502
10
8302
-
https://omeka2.svsu.edu/files/original/51d45a1a0d0593d2ee9f68463b6d2304.jpg
5d90ba7d1cd70b1b4a33c3b7e17884b5
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Marshall M. Fredericks Archives Collection
Description
An account of the resource
The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including:
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces
Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum
Financial (30 linear feet) document the day-to-day operations of running a studio
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed
Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life
Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Black and white print
Physical Dimensions
The actual physical size of the original image.
3.5" x 5"
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Rear view of "Flying Pterodactyls" in need of conservation
Subject
The topic of the resource
Animal sculpture--20th century.
Bronze sculpture, American--20th century.
Fredericks, Marshall M., 1908-1998
Detroit Zoological Institute
Outdoor sculpture--United States.
Pterodactyls
Public sculpture, American
Sculpture--Conservation and restoration--United States.
Description
An account of the resource
Bronze on granite, 16 feet including base. Located at the Holden Museum of Living Reptiles, Detroit Zoological Institute, Royal Oak, Michigan.
Source
A related resource from which the described resource is derived
Marshall M. Fredericks Papers
Series V, Box 10 Folder 33
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Rights
Information about rights held in and over the resource
Marshall M. Fredericks Papers
Series V, Box 10 Folder 33
Relation
A related resource
V-10-33
Format
The file format, physical medium, or dimensions of the resource
image/jpeg
Type
The nature or genre of the resource
Image
Animal
Animal Sculpture
Bronze
Bronze Sculpture
Flying Pterodactyls
Outdoor
Outdoor Sculpture
Pterodactyls
Public
Public Sculpture
Sculpture
V1033
Weathering
-
https://omeka2.svsu.edu/files/original/a504cd1553832a8e64bb415d14e1187b.jpg
0c4490262a8ddce43d6a5bd46978685b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Marshall M. Fredericks Archives Collection
Description
An account of the resource
The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including:
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces
Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum
Financial (30 linear feet) document the day-to-day operations of running a studio
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed
Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life
Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Color print
Physical Dimensions
The actual physical size of the original image.
5" x 5"
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Rear view of "Flying Pterodactyls" in studio
Subject
The topic of the resource
Animal sculpture--20th century.
Bronze sculpture, American--20th century.
Fredericks, Marshall M., 1908-1998
Detroit Zoological Institute
Outdoor sculpture--United States.
Pterodactyls
Public sculpture, American
Description
An account of the resource
Bronze on granite, 16 feet including base. Located at the Holden Museum of Living Reptiles, Detroit Zoological Institute, Royal Oak, Michigan.
Source
A related resource from which the described resource is derived
Marshall M. Fredericks Papers
Series V, Box 10 Folder 33
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Rights
Information about rights held in and over the resource
Use of this image requires permission from the Marshall M. Fredericks Archives.
Relation
A related resource
V-10-33
Format
The file format, physical medium, or dimensions of the resource
image/jpeg
Type
The nature or genre of the resource
Image
Animal
Animal Sculpture
Bronze
Bronze Sculpture
Flying Pterodactyls
Pterodactyls
Sculpture
Studio
V1033
-
https://omeka2.svsu.edu/files/original/rear-view-of-flying-pterodactyls-with-male-baboon-and-female-baboon-outside-of-the-entrance-to-the-marshall-m-fredericks-sculpture-museum_0ab7db3bd4.tif
b8a98c6a0bcb8793b0c74e34bb750f8d
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Marshall M. Fredericks Archives Collection
Description
An account of the resource
The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including:
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces
Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum
Financial (30 linear feet) document the day-to-day operations of running a studio
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed
Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life
Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Color print
Physical Dimensions
The actual physical size of the original image.
4" x 6"
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Rear view of "Flying Pterodactyls" with "Male Baboon" and "Female Baboon" outside of the entrance to the Marshall M. Fredericks Sculpture Museum
Subject
The topic of the resource
Animal sculpture--20th century.
Bronze sculpture, American--20th century.
