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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
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&#13;
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                <text>In 1936, Marshall Fredericks entered a national competition to design a memorial honoring Levi L. Barbour for Belle Isle, an island park in Detroit, Michigan. Barbour, a prominent lawyer who had been instrumental in the purchase of the island as a public park, bequeathed $20,000 to the city for the purpose of erecting some permanent structure on Belle Isle as a â€œcontinual hint to [his] fellow citizens to devote themselves to the benefit and pleasure of the public.â€&#13;
&#13;
Open to all Detroit-area sculptors with approved credentials and others with a national reputation, the competition received entries from twenty-six sculptors. Chosen by a unanimous vote, Fredericksâ€™ winning model featured a wounded or leaping antelope which â€œattempt[ed] to show the beauty in the excitement, or even death, of nature,â€ according to the artist. Fredericks surrounded the central figure with four smaller figures: a weasel, hawk, squirrel and pheasant, all native to Belle Isle and representing both the predatory and non-predatory aspects of nature. &#13;
&#13;
Located in Belle Isleâ€™s Rose Garden, the sculpture stands sixteen feet tall atop a granite pedestal. In its final form, Fredericks altered his original concept but the overall intent remained the same. Instead of an antelope, a wheeling bronze gazelle is the focal point of the fountain and the four smaller figures on the granite basin depict a hawk, grouse, rabbit and otter, representations of the islandâ€™s indigenous animals.  At the memorialâ€™s dedication in 1937, Fredericks said the fountain â€œis meant to express beauty in nature and its creation.â€ &#13;
&#13;
Considered by Fredericks to be his â€œfirst break,â€ the Belle Isle Competition garnered Fredericks a great deal of national attention and increased his public notoriety. With castings found throughout the United States and Europe, the Leaping Gazelle remains one of Fredericksâ€™ most popular sculptures.&#13;
&#13;
â€œMemorial to Norwegian Emigrantsâ€ (a full-scale casting of â€œLeaping Gazelleâ€) was dedicated in 1958 in Stavanger, Norway. Fredericks donated the sculpture as a symbol of friendship between the United States and Norway and presented it to King Olav V. The work commemorates the men and women of Norwegian blood who have contributed to the building of America.&#13;
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Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
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&#13;
Open to all Detroit-area sculptors with approved credentials and others with a national reputation, the competition received entries from twenty-six sculptors. Chosen by a unanimous vote, Fredericksâ€™ winning model featured a wounded or leaping antelope which â€œattempt[ed] to show the beauty in the excitement, or even death, of nature,â€ according to the artist. Fredericks surrounded the central figure with four smaller figures: a weasel, hawk, squirrel and pheasant, all native to Belle Isle and representing both the predatory and non-predatory aspects of nature. &#13;
&#13;
Located in Belle Isleâ€™s Rose Garden, the sculpture stands sixteen feet tall atop a granite pedestal. In its final form, Fredericks altered his original concept but the overall intent remained the same. Instead of an antelope, a wheeling bronze gazelle is the focal point of the fountain and the four smaller figures on the granite basin depict a hawk, grouse, rabbit and otter, representations of the islandâ€™s indigenous animals.  At the memorialâ€™s dedication in 1937, Fredericks said the fountain â€œis meant to express beauty in nature and its creation.â€ &#13;
&#13;
Considered by Fredericks to be his â€œfirst break,â€ the Belle Isle Competition garnered Fredericks a great deal of national attention and increased his public notoriety. With castings found throughout the United States and Europe, the Leaping Gazelle remains one of Fredericksâ€™ most popular sculptures.&#13;
&#13;
â€œMemorial to Norwegian Emigrantsâ€ (a full-scale casting of â€œLeaping Gazelleâ€) was dedicated in 1958 in Stavanger, Norway. Fredericks donated the sculpture as a symbol of friendship between the United States and Norway and presented it to King Olav V. The work commemorates the men and women of Norwegian blood who have contributed to the building of America.&#13;
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
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&#13;
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&#13;
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&#13;
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 &#13;
The Mercury Division of the Ford Motor Company commissioned this sculpture in 1959 to promote the 1960 Mercury.  Cast in nickel, Ford Motor Company used the sculpture for advertising.  The polished nickel Mercury sculptures are located at the Benson Ford Research Center on the campus of The Henry Ford Museum in Dearborn, Michigan.&#13;
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&#13;
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                <text>"The Lion and Mouse" was commissioned by the J. L. Hudson Company for the Eastland Mall in Harper Woods, Michigan.  The lion is carved from limestone and the mouse is gold-plated bronze. Fredericks based this sculpture on the Aesop    (c. 620 - c. 560 B.C.E.) fable The Lion and the Mouse in which a lion gets trapped in a hunterâ€™s net and the mouse gnaws the ropes, setting the lion free.  In the fable, the mouse also ends up being set free.&#13;
&#13;
Not long after the sculpture was dedicated in 1957, the mouse was stolen. According to a September 3, 2007 news story by Neil Rubin of The Detroit News, â€œWeeks after Eastland opened [in 1957] a rambunctious teenager named Dan kicked the mouse from its moorings.  The friend he was with that night, Norm, kept custody of the mouse for nearly half a century.â€ &#13;
