks was a longtime benefactor. Source A related resource from which the described resource is derived Marshall M. Fredericks Papers Series V, Box 13 Folder 14 Date A point or period of time associated with an event in the lifecycle of the resource n.d. Rights Information about rights held in and over the resource Use of this image requires permission from the Marshall M. Fredericks Archives. Relation A related resource V-13-14 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Birmingham (Mich.) Animal Animal Sculpture Birmingham Bronze Bronze Sculpture Figure Figure sculpture Freedom of the Human Spirit Michigan Public Sculpture Sculpture Shain Park Swan V1314 https://omeka2.svsu.edu/files/original/freedom-of-the-human-spirit-in-shain-park-with-a-crowd-of-people-behind-it_2837a3fd95.tif 81accaa901618430792e10c2242d1b06 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marshall M. Fredericks Archives Collection Description An account of the resource The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including: Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum Financial (30 linear feet) document the day-to-day operations of running a studio Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc. Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life Ephemera:(8 linear feet) containing portfolio postcards, posters, etc. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Color print Physical Dimensions The actual physical size of the original image. 4" x 6" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Freedom of the Human Spirit" in Shain Park with a crowd of people behind it Subject The topic of the resource Animal sculpture--20th century. Bronze sculpture, American--20th century. Figure sculpture, American--20th century. Fredericks, Marshall M., 1908-1998 Outdoor sculpture--United States. Public sculpture, American Description An account of the resource The businessmen backers of the 1964-65 New York World’s Fair aspired to produce an economic boom for the city that would rival the hugely successful New York World’s Fair of 1939-40 that brought more than 44 million visitors to the city. Many of these planners, kids during the ’39-40 Fair, hoped that the experience would be as memorable for their children and families has it had been for them. Dedicated to “Man’s Achievement on a Shrinking Globe in an Expanding Universe,” the Fair’s theme was “Peace through Understanding.” The Fair’s Sculpture Committee requested that Marshall Fredericks submit a proposal for a sculpture to be included at the event. Fredericks submitted several sketches and the Committee selected a sketch of two figures with swans. Originally the figures in the sketch had wings, but the review panel requested that Fredericks remove them in the final sculpture. According to the artist, the sculpture “depicts human figures as if soaring in migratory flights with huge swans, an ancient symbol of eternal life.” One of four major sculptures at the Fair, the sculpture stood in the Court of States at the entrance of the U S Government Pavilion. This marked the second time Fredericks contributed a sculpture to a New York World’s Fair, as he previously exhibited a fountain at the 1939 Fair. The Freedom of the Human Spirit still stands at its original location in Flushing Meadows Corona Park in Queens borough. In 1983, Fredericks donated the design for this sculpture to his adopted hometown of Birmingham, Michigan in honor of the city’s fiftieth anniversary. Erected in Shain Park, the city financed the sculpture through generous donations from over one thousand individuals and corporations. In 2009, the city of Birmingham renovated the park and relocated the sculpture to an area in the center of the park. A small-scale casting of Freedom of the Human Spirit also serves as the annual Communications Award for the International Center for the Disabled (ICD), an organization of which Fredericks was a longtime benefactor. Creator An entity primarily responsible for making the resource Lagerkvist, James B. Source A related resource from which the described resource is derived Marshall M. Fredericks Papers Series V, Box 13 Folder 12 Date A point or period of time associated with an event in the lifecycle of the resource 1986-09 Rights Information about rights held in and over the resource Use of this image requires permission from the creator. Relation A related resource V-13-12 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Birmingham (Mich.) Animal Animal Sculpture Bronze Bronze Sculpture Figure Figure sculpture Freedom of the Human Spirit Outdoor Sculpture Public Sculpture Shain Park Unveiling V1312