Fredericks, Marshall M., 1908-1998
Outdoor sculpture--United States.
Public sculpture, American
Saginaw Valley State University. Marshall M. Fredericks Sculpture Museum
Description
An account of the resource
Mrs. Dorothy (Honey) Arbury studied with Fredericks when she attended Kingswood School at the Cranbrook Educational Community in Bloomfield Hills, Michigan, in the 1930s. She met him through her uncle, Alden B. Dow, a prominent architect in Midland, Michigan, with whom Fredericks worked on architectural sculpture projects. In 1963, Mrs. Arbury was on the founding Board of Control of Saginaw Valley College, which later became Saginaw Valley State University (SVSU). She remained active on that board and on the SVSU Foundation Board into the 1990s. Mrs. Arbury and her husband, Ned Arbury, and Fredericks and his wife, Rosalind Fredericks, formed the idea of a permanent exhibit of Fredericks' work adjacent to the university's then-new facility for the art, music and theater departments. SVSU and the Arburys worked together toward an agreement to have the Marshall M. Fredericks Sculpture Gallery and Sculpture Garden built adjacent to the art department.
The gallery opened to the public in the Arbury Fine Arts Center in May 1988. About half of the $7.2 million of private money raised for the building went to design and construction, restoration, transportation and installation. Fredericks oversaw installation of the more than 200 mostly plaster models in the permanent exhibit gallery.
Through the years, private donors have made it possible for some of the bronze casts to be made for the Sculpture Garden. Fredericks gave the balance of the collection in 1994. After his death in 1998, the gallery received his remaining tools, equipment, archives, architectural site models, sculptures and more. With the growth of the collection, the Board of Advisors elevated the gallery to museum status in 1999. In October 2003, the $2.5 million Phase II Capital Campaign expansion became a reality, nearly doubling the museum's size. The addition includes the Sculptor's Studio, a classroom, archives vault, research reading room, two temporary exhibition galleries and a gift shop.
Source
A related resource from which the described resource is derived
Marshall M. Fredericks Papers
Series V, Box 26 Folder 14
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Rights
Information about rights held in and over the resource
Use of this image requires permission from the Marshall M. Fredericks Archives.
Relation
A related resource
V-26-14
Format
The file format, physical medium, or dimensions of the resource
image/jpeg
Type
The nature or genre of the resource
Image
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
University Center (Mich.)
Bronze
Bronze Sculpture
Female Baboon
Flying Pterodactyls
Male Baboon
Marshall M. Fredericks Sculpture Museum
Marshall M. Fredicks Museum Sculpture Garden
Saginaw Valley State University
Sculpture
Sculpture Garden
SVSU
V2614
-
https://omeka2.svsu.edu/files/original/393c91124dd76db596bf575c7bb86143.jpg
8ce3fec34d2f5b27c56bf5c3ef634a4e
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Marshall M. Fredericks Archives Collection
Description
An account of the resource
The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including:
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces
Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum
Financial (30 linear feet) document the day-to-day operations of running a studio
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed
Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life
Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Black and white print
Physical Dimensions
The actual physical size of the original image.
8" x 10"
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Rear view of "Flying Wild Geese" (Alvan Macauley Memorial)
Subject
The topic of the resource
Animal sculpture--20th century.
Bronze sculpture, American--20th century.
Elmwood Cemetery (Detroit, Mich.)
Fredericks, Marshall M., 1908-1998
Outdoor sculpture--United States.
Description
An account of the resource
Atop a wooded hill overlooking a small pond in Detroit’s Elmwood Cemetery stands a memorial to the late attorney turned industrialist Alvan Macauley. Commissioned by his wife and son soon after his death in 1952, the sculpture reflects Macauley’s love of nature and wildlife. On a simple granite pedestal sit two bronze geese as they take off into flight. Beneath their bodies, the tips of swamp rushes bend under the weight of the birds’ wings.
