495 10 8302 https://omeka2.svsu.edu/files/original/front-view-of-lord-byron-(the-poet)---small-scale-bronze_cd0a4ded71.tif 8991cc66a706693343fc59f83fb3245e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marshall M. Fredericks Archives Collection Description An account of the resource The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including: Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum Financial (30 linear feet) document the day-to-day operations of running a studio Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc. Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life Ephemera:(8 linear feet) containing portfolio postcards, posters, etc. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Color print Physical Dimensions The actual physical size of the original image. 5" x 5" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Front view of "Lord Byron" (The Poet) - small-scale bronze Subject The topic of the resource Bronze sculpture, American--20th century. Byron, George Gordon Byron, baron, 1788-1824. Figure sculpture, American--20th century. Fredericks, Marshall M., 1908-1998 Description An account of the resource According to MaryAnn Wilkinson, former curator of modern and contemporary art at The Detroit Institute of Arts, “His last monumental work, Lord Byron, designed in 1938, enlarged by the artist, and cast posthumously in 1998 for the Marshall Fredericks Sculpture Museum paradoxically seems to refer back to Fredericks's earliest influences. This literary figure clearly inspired by Rodin's Balzac, strikes a shameless dramatic pose: head flung back with his hand on his forehead, heavy cloak partially pulled around his body with the other hand flying out to the side and back. Fredericks, in contrast to the symmetry that generally characterizes his designs, treated each side of the Byron figure in a different manner. Along its right side, the figure is closed and solid. The drop of the heavy cloak does not allow for articulation of forms or even for suggestion of the body beneath. Rather, the artist exploits the long, unbroken line of the cloak from the figure's chin to the ground. In contrast, the figure's left side is open and plastic with elbow and knee flung out at an angle from the nipped-in waist. Like Sun Worshipper, The Poet: Lord Byron represents an important mid-career design that he was only able to realize in large scale at the end of his career.” (Marshall M. Fredericks, Sculptor, p. 15) Byron was a member of the Romantics Poets movement and lived from 1788-1824. As a young adult, Fredericks developed a deep passion for Byron’s poetry. The Poet: Lord Byron was cast posthumously in 1998 and resides in the Marshall M. Fredericks Sculpture Museum’s sculpture garden. Source A related resource from which the described resource is derived Marshall M. Fredericks Papers Series V, Box 15 Folder 41 Date A point or period of time associated with an event in the lifecycle of the resource 1998 Rights Information about rights held in and over the resource Use of this image requires permission from the Marshall M. Fredericks Archives. Relation A related resource V-15-41 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 11 Bronze Bronze Sculpture Figure Figure sculpture Lord Byron Lord Byron (The Poet) Sculpture Small Scale V1541 https://omeka2.svsu.edu/files/original/lord-byron-(the-poet)---small-scale-bronze2_e52a46ef12.tif 3bf821d3497e09a1ae132f34a682038b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marshall M. Fredericks Archives Collection Description An account of the resource The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including: Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum Financial (30 linear feet) document the day-to-day operations of running a studio Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc. Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life Ephemera:(8 linear feet) containing portfolio postcards, posters, etc. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Color print Physical Dimensions The actual physical size of the original image. 5" x 5" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource View of "Lord Byron" (The Poet) - small-scale bronze Subject The topic of the resource Bronze sculpture, American--20th century. Byron, George Gordon Byron, baron, 1788-1824. Figure sculpture, American--20th century. Fredericks, Marshall M., 1908-1998 Description An account of the resource According to MaryAnn Wilkinson, former curator of modern and contemporary art at The Detroit Institute of Arts, “His last monumental work, Lord Byron, designed in 1938, enlarged by the artist, and cast posthumously in 1998 for the Marshall Fredericks Sculpture Museum paradoxically seems to refer back to Fredericks's earliest influences. This literary figure clearly inspired by Rodin's Balzac, strikes a shameless dramatic pose: head flung back with his hand on his forehead, heavy cloak partially pulled around his body with the other hand flying out to the side and back. Fredericks, in contrast to the symmetry that generally characterizes his designs, treated each side of the Byron figure in a different manner. Along its right side, the figure is closed and solid. The drop of the heavy cloak does not allow for articulation of forms or even for suggestion of the body beneath. Rather, the artist exploits the long, unbroken line of the cloak from the figure's chin to the ground. In contrast, the figure's left side is open and plastic with elbow