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&#13;
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&#13;
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&#13;
In keeping with a long tradition in western art, the sculptor personified time with figures representing night and day.  Night possesses long, smooth, graceful curves.  Night floats upon a swan in flight, holding a small bird in her hand.&#13;
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Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
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Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
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&#13;
In the center of the sculpture is the elephant-headed god Ganesh. To his left are two figures kneeling in prayer.  The head and neck of a bull form the left end of the sculpture. Considered a sacred animal in India, Hindus view the bull as a symbol of fertility and plenty. &#13;
&#13;
Fredericks gained appreciation of Indian culture while stationed in India during World War II.  &#13;
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
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Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
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Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
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Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
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The eagle is the most prominent element. The simplified details of the eagle's body and feathers are typical of Fredericksâ€™ style. &#13;
 &#13;
The face and obverse of the medallion are visible in the relief. The eagleâ€™s talons grasp an olive branch and arrows signifying a capacity for both peace and war. On the obverse of the medallion, encircling the inscription is a laurel branch on the left and an oak branch on the right. These signify victory and strength.&#13;
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Fredericks also designed a medallion for the Eaton Manufacturing Corporation in 1948.&#13;
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Series V, Box 9 Folder 14&#13;
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Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
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Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
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Artists' studios--United States.&#13;
Fredericks, Marshall M., 1908-1998&#13;
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                <text>This delicately balanced sculpture is evidence of Fredericks' expertise in design and structural engineering. The openness and verticality of the composition are very dramatic. &#13;
&#13;
The large gulls appear weightless, held in place only by a wing tip, giving the illusion of flight and movement. Fredericks reinforced the elegance of the composition with the smooth surfaces of the gulls' bodies and wings, only slightly suggesting feathers and other details. &#13;
&#13;
To complete this airy construction, Fredericks utilized lightweight aluminum to cast the gulls for a fountain at the Civic Center and Loutit District Library Plaza in Grand Haven, Michigan.  &#13;
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
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Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
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Artists' studios--United States.&#13;
Fredericks, Marshall M., 1908-1998&#13;
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                <text>Atop a wooded hill overlooking a small pond in Detroitâ€™s Elmwood Cemetery stands a memorial to the late attorney turned industrialist Alvan Macauley. Commissioned by his wife and son soon after his death in 1952, the sculpture reflects Macauleyâ€™s love of nature and wildlife. On a simple granite pedestal sit two bronze geese as they take off into flight. Beneath their bodies, the tips of swamp rushes bend under the weight of the birdsâ€™ wings.&#13;
&#13;
According to the sculptor, waterfowl are a symbol of eternal life and this sculpture symbolizes â€œthe ascendency of the soul no longer imprisoned by the body.â€ It is a fitting memorial to a man said to have deeply appreciated nature and â€œpeople who worked with their hands.â€&#13;
&#13;
In addition to its original commission by the Macauley family, Flying Wild Geese also serves as a memorial to two former faculty members at Alma College. Commissioned by an Alma College alumni committee, the sculpture is set on a glacial sandstone pedestal in the collegeâ€™s Monteith Library mall. At the sculptureâ€™s dedication in 1971, Fredericks stated that â€œthe birds in flight express freedom of inquiry and symbolized Michigan and its environment.â€&#13;
&#13;
Found throughout the United States and the world, Flying Wild Geese is one of Marshall Fredericksâ€™ most popular sculptures. Many corporations, universities, cultural institutions and private individuals have chosen one of these sculptures for their collections. &#13;
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Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
&#13;
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
&#13;
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work&#13;
&#13;
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed&#13;
&#13;
Video/Films/Audio: (13 linear feet) including media relating to Fredericksâ€™ work, civic interests, and life&#13;
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Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.</text>
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Fredericks, Marshall M., 1908-1998&#13;
Indians in art.&#13;
Relief (Art)&#13;
University of Michiganâ€”Buildings&#13;
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Series V, Box 23 Folder 23&#13;
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