According to the sculptor, waterfowl are a symbol of eternal life and this sculpture symbolizes “the ascendency of the soul no longer imprisoned by the body.†It is a fitting memorial to a man said to have deeply appreciated nature and “people who worked with their hands.â€
In addition to its original commission by the Macauley family, Flying Wild Geese also serves as a memorial to two former faculty members at Alma College. Commissioned by an Alma College alumni committee, the sculpture is set on a glacial sandstone pedestal in the college’s Monteith Library mall. At the sculpture’s dedication in 1971, Fredericks stated that “the birds in flight express freedom of inquiry and symbolized Michigan and its environment.â€
Found throughout the United States and the world, Flying Wild Geese is one of Marshall Fredericks’ most popular sculptures. Many corporations, universities, cultural institutions and private individuals have chosen one of these sculptures for their collections.
Creator
An entity primarily responsible for making the resource
Hartwick, Maurice C.
Source
A related resource from which the described resource is derived
Marshall M. Fredericks Papers
Series V, Box 11 Folder 9
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Rights
Information about rights held in and over the resource
Use of this image requires permission from the creator.
Relation
A related resource
V-11-09
Format
The file format, physical medium, or dimensions of the resource
image/jpeg
Type
The nature or genre of the resource
Image
Identifier
An unambiguous reference to the resource within a given context
5202
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Detroit (Mich.)
Alvan Macauley
Alvan Macauley Memorial
Animal
Animal Sculpture
Bronze
Bronze Sculpture
Elmwood Cemetary
Flying Wild Geese
Geese
Sculpture
V1109
-
https://omeka2.svsu.edu/files/original/bc6d2f4e81a44932bc2e8e182216b0cb.jpg
caeab21d804c6b5447d334fa9fb37683
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Marshall M. Fredericks Archives Collection
Description
An account of the resource
The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including:
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces
Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum
Financial (30 linear feet) document the day-to-day operations of running a studio
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed
Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life
Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Black and white print
Physical Dimensions
The actual physical size of the original image.
8" x 10"
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Rear view of "Flying Wild Geese" (Alvan Macauley Memorial) with pond in background
Subject
The topic of the resource
Animal sculpture--20th century.
Bronze sculpture, American--20th century.
Elmwood Cemetery (Detroit, Mich.)
Fredericks, Marshall M., 1908-1998
Outdoor sculpture--United States.
Description
An account of the resource
Atop a wooded hill overlooking a small pond in Detroit’s Elmwood Cemetery stands a memorial to the late attorney turned industrialist Alvan Macauley. Commissioned by his wife and son soon after his death in 1952, the sculpture reflects Macauley’s love of nature and wildlife. On a simple granite pedestal sit two bronze geese as they take off into flight. Beneath their bodies, the tips of swamp rushes bend under the weight of the birds’ wings.
According to the sculptor, waterfowl are a symbol of eternal life and this sculpture symbolizes “the ascendency of the soul no longer imprisoned by the body.†It is a fitting memorial to a man said to have deeply appreciated nature and “people who worked with their hands.â€
In addition to its original commission by the Macauley family, Flying Wild Geese also serves as a memorial to two former faculty members at Alma College. Commissioned by an Alma College alumni committee, the sculpture is set on a glacial sandstone pedestal in the college’s Monteith Library mall. At the sculpture’s dedication in 1971, Fredericks stated that “the birds in flight express freedom of inquiry and symbolized Michigan and its environment.â€
Found throughout the United States and the world, Flying Wild Geese is one of Marshall Fredericks’ most popular sculptures. Many corporations, universities, cultural institutions and private individuals have chosen one of these sculptures for their collections.
Creator
An entity primarily responsible for making the resource
Hartwick, Maurice C.
Source
A related resource from which the described resource is derived
Marshall M. Fredericks Papers
Series V, Box 11 Folder 9
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Rights
Information about rights held in and over the resource
Use of this image requires permission from the creator.