and knee flung out at an angle from the nipped-in waist. Like Sun Worshipper, The Poet: Lord Byron represents an important mid-career design that he was only able to realize in large scale at the end of his career.” (Marshall M. Fredericks, Sculptor, p. 15) Byron was a member of the Romantics Poets movement and lived from 1788-1824. As a young adult, Fredericks developed a deep passion for Byron’s poetry. The Poet: Lord Byron was cast posthumously in 1998 and resides in the Marshall M. Fredericks Sculpture Museum’s sculpture garden. Source A related resource from which the described resource is derived Marshall M. Fredericks Papers Series V, Box 15 Folder 41 Date A point or period of time associated with an event in the lifecycle of the resource 1998 Rights Information about rights held in and over the resource Use of this image requires permission from the Marshall M. Fredericks Archives. Relation A related resource V-15-41 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 12 Bronze Bronze Sculpture Figure Figure sculpture Lord Byron Lord Byron (The Poet) Sculpture Small Scale V1541 https://omeka2.svsu.edu/files/original/bronze-lord-byron-(the-poet)---small-scale_4d4ff2a341.tif 8ed4ffb5a0ec26142fafcde0572e9bc9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marshall M. Fredericks Archives Collection Description An account of the resource The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including: Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum Financial (30 linear feet) document the day-to-day operations of running a studio Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc. Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life Ephemera:(8 linear feet) containing portfolio postcards, posters, etc. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Color print Physical Dimensions The actual physical size of the original image. 5" x 5" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bronze "Lord Byron" (The Poet) - small-scale Subject The topic of the resource Bronze sculpture, American--20th century. Byron, George Gordon Byron, baron, 1788-1824. Figure sculpture, American--20th century. Fredericks, Marshall M., 1908-1998 Description An account of the resource According to MaryAnn Wilkinson, former curator of modern and contemporary art at The Detroit Institute of Arts, “His last monumental work, Lord Byron, designed in 1938, enlarged by the artist, and cast posthumously in 1998 for the Marshall Fredericks Sculpture Museum paradoxically seems to refer back to Fredericks's earliest influences. This literary figure clearly inspired by Rodin's Balzac, strikes a shameless dramatic pose: head flung back with his hand on his forehead, heavy cloak partially pulled around his body with the other hand flying out to the side and back. Fredericks, in contrast to the symmetry that generally characterizes his designs, treated each side of the Byron figure in a different manner. Along its right side, the figure is closed and solid. The drop of the heavy cloak does not allow for articulation of forms or even for suggestion of the body beneath. Rather, the artist exploits the long, unbroken line of the cloak from the figure's chin to the ground. In contrast, the figure's left side is open and plastic with elbow and knee flung out at an angle from the nipped-in waist. Like Sun Worshipper, The Poet: Lord Byron represents an important mid-career design that he was only able to realize in large scale at the end of his career.” (Marshall M. Fredericks, Sculptor, p. 15) Byron was a member of the Romantics Poets movement and lived from 1788-1824. As a young adult, Fredericks developed a deep passion for Byron’s poetry. The Poet: Lord Byron was cast posthumously in 1998 and resides in the Marshall M. Fredericks Sculpture Museum’s sculpture garden. Source A related resource from which the described resource is derived Marshall M. Fredericks Papers Series V, Box 15 Folder 41 Date A point or period of time associated with an event in the lifecycle of the resource 1998 Rights Information about rights held in and over the resource Use of this image requires permission from the Marshall M. Fredericks Archives. Relation A related resource V-15-41 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 13 Bronze Bronze Sculpture Figure Figure sculpture Lord Byron Lord Byron (The Poet) Sculpture Small Scale V1541 https://omeka2.svsu.edu/files/original/front-view-of-bronze-lord-byron-(the-poet)---small-scale_c99dbce1c3.tif 7eab6005986aea75cd0b9c0e57409bd8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marshall M. Fredericks Archives Collection Description An account of the resource The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including: Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum Financial (30 linear feet) document the day-to-day operations of running a studio Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc. Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life Ephemera:(8 linear feet) containing portfolio postcards, posters, etc. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Color print Physical Dimensions The actual physical size of the original image. 