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                  <text>The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including:&#13;
&#13;
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
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Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
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Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
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                <text>Rear view of the head and torso for the full-scale plaster model of "The Expanding Universe Fountain"</text>
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                <text>Artists' studios--United States.&#13;
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Fountains.&#13;
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                <text>This fountain celebrates the nation's first exploration of outer space. According to Fredericks, the sculpture "represents this age of great interest, exploration and discovery in outer space...[and] the immensity, order and mystery of the universe.â€&#13;
&#13;
The monumental central figure suggests a superhuman mythological being. Seated upon a ten-foot sphere, covered in a pattern of bright-star constellations, the figure holds two planets that he is sending off into space.  The dynamic spiral orbit-form swirling around the sphere represents the speed and perpetual motion of space.  Play of the water from numerous star-shaped sprays increases the feeling of movement. &#13;
&#13;
The full-scale casting of this sculpture is located in the South Court of the United States State Department Building in Washington, D.C.&#13;
&#13;
The fountain is also known as: "Man and the Expanding Universe"&#13;
&#13;
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Series V, Box 9 Folder 21&#13;
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
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                <text>One of Fredericks' last public works, "Star Dream Fountain" is located in Barbara Hallman Plaza in Royal Oak, Michigan. The sculpture is based on a 1947 preliminary design for the "Cleveland War Memorial". This allegorical work symbolizes man's continual search for spiritual peace.</text>
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Series V, Box 21 Folder 6&#13;
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&#13;
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
&#13;
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
&#13;
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work&#13;
&#13;
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed&#13;
&#13;
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                <text>Rear view of the plasteline model for "Day" from "Night and Day Fountain"</text>
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Artists' studios--United States.&#13;
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Fredericks, Marshall M., 1908-1998&#13;
Outdoor sculpture--United States. &#13;
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                <text>The Henry J. McMorran Auditorium in Port Huron, Michigan commissioned the Night and Day Fountain as well as a gold anodized aluminum Sculptured Clock for the building.  Completed two years before the fountainâ€™s installation, Fredericks conceived the sculptures and clock as a unified design concept. &#13;
&#13;
In keeping with a long tradition in western art, the sculptor personified time with figures representing night and day.  Night possesses long, smooth, graceful curves.  Night floats upon a swan in flight, holding a small bird in her hand.&#13;
&#13;
In comparison to Night, Day is more angular with more pronounced muscles and veins in his arms and hands.  Day rests upon an otter which is hunting in a school of Northern pike.&#13;
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The monumental central figure suggests a superhuman mythological being. Seated upon a ten-foot sphere, covered in a pattern of bright-star constellations, the figure holds two planets that he is sending off into space.  The dynamic spiral orbit-form swirling around the sphere represents the speed and perpetual motion of space.  Play of the water from numerous star-shaped sprays increases the feeling of movement. &#13;
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The full-scale casting of this sculpture is located in the South Court of the United States State Department Building in Washington, D.C.&#13;
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                <text>â€œI did â€¦ a dragon; I called it The Friendly Dragon. The architect said he didn't think he would use it because he said the children would be frightened of a dragon. But children love dragons and it's not an ugly dragon, it's a friendly dragon with a big smile and it's cozy and you can sit on its back on those humps on its back. It's just that he never was a child, I guess, so he doesn't know. So they put up a thing, a structural beam thing. I've never seen a child near it so maybe they didn't get the audience that they wanted really. I think maybe I'll do that Dragon. I like dragons anyway, they're special.â€ (Marshall Fredericks, from a 1981 interview with Joy Colby, The Detroit News art critic.) &#13;
&#13;
Throughout his long career, Fredericks often returned to his joyful and whimsical work that involved animals. â€œThe Friendly Dragon, cast twice in 1991, as a pair for the Meijer Gardens, Grand Rapids, Michigan, is a childâ€™s magical dream.  Like a Maurice Sendak illustration (popular author of Where the Wild Things Are), Fredericksâ€™ dragon presents a danger that has become approachable, a wild animal that has become as friendly as a pet.â€  (Marshall M. Fredericks, Sculptor, p. 14)  &#13;
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Series V, Box 13 Folder 18&#13;
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                <text>Use of this image requires permission from the Marshall M. Fredericks Archives.</text>
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&#13;
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
&#13;
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
&#13;
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work&#13;
&#13;
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed&#13;
&#13;
Video/Films/Audio: (13 linear feet) including media relating to Fredericksâ€™ work, civic interests, and life&#13;
&#13;
Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.</text>
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                <text>Rear view of the plasteline model for "The Friendly Dragon" entirely covered in plaster</text>
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                <text>Animal sculpture--20th century. &#13;
Artists' studios--United States.&#13;
Dragons in art.&#13;
Fredericks, Marshall M., 1908-1998&#13;
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                <text>â€œI did â€¦ a dragon; I called it The Friendly Dragon. The architect said he didn't think he would use it because he said the children would be frightened of a dragon. But children love dragons and it's not an ugly dragon, it's a friendly dragon with a big smile and it's cozy and you can sit on its back on those humps on its back. It's just that he never was a child, I guess, so he doesn't know. So they put up a thing, a structural beam thing. I've never seen a child near it so maybe they didn't get the audience that they wanted really. I think maybe I'll do that Dragon. I like dragons anyway, they're special.â€ (Marshall Fredericks, from a 1981 interview with Joy Colby, The Detroit News art critic.) &#13;
&#13;
Throughout his long career, Fredericks often returned to his joyful and whimsical work that involved animals. â€œThe Friendly Dragon, cast twice in 1991, as a pair for the Meijer Gardens, Grand Rapids, Michigan, is a childâ€™s magical dream.  Like a Maurice Sendak illustration (popular author of Where the Wild Things Are), Fredericksâ€™ dragon presents a danger that has become approachable, a wild animal that has become as friendly as a pet.â€  (Marshall M. Fredericks, Sculptor, p. 14)  &#13;
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                <text>Marshall M. Fredericks Papers&#13;
Series V, Box 13 Folder 19&#13;
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                <text>Use of this image requires permission from the Marshall M. Fredericks Archives.</text>
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