Relation
A related resource
V-11-09
Format
The file format, physical medium, or dimensions of the resource
image/jpeg
Identifier
An unambiguous reference to the resource within a given context
Image
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
5214
Alvan Macauley
Alvan Macauley Memorial
Animal
Animal Sculpture
Bronze
Bronze Sculpture
Elmwood Cemetary
Flying Wild Geese
Geese
Sculpture
V1109
-
https://omeka2.svsu.edu/files/original/e1d76007f0f177b5c38a3d276d98d062.jpg
e56eb39f812389553fe58e12e7d56765
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Marshall M. Fredericks Archives Collection
Description
An account of the resource
The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including:
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces
Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum
Financial (30 linear feet) document the day-to-day operations of running a studio
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed
Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life
Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Color print
Physical Dimensions
The actual physical size of the original image.
3.5" x 5"
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Rear view of "Flying Wild Geese" behind a stone wall at an unidentified private residence
Subject
The topic of the resource
Animal sculpture--20th century.
Bronze sculpture, American--20th century.
Fredericks, Marshall M., 1908-1998
Outdoor sculpture--United States.
Description
An account of the resource
Atop a wooded hill overlooking a small pond in Detroit’s Elmwood Cemetery stands a memorial to the late attorney turned industrialist Alvan Macauley. Commissioned by his wife and son soon after his death in 1952, the sculpture reflects Macauley’s love of nature and wildlife. On a simple granite pedestal sit two bronze geese as they take off into flight. Beneath their bodies, the tips of swamp rushes bend under the weight of the birds’ wings.
According to the sculptor, waterfowl are a symbol of eternal life and this sculpture symbolizes “the ascendency of the soul no longer imprisoned by the body.†It is a fitting memorial to a man said to have deeply appreciated nature and “people who worked with their hands.â€
In addition to its original commission by the Macauley family, Flying Wild Geese also serves as a memorial to two former faculty members at Alma College. Commissioned by an Alma College alumni committee, the sculpture is set on a glacial sandstone pedestal in the college’s Monteith Library mall. At the sculpture’s dedication in 1971, Fredericks stated that “the birds in flight express freedom of inquiry and symbolized Michigan and its environment.â€
Found throughout the United States and the world, Flying Wild Geese is one of Marshall Fredericks’ most popular sculptures. Many corporations, universities, cultural institutions and private individuals have chosen one of these sculptures for their collections.
Source
A related resource from which the described resource is derived
Marshall M. Fredericks Papers
Series V, Box 11 Folder 20
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Rights
Information about rights held in and over the resource
Use of this image requires permission from the Marshall M. Fredericks Archives.
Relation
A related resource
V-11-20
Format
The file format, physical medium, or dimensions of the resource
image/jpeg
Type
The nature or genre of the resource
Image
Animal
Animal Sculpture
Bronze
Bronze Sculpture
Flying Wild Geese
Geese
Sculpture
V1120
-
https://omeka2.svsu.edu/files/original/43dfc58caa7b4e0dbff27863e1df27b2.jpg
3c83003fb143b8ea02f754ea2c6a5776
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Marshall M. Fredericks Archives Collection
Description
An account of the resource
The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including:
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces
Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum
Financial (30 linear feet) document the day-to-day operations of running a studio
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed
Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life
Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Black and white print
Physical Dimensions
The actual physical size of the original image.
8" x 10'
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Rear view of "Freedom of the Human Spirit" at the 1964 New York World's Fair
Subject
The topic of the resource
Animal sculpture--20th century.
Bronze sculpture, American--20th century.
Figure sculpture, American--20th century.
Fredericks, Marshall M., 1908-1998
New York World's Fair (1964-1965)
Outdoor sculpture--United States.
Public sculpture, American
Unisphere (New York, N.Y.)