&#13;
The stolen and recovered mouse was gifted to the Detroit Historical Society by Eastland Center in 2007. &#13;
&#13;
Over the years, multiple mice â€œdisappeared,â€ but Fredericks maintained a sense of humor over the stolen mice.  In the 1981 Colby Interview, he noted â€œâ€¦they were able so far to get six or seven of those off of that thing and they have been replaced. Of course, it has been pretty good newspaper copy for J.L. Hudson Company, too. I used to keep a little supply. I still have one mouse here in case they run out.â€&#13;
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
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Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
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Bronze sculpture, American--20th century.&#13;
Figure sculpture, American--20th century. &#13;
Fountains.&#13;
Fredericks, Marshall M., 1908-1998&#13;
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Public sculpture, American &#13;
Saginaw Valley State University. Marshall M. Fredericks Sculpture Museum&#13;
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                <text>Mrs. Dorothy (Honey) Arbury studied with Fredericks when she attended Kingswood School at the Cranbrook Educational Community in Bloomfield Hills, Michigan, in the 1930s. She met him through her uncle, Alden B. Dow, a prominent architect in Midland, Michigan, with whom Fredericks worked on architectural sculpture projects. In 1963, Mrs. Arbury was on the founding Board of Control of Saginaw Valley College, which later became Saginaw Valley State University (SVSU). She remained active on that board and on the SVSU Foundation Board into the 1990s. Mrs. Arbury and her husband, Ned Arbury, and Fredericks and his wife, Rosalind Fredericks, formed the idea of a permanent exhibit of Fredericks' work adjacent to the university's then-new facility for the art, music and theater departments. SVSU and the Arburys worked together toward an agreement to have the Marshall M. Fredericks Sculpture Gallery and Sculpture Garden built adjacent to the art department. &#13;
&#13;
The gallery opened to the public in the Arbury Fine Arts Center in May 1988. About half of the $7.2 million of private money raised for the building went to design and construction, restoration, transportation and installation. Fredericks oversaw installation of the more than 200 mostly plaster models in the permanent exhibit gallery. &#13;
&#13;
Through the years, private donors have made it possible for some of the bronze casts to be made for the Sculpture Garden. Fredericks gave the balance of the collection in 1994. After his death in 1998, the gallery received his remaining tools, equipment, archives, architectural site models, sculptures and more. With the growth of the collection, the Board of Advisors elevated the gallery to museum status in 1999. In October 2003, the $2.5 million Phase II Capital Campaign expansion became a reality, nearly doubling the museum's size. The addition includes the Sculptor's Studio, a classroom, archives vault, research reading room, two temporary exhibition galleries and a gift shop.&#13;
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Series V, Box 25 Folder 11&#13;
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Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
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Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
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Animal sculpture--20th century. &#13;
Bronze sculpture, American--20th century.&#13;
Clocks and watches in art&#13;
Figure sculpture, American--20th century. &#13;
Fredericks, Marshall M., 1908-1998&#13;
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&#13;
In keeping with a long tradition in western art, the sculptor personified time with figures representing night and day.  Night possesses long, smooth, graceful curves.  Night floats upon a swan in flight, holding a small bird in her hand.&#13;
&#13;
In comparison to Night, Day is more angular with more pronounced muscles and veins in his arms and hands.  Day rests upon an otter which is hunting in a school of Northern pike.&#13;
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          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
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                <text>Port Huron (Mich.)</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="1762">
        <name>Animal</name>
      </tag>
      <tag tagId="1758">
        <name>Animal Sculpture</name>
      </tag>
      <tag tagId="1752">
        <name>Bronze</name>
      </tag>
      <tag tagId="1757">
        <name>Bronze Sculpture</name>
      </tag>
      <tag tagId="189">
        <name>Day</name>
      </tag>
      <tag tagId="1873">
        <name>Figure</name>
      </tag>
      <tag tagId="1872">
        <name>Figure sculpture</name>
      </tag>
      <tag tagId="1088">
        <name>Fountain</name>
      </tag>
      <tag tagId="186">
        <name>Henry J. McMorran Auditorium</name>
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      <tag tagId="190">
        <name>Night</name>
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      <tag tagId="2321">
        <name>Night and Day</name>
      </tag>
      <tag tagId="188">
        <name>Night and Day Fountain</name>
      </tag>
      <tag tagId="2325">
        <name>Northern Pike</name>
      </tag>
      <tag tagId="1759">
        <name>Outdoor Sculpture</name>
      </tag>
      <tag tagId="2326">
        <name>Pike</name>
      </tag>
      <tag tagId="1760">
        <name>Public Sculpture</name>
      </tag>
      <tag tagId="1753">
        <name>Sculpture</name>
      </tag>
      <tag tagId="187">
        <name>Sculptured Clock</name>
      </tag>
      <tag tagId="2194">
        <name>Swan</name>
      </tag>
      <tag tagId="973">
        <name>V1615</name>
      </tag>
    </tagContainer>
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</itemContainer>