5" x 5" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Front view of bronze "Lord Byron" (The Poet) - small-scale Subject The topic of the resource Bronze sculpture, American--20th century. Byron, George Gordon Byron, baron, 1788-1824. Figure sculpture, American--20th century. Fredericks, Marshall M., 1908-1998 Description An account of the resource According to MaryAnn Wilkinson, former curator of modern and contemporary art at The Detroit Institute of Arts, “His last monumental work, Lord Byron, designed in 1938, enlarged by the artist, and cast posthumously in 1998 for the Marshall Fredericks Sculpture Museum paradoxically seems to refer back to Fredericks's earliest influences. This literary figure clearly inspired by Rodin's Balzac, strikes a shameless dramatic pose: head flung back with his hand on his forehead, heavy cloak partially pulled around his body with the other hand flying out to the side and back. Fredericks, in contrast to the symmetry that generally characterizes his designs, treated each side of the Byron figure in a different manner. Along its right side, the figure is closed and solid. The drop of the heavy cloak does not allow for articulation of forms or even for suggestion of the body beneath. Rather, the artist exploits the long, unbroken line of the cloak from the figure's chin to the ground. In contrast, the figure's left side is open and plastic with elbow and knee flung out at an angle from the nipped-in waist. Like Sun Worshipper, The Poet: Lord Byron represents an important mid-career design that he was only able to realize in large scale at the end of his career.” (Marshall M. Fredericks, Sculptor, p. 15) Byron was a member of the Romantics Poets movement and lived from 1788-1824. As a young adult, Fredericks developed a deep passion for Byron’s poetry. The Poet: Lord Byron was cast posthumously in 1998 and resides in the Marshall M. Fredericks Sculpture Museum’s sculpture garden. Source A related resource from which the described resource is derived Marshall M. Fredericks Papers Series V, Box 15 Folder 41 Date A point or period of time associated with an event in the lifecycle of the resource 1998 Rights Information about rights held in and over the resource Use of this image requires permission from the Marshall M. Fredericks Archives. Relation A related resource V-15-41 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 2 Bronze Bronze Sculpture Figure Figure sculpture Lord Byron Lord Byron (The Poet) Sculpture Small Scale V1541 https://omeka2.svsu.edu/files/original/view-of-bronze-lord-byron-(the-poet)---small-scale_210a2396a8.tif 4f28e110a312264a34edff62e07a362f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marshall M. Fredericks Archives Collection Description An account of the resource The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including: Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum Financial (30 linear feet) document the day-to-day operations of running a studio Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc. Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life Ephemera:(8 linear feet) containing portfolio postcards, posters, etc. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Color print Physical Dimensions The actual physical size of the original image. 5" x 5" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource View of bronze "Lord Byron" (The Poet) - small-scale Subject The topic of the resource Bronze sculpture, American--20th century. Byron, George Gordon Byron, baron, 1788-1824. Figure sculpture, American--20th century. Fredericks, Marshall M., 1908-1998 Description An account of the resource According to MaryAnn Wilkinson, former curator of modern and contemporary art at The Detroit Institute of Arts, “His last monumental work, Lord Byron, designed in 1938, enlarged by the artist, and cast posthumously in 1998 for the Marshall Fredericks Sculpture Museum paradoxically seems to refer back to Fredericks's earliest influences. This literary figure clearly inspired by Rodin's Balzac, strikes a shameless dramatic pose: head flung back with his hand on his forehead, heavy cloak partially pulled around his body with the other hand flying out to the side and back. Fredericks, in contrast to the symmetry that generally characterizes his designs, treated each side of the Byron figure in a different manner. Along its right side, the figure is closed and solid. The drop of the heavy cloak does not allow for articulation of forms or even for suggestion of the body beneath. Rather, the artist exploits the long, unbroken line of the cloak from the figure's chin to the ground. In contrast, the figure's left side is open and plastic with elbow and knee flung out at an angle from the nipped-in waist. Like Sun Worshipper, The Poet: Lord Byron represents an important mid-career design that he was only able to realize in large scale at the end of his career.” (Marshall M. Fredericks, Sculptor, p. 15) Byron was a member of the Romantics Poets movement and lived from 1788-1824. As a young adult, Fredericks developed a deep passion for Byron’s poetry. The Poet: Lord Byron was cast posthumously in 1998 and resides in the Marshall M. Fredericks Sculpture Museum’s sculpture garden. Source A related resource from which the described resource is derived Marshall M. Fredericks Papers Series V, Box 15 Folder 41 Date A point or period of time associated with an event in the lifecycle of the resource 1998 Rights Information about rights held in and over the resource Use of this image requires permission from the Marshall M. Fredericks Archives. Relation A related resource V-15-41 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 3 Bronze Bronze Sculpture Figure Figure sculpture Lord Byron Lord Byron (The Poet) Sculpture Small Scale V1541 https://omeka2.svsu.edu/files/original/small-scale-lord-byron-(the-poet)---bronze-_b0d892c96c.tif c81003349bffde89e017f9249e7f1746 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marshall M. Fredericks Archives Collection Description An account of the resource The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including: Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum Financial (30 linear feet) document the day-to-day operations of running a studio Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc. Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life Ephemera:(8 linear feet) containing portfolio postcards, posters, etc. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Color print Physical Dimensions The actual physical size of the original image. 5" x 5" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Small-scale "Lord Byron" (The Poet) - bronze Subject The topic of the resource Bronze sculpture, American--20th century. Byron, George Gordon Byron, baron, 1788-1824. Figure sculpture, American--20th century. Fredericks, Marshall M., 1908-1998 Description An account of the resource According to MaryAnn Wilkinson, former curator of modern and contemporary art at The Detroit Institute of Arts, “His last monumental work, Lord Byron, designed in 1938, enlarged by the artist, and cast posthumously in 1998 for the Marshall Fredericks Sculpture Museum paradoxically seems to refer back to Fredericks's earliest influences. This literary figure clearly inspired by Rodin's Balzac, strikes a shameless dramatic pose: head flung back with his hand on his forehead, heavy cloak partially pulled around his body with the other hand flying out to the side and back. Fredericks, in contrast to the symmetry that generally characterizes his designs, treated each side of the Byron figure in a different manner. Along its right side, the figure is closed and solid. The drop of the heavy cloak does not allow for articulation of forms or even for suggestion of the body beneath. Rather, the artist exploits the long, unbroken line of the cloak from the figure's chin to the ground. In contrast, the figure's left side is open and plastic with elbow and knee flung out at an angle from the nipped-in waist. Like Sun Worshipper, The Poet: Lord Byron represents an important mid-career design that he was only able to realize in large scale at the end of his career.” (Marshall M. Fredericks, Sculptor, p. 15) Byron was a member of the Romantics Poets movement and lived from 1788-1824. As a young adult, Fredericks developed a deep passion for Byron’s poetry. The Poet: Lord Byron was cast posthumously in 1998 and resides in the Marshall M. Fredericks Sculpture Museum’s sculpture garden. Source A related resource from which the described resource is derived Marshall M. Fredericks Papers Series V, Box 15 Folder 41 Date A point or period of time associated with an event in the lifecycle of the resource 1998 Rights Information about rights held in and over the resource Use of this image requires permission from the Marshall M. Fredericks Archives. Relation A related resource V-15-41 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 4 Bronze Bronze Sculpture Figure Figure sculpture Lord Byron Lord Byron (The Poet) Sculpture Small Scale V1541 https://omeka2.svsu.edu/files/original/view-of-small-scale-lord-byron-(the-poet)---bronze-with-markings-on-photograph_513415c89c.tif fb8f8d524d9f770cd9ec33dc252fcb46 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marshall M. Fredericks Archives Collection Description An account of the resource The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including: Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum Financial (30 linear feet) document the day-to-day operations of running a studio Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc. Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life Ephemera:(8 linear feet) containing portfolio postcards, posters, etc. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Color print Physical Dimensions The actual physical size of the original image. 5" x 5" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource View of small-scale "Lord Byron" (The Poet) - bronze with markings on photograph Subject The topic of the resource Bronze sculpture, American--20th century. Byron, George Gordon Byron, baron, 1788-1824. Figure sculpture, American--20th century. Fredericks, Marshall M., 1908-1998 Description An account of the resource According to MaryAnn Wilkinson, former curator of modern and contemporary art at The Detroit Institute of Arts, “His last monumental work, Lord Byron, designed in 1938, enlarged by the artist, and cast posthumously in 1998 for the Marshall Fredericks Sculpture Museum paradoxically seems to refer back to Fredericks's earliest influences. This literary figure clearly inspired by Rodin's Balzac, strikes a shameless dramatic pose: head flung back with his hand on his forehead, heavy cloak partially pulled around his body with the other hand flying out to the side and back. Fredericks, in contrast to the symmetry that generally characterizes his designs, treated each side of the Byron figure in a different manner. Along its right side, the figure is closed and solid. The drop of the heavy cloak does not allow for articulation of forms or even for suggestion of the body beneath. Rather, the artist exploits the long, unbroken line of the cloak from the figure's chin to the ground. In contrast, the figure's left side is open and plastic with elbow and