Description
An account of the resource
The businessmen backers of the 1964-65 New York World’s Fair aspired to produce an economic boom for the city that would rival the hugely successful New York World’s Fair of 1939-40 that brought more than 44 million visitors to the city. Many of these planners, kids during the ’39-40 Fair, hoped that the experience would be as memorable for their children and families has it had been for them. Dedicated to “Man’s Achievement on a Shrinking Globe in an Expanding Universe,†the Fair’s theme was “Peace through Understanding.â€
The Fair’s Sculpture Committee requested that Marshall Fredericks submit a proposal for a sculpture to be included at the event. Fredericks submitted several sketches and the Committee selected a sketch of two figures with swans. Originally the figures in the sketch had wings, but the review panel requested that Fredericks remove them in the final sculpture. According to the artist, the sculpture “depicts human figures as if soaring in migratory flights with huge swans, an ancient symbol of eternal life.â€
One of four major sculptures at the Fair, the sculpture stood in the Court of States at the entrance of the U S Government Pavilion. This marked the second time Fredericks contributed a sculpture to a New York World’s Fair, as he previously exhibited a fountain at the 1939 Fair. The Freedom of the Human Spirit still stands at its original location in Flushing Meadows Corona Park in Queens borough.
In 1983, Fredericks donated the design for this sculpture to his adopted hometown of Birmingham, Michigan in honor of the city’s fiftieth anniversary. Erected in Shain Park, the city financed the sculpture through generous donations from over one thousand individuals and corporations. In 2009, the city of Birmingham renovated the park and relocated the sculpture to an area in the center of the park.
A small-scale casting of Freedom of the Human Spirit also serves as the annual Communications Award for the International Center for the Disabled (ICD), an organization of which Fredericks was a longtime benefactor.
Creator
An entity primarily responsible for making the resource
National Sculpture Society, New York, NY
Source
A related resource from which the described resource is derived
Marshall M. Fredericks Papers
Series V, Box 13 Folder 7
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Rights
Information about rights held in and over the resource
Use of this image requires permission from the creator.
Relation
A related resource
V-13-07
Format
The file format, physical medium, or dimensions of the resource
image/jpeg
Type
The nature or genre of the resource
Image
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Flushing Meadows-Corona Park (New York, N.Y.)
Animal
Animal Sculpture
Bronze
Bronze Sculpture
Figure
Figure sculpture
Freedom of the Human Spirit
New York
New York World's Fair
Outdoor Sculpture
Public Sculpture
Sculpture
Swan
Unisphere
V1307
World's Fair
-
https://omeka2.svsu.edu/files/original/90dbe815ea2f38389543f544363a6aba.jpg
a1dd0ac781b43f08c54c19a94cbe220b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Marshall M. Fredericks Archives Collection
Description
An account of the resource
The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including:
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces
Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum
Financial (30 linear feet) document the day-to-day operations of running a studio
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed
Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life
Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Color print
Physical Dimensions
The actual physical size of the original image.
4" x 6"
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Rear view of "Freedom of the Human Spirit" during its restoration with partially applied patina
Source
A related resource from which the described resource is derived
Marshall M. Fredericks Papers
Series II, Box 14, Folder 3
Date
A point or period of time associated with an event in the lifecycle of the resource
1996 July 1
Rights
Information about rights held in and over the resource
Use of this image requires permission from the Marshall M. Fredericks Archives.
Relation
A related resource
II-14-03
Format
The file format, physical medium, or dimensions of the resource
image/jpeg
Type
The nature or genre of the resource
Image
Identifier
An unambiguous reference to the resource within a given context
No. 10
Subject
The topic of the resource
Animal sculpture--20th century.
Bronze sculpture, American--20th century.
Figure sculpture, American--20th century.
Fredericks, Marshall M., 1908-1998
New York World's Fair (1964-1965)
Outdoor sculpture--United States.
Public sculpture, American
Sculpture--Conservation and restoration--United States.
Unisphere (New York, N.Y.)
Description
An account of the resource
The businessmen backers of the 1964-65 New York World’s Fair aspired to produce an economic boom for the city that would rival the hugely successful New York World’s Fair of 1939-40 that brought more than 44 million visitors to the city. Many of these planners, kids during the ’39-40 Fair, hoped that the experience would be as memorable for their children and families has it had been for them. Dedicated to “Man’s Achievement on a Shrinking Globe in an Expanding Universe,†the Fair’s theme was “Peace through Understanding.â€
The Fair’s Sculpture Committee requested that Marshall Fredericks submit a proposal for a sculpture to be included at the event. Fredericks submitted several sketches and the Committee selected a sketch of two figures with swans. Originally the figures in the sketch had wings, but the review panel requested that Fredericks remove them in the final sculpture. According to the artist, the sculpture “depicts human figures as if soaring in migratory flights with huge swans, an ancient symbol of eternal life.â€
One of four major sculptures at the Fair, the sculpture stood in the Court of States at the entrance of the U S Government Pavilion. This marked the second time Fredericks contributed a sculpture to a New York World’s Fair, as he previously exhibited a fountain at the 1939 Fair. The Freedom of the Human Spirit still stands at its original location in Flushing Meadows Corona Park in Queens borough.
In 1983, Fredericks donated the design for this sculpture to his adopted hometown of Birmingham, Michigan in honor of the city’s fiftieth anniversary. Erected in Shain Park, the city financed the sculpture through generous donations from over one thousand individuals and corporations. In 2009, the city of Birmingham renovated the park and relocated the sculpture to an area in the center of the park.
A small-scale casting of Freedom of the Human Spirit also serves as the annual Communications Award for the International Center for the Disabled (ICD), an organization of which Fredericks was a longtime benefactor.
Creator
An entity primarily responsible for making the resource
Possibly photographed by Joe Jernejcic
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Flushing Meadows-Corona Park (New York, N.Y.)
Freedom of the Human Spirit
II1403
Unisphere
-
https://omeka2.svsu.edu/files/original/1a925757368094ab51eaf952695e9f31.jpg
13382daae7ed198a7adfd35ad7d1eaeb
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Marshall M. Fredericks Archives Collection
Description
An account of the resource
The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including:
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces
Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum
Financial (30 linear feet) document the day-to-day operations of running a studio
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed
Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life
Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Color print
Physical Dimensions
The actual physical size of the original image.
4" x 6"
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Rear view of "Freedom of the Human Spirit" with Unisphere in background
Source
A related resource from which the described resource is derived
Marshall M. Fredericks Papers
Series II, Box 14, Folder 3
Date
A point or period of time associated with an event in the lifecycle of the resource
1996 July 1
Rights
Information about rights held in and over the resource
Use of this image requires permission from the Marshall M. Fredericks Archives.
Relation
A related resource
II-14-03
Format
The file format, physical medium, or dimensions of the resource
image/jpeg
Type
The nature or genre of the resource
Image
Identifier
An unambiguous reference to the resource within a given context
21
Subject
The topic of the resource
Animal sculpture--20th century.
Bronze sculpture, American--20th century.
Figure sculpture, American--20th century.
Fredericks, Marshall M., 1908-1998
New York World's Fair (1964-1965)
Outdoor sculpture--United States.
Public sculpture, American
Sculpture--Conservation and restoration--United States.
Unisphere (New York, N.Y.)
Description
An account of the resource
The businessmen backers of the 1964-65 New York World’s Fair aspired to produce an economic boom for the city that would rival the hugely successful New York World’s Fair of 1939-40 that brought more than 44 million visitors to the city. Many of these planners, kids during the ’39-40 Fair, hoped that the experience would be as memorable for their children and families has it had been for them. Dedicated to “Man’s Achievement on a Shrinking Globe in an Expanding Universe,†the Fair’s theme was “Peace through Understanding.â€
The Fair’s Sculpture Committee requested that Marshall Fredericks submit a proposal for a sculpture to be included at the event. Fredericks submitted several sketches and the Committee selected a sketch of two figures with swans. Originally the figures in the sketch had wings, but the review panel requested that Fredericks remove them in the final sculpture. According to the artist, the sculpture “depicts human figures as if soaring in migratory flights with huge swans, an ancient symbol of eternal life.â€
One of four major sculptures at the Fair, the sculpture stood in the Court of States at the entrance of the U S Government Pavilion. This marked the second time Fredericks contributed a sculpture to a New York World’s Fair, as he previously exhibited a fountain at the 1939 Fair. The Freedom of the Human Spirit still stands at its original location in Flushing Meadows Corona Park in Queens borough.