knee flung out at an angle from the nipped-in waist. Like Sun Worshipper, The Poet: Lord Byron represents an important mid-career design that he was only able to realize in large scale at the end of his career.” (Marshall M. Fredericks, Sculptor, p. 15) Byron was a member of the Romantics Poets movement and lived from 1788-1824. As a young adult, Fredericks developed a deep passion for Byron’s poetry. The Poet: Lord Byron was cast posthumously in 1998 and resides in the Marshall M. Fredericks Sculpture Museum’s sculpture garden. Source A related resource from which the described resource is derived Marshall M. Fredericks Papers Series V, Box 15 Folder 41 Date A point or period of time associated with an event in the lifecycle of the resource 1998 Rights Information about rights held in and over the resource Use of this image requires permission from the Marshall M. Fredericks Archives. Relation A related resource V-15-41 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 5 Bronze Bronze Sculpture Figure Figure sculpture Lord Byron Lord Byron (The Poet) Sculpture Small Scale V1541 https://omeka2.svsu.edu/files/original/front-view-of-small-scale-lord-byron-(the-poet)---bronze_8ecd23fba3.tif 9455ed608c1c0de4c7b349dd9a5e01a8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marshall M. Fredericks Archives Collection Description An account of the resource The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including: Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum Financial (30 linear feet) document the day-to-day operations of running a studio Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc. Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life Ephemera:(8 linear feet) containing portfolio postcards, posters, etc. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Color print Physical Dimensions The actual physical size of the original image. 5" x 5" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Front view of small-scale "Lord Byron" (The Poet) - bronze Subject The topic of the resource Bronze sculpture, American--20th century. Byron, George Gordon Byron, baron, 1788-1824. Figure sculpture, American--20th century. Fredericks, Marshall M., 1908-1998 Description An account of the resource According to MaryAnn Wilkinson, former curator of modern and contemporary art at The Detroit Institute of Arts, “His last monumental work, Lord Byron, designed in 1938, enlarged by the artist, and cast posthumously in 1998 for the Marshall Fredericks Sculpture Museum paradoxically seems to refer back to Fredericks's earliest influences. This literary figure clearly inspired by Rodin's Balzac, strikes a shameless dramatic pose: head flung back with his hand on his forehead, heavy cloak partially pulled around his body with the other hand flying out to the side and back. Fredericks, in contrast to the symmetry that generally characterizes his designs, treated each side of the Byron figure in a different manner. Along its right side, the figure is closed and solid. The drop of the heavy cloak does not allow for articulation of forms or even for suggestion of the body beneath. Rather, the artist exploits the long, unbroken line of the cloak from the figure's chin to the ground. In contrast, the figure's left side is open and plastic with elbow and knee flung out at an angle from the nipped-in waist. Like Sun Worshipper, The Poet: Lord Byron represents an important mid-career design that he was only able to realize in large scale at the end of his career.” (Marshall M. Fredericks, Sculptor, p. 15) Byron was a member of the Romantics Poets movement and lived from 1788-1824. As a young adult, Fredericks developed a deep passion for Byron’s poetry. The Poet: Lord Byron was cast posthumously in 1998 and resides in the Marshall M. Fredericks Sculpture Museum’s sculpture garden. Source A related resource from which the described resource is derived Marshall M. Fredericks Papers Series V, Box 15 Folder 41 Date A point or period of time associated with an event in the lifecycle of the resource 1998 Rights Information about rights held in and over the resource Use of this image requires permission from the Marshall M. Fredericks Archives. Relation A related resource V-15-41 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 6 Bronze Bronze Sculpture Figure Figure sculpture Lord Byron Lord Byron (The Poet) Sculpture Small Scale V1541 https://omeka2.svsu.edu/files/original/small-scale-bronze-lord-byron-(the-poet)---front-view_6be5802b9b.tif 66f8a231553d815617a6ce1bb4a4ede1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marshall M. Fredericks Archives Collection Description An account of the resource The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including: Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum Financial (30 linear feet) document the day-to-day operations of running a studio Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc. Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life Ephemera:(8 linear feet) containing portfolio postcards, posters, etc. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Color print Physical Dimensions The actual physical size of the original image. 