In 1983, Fredericks donated the design for this sculpture to his adopted hometown of Birmingham, Michigan in honor of the city’s fiftieth anniversary. Erected in Shain Park, the city financed the sculpture through generous donations from over one thousand individuals and corporations. In 2009, the city of Birmingham renovated the park and relocated the sculpture to an area in the center of the park.
A small-scale casting of Freedom of the Human Spirit also serves as the annual Communications Award for the International Center for the Disabled (ICD), an organization of which Fredericks was a longtime benefactor.
Creator
An entity primarily responsible for making the resource
Possibly photographed by Joe Jernejcic
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Flushing Meadows-Corona Park (New York, N.Y.)
Freedom of the Human Spirit
II1403
Unisphere
-
https://omeka2.svsu.edu/files/original/view-of-leaping-gazelle-from-behind-a-wall-at-an-unidentified-private-residence_ca1a15ba42.tif
90bb774790ca7d3bcb829e1590e2c7b7
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Marshall M. Fredericks Archives Collection
Description
An account of the resource
The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including:
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces
Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum
Financial (30 linear feet) document the day-to-day operations of running a studio
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed
Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life
Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Color polaroid print
Physical Dimensions
The actual physical size of the original image.
4" x 4"
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Rear view of "Leaping Gazelle" from behind a wall at an unidentified private residence
Subject
The topic of the resource
Animal sculpture--20th century.
Bronze sculpture, American--20th century.
Fredericks, Marshall M., 1908-1998
Outdoor sculpture--United States.
Description
An account of the resource
In 1936, Marshall Fredericks entered a national competition to design a memorial honoring Levi L. Barbour for Belle Isle, an island park in Detroit, Michigan. Barbour, a prominent lawyer who had been instrumental in the purchase of the island as a public park, bequeathed $20,000 to the city for the purpose of erecting some permanent structure on Belle Isle as a “continual hint to [his] fellow citizens to devote themselves to the benefit and pleasure of the public.â€
Open to all Detroit-area sculptors with approved credentials and others with a national reputation, the competition received entries from twenty-six sculptors. Chosen by a unanimous vote, Fredericks’ winning model featured a wounded or leaping antelope which “attempt[ed] to show the beauty in the excitement, or even death, of nature,†according to the artist. Fredericks surrounded the central figure with four smaller figures: a weasel, hawk, squirrel and pheasant, all native to Belle Isle and representing both the predatory and non-predatory aspects of nature.
Located in Belle Isle’s Rose Garden, the sculpture stands sixteen feet tall atop a granite pedestal. In its final form, Fredericks altered his original concept but the overall intent remained the same. Instead of an antelope, a wheeling bronze gazelle is the focal point of the fountain and the four smaller figures on the granite basin depict a hawk, grouse, rabbit and otter, representations of the island’s indigenous animals. At the memorial’s dedication in 1937, Fredericks said the fountain “is meant to express beauty in nature and its creation.â€
Considered by Fredericks to be his “first break,†the Belle Isle Competition garnered Fredericks a great deal of national attention and increased his public notoriety. With castings found throughout the United States and Europe, the Leaping Gazelle remains one of Fredericks’ most popular sculptures.
Source
A related resource from which the described resource is derived
Marshall M. Fredericks Papers
Series V, Box 15 Folder 29
Date
A point or period of time associated with an event in the lifecycle of the resource
n.d.
Rights
Information about rights held in and over the resource
Use of this image requires permission from the Marshall M. Fredericks Archives.
Relation
A related resource
V-15-29
Format
The file format, physical medium, or dimensions of the resource
image/jpeg
Type
The nature or genre of the resource
Image
Animal
Animal Sculpture
Bronze
Bronze Sculpture
Gazelle
Leaping Gazelle
Outdoor Sculpture
Sculpture
V1529