5" x 5" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Small-scale bronze "Lord Byron" (The Poet) - front view Subject The topic of the resource Bronze sculpture, American--20th century. Byron, George Gordon Byron, baron, 1788-1824. Figure sculpture, American--20th century. Fredericks, Marshall M., 1908-1998 Description An account of the resource According to MaryAnn Wilkinson, former curator of modern and contemporary art at The Detroit Institute of Arts, “His last monumental work, Lord Byron, designed in 1938, enlarged by the artist, and cast posthumously in 1998 for the Marshall Fredericks Sculpture Museum paradoxically seems to refer back to Fredericks's earliest influences. This literary figure clearly inspired by Rodin's Balzac, strikes a shameless dramatic pose: head flung back with his hand on his forehead, heavy cloak partially pulled around his body with the other hand flying out to the side and back. Fredericks, in contrast to the symmetry that generally characterizes his designs, treated each side of the Byron figure in a different manner. Along its right side, the figure is closed and solid. The drop of the heavy cloak does not allow for articulation of forms or even for suggestion of the body beneath. Rather, the artist exploits the long, unbroken line of the cloak from the figure's chin to the ground. In contrast, the figure's left side is open and plastic with elbow and knee flung out at an angle from the nipped-in waist. Like Sun Worshipper, The Poet: Lord Byron represents an important mid-career design that he was only able to realize in large scale at the end of his career.” (Marshall M. Fredericks, Sculptor, p. 15) Byron was a member of the Romantics Poets movement and lived from 1788-1824. As a young adult, Fredericks developed a deep passion for Byron’s poetry. The Poet: Lord Byron was cast posthumously in 1998 and resides in the Marshall M. Fredericks Sculpture Museum’s sculpture garden. Source A related resource from which the described resource is derived Marshall M. Fredericks Papers Series V, Box 15 Folder 41 Date A point or period of time associated with an event in the lifecycle of the resource 1998 Rights Information about rights held in and over the resource Use of this image requires permission from the Marshall M. Fredericks Archives. Relation A related resource V-15-41 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 8 Bronze Bronze Sculpture Figure Figure sculpture Lord Byron Lord Byron (The Poet) Sculpture Small Scale V1541 https://omeka2.svsu.edu/files/original/small-scale-bronze-lord-byron-(the-poet)-against-a-brick-wall_7f844ef233.tif 58f8b84f80e39f88e5e795b404d7c69b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marshall M. Fredericks Archives Collection Description An account of the resource The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including: Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum Financial (30 linear feet) document the day-to-day operations of running a studio Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc. Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life Ephemera:(8 linear feet) containing portfolio postcards, posters, etc. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Color print Physical Dimensions The actual physical size of the original image. 5" x 5" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Small-scale bronze "Lord Byron" (The Poet) against a brick wall Subject The topic of the resource Bronze sculpture, American--20th century. Byron, George Gordon Byron, baron, 1788-1824. Figure sculpture, American--20th century. Fredericks, Marshall M., 1908-1998 Description An account of the resource According to MaryAnn Wilkinson, former curator of modern and contemporary art at The Detroit Institute of Arts, “His last monumental work, Lord Byron, designed in 1938, enlarged by the artist, and cast posthumously in 1998 for the Marshall Fredericks Sculpture Museum paradoxically seems to refer back to Fredericks's earliest influences. This literary figure clearly inspired by Rodin's Balzac, strikes a shameless dramatic pose: head flung back with his hand on his forehead, heavy cloak partially pulled around his body with the other hand flying out to the side and back. Fredericks, in contrast to the symmetry that generally characterizes his designs, treated each side of the Byron figure in a different manner. Along its right side, the figure is closed and solid. The drop of the heavy cloak does not allow for articulation of forms or even for suggestion of the body beneath. Rather, the artist exploits the long, unbroken line of the cloak from the figure's chin to the ground. In contrast, the figure's left side is open and plastic with elbow and knee flung out at an angle from the nipped-in waist. Like Sun Worshipper, The Poet: Lord Byron represents an important mid-career design that he was only able to realize in large scale at the end of his career.” (Marshall M. Fredericks, Sculptor, p. 15) Byron was a member of the Romantics Poets movement and lived from 1788-1824. As a young adult, Fredericks developed a deep passion for Byron’s poetry. The Poet: Lord Byron was cast posthumously in 1998 and resides in the Marshall M. Fredericks Sculpture Museum’s sculpture garden Source A related resource from which the described resource is derived Marshall M. Fredericks Papers Series V, Box 15 Folder 41 Date A point or period of time associated with an event in the lifecycle of the resource 1998 Rights Information about rights held in and over the resource Use of this image requires permission from the Marshall M. Fredericks Archives. Relation A related resource V-15-41 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 9 Bronze Bronze Sculpture Figure Figure sculpture Lord Byron Lord Byron (The Poet) Sculpture Small Scale V1541