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              <text>From Jennifer Lentz (Collection Documentation Intern 1991-1992)&#13;
&#13;
Memo dated April 7, 1991:&#13;
"RE: Boy and Bear at Grosse Pointe Central Library:&#13;
There is a small Boy and Bear located in their children's room.  It is on book marks sold there and it has become the logo for the Friends of the Grosse Pointe Public Library.  It was donated in memory of Helen Hines Thomas by her friends from Detroit Industrial School.  In the library's vertical file is one small article about this sculpture.  We do not know the date of this object at this time."</text>
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                <text>The Boy and Bear, 1954&#13;
Maquette &#13;
Bronze, cast c. 1987&#13;
&#13;
Gift of Mr. and Mrs. Marshall M. Fredericks&#13;
1991.134&#13;
&#13;
Fredericks was one of six artists commissioned to design sculpture for Northland Shopping Center in Southfield.  At the time it opened in 1954, Northland was the country's largest shopping center as well as the first regional shopping center.  The architects planned for sculpture to play an important role in the shopping center's courts and malls.  It is obvious that Fredericks designed this sculpture with children in mind.  As with his other large animal sculptures, he gave the bear a benevolent quality so it would not frighten children.  This bear could be a child's best friend.  The contrast of the massive body of the bear with the almost frail body of the boy on his back emphasizes this special relationship.  The bear's head is down, communicating only amicable intentions.  Its erect ears and furrowed brow suggest interest in a viewer at this low eye level.  Frederick's portrayal of the bear is not totally realistic, but like several of his other sculptures of animals, he has portrayed the bear as in a child's imagination.  The sculpture at Northland still attracts as much attention today as when it was first placed there, pleasing children and adults alike.  &#13;
&#13;
Despite similarities between this sculpture and the characters in Walt Disney's movie The Jungle Book, Fredericks disavows any influence from Walt Disney or Rudyard Kipling, the author of The Jungle Book which was originally published in 1894.  Fredericks has said that he simply wanted to make a sculpture of a boy and bear because it would be fun      &#13;
In a display case at the front of the gallery is a smaller and earlier version of this sculpture in bronze. A cast similar to this is on display in the children's room of the Grosse Pointe Public Library. </text>
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              <text>From Jennifer Lentz (Collection Documentation Intern 1991-1992)&#13;
&#13;
Memo dated October 23, 1991:&#13;
&#13;
"RE: Torso of a Dancer&#13;
On the list "Principle works of Marshall M. Fredericks" that I believe Mrs. Fredericks compiled, on page 3 I noticed that one of the three Torsos is dated 1934 and the other two were dated 1938. We have been dating it to 1938. I asked Mr. Fredericks and he said c. 1934 is the original date."&#13;
&#13;
&#13;
From Jennifer Lentz (Collection Documentation Intern 1991-1992)&#13;
Memo dated September 5, 1991&#13;
&#13;
"RE: Works at Cranbrook Academy of Art Museum:&#13;
Two Sisters/Mother and Child&#13;
Childhood Friends&#13;
Torso of a Dancer&#13;
Persephone (Bacchante)&#13;
&#13;
On display in he museum are two other works by Fredericks. One is Torso of a Dancer in black Belgian marble which is dated to 1939. Our list of works at Cranbrook dates it to 1938. Our bronze at the gallery is dated to 1938 also. Our bronze at the gallery is a free-standing form. In this marble one part of the rough stone was left to form a base which the Torso is incorporated into and rest upon."</text>
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                <text>Torso of a Dancer [Bronze]</text>
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                <text>Torso of a Dancer, c. 1938&#13;
Bronze, cast 1984&#13;
&#13;
Gift of Mr. and Mrs. Marshall M. Fredericks&#13;
1994.002&#13;
&#13;
After modeling the Torso of a Dancer in about 1934, Fredericks carved it in Belgian black marble for the Cranbrook Art Museum in Bloomfield Hills, Michigan. He subsequently used the original plaster model to create several bronze casts such as this one. Unlike all the other bronze casts in the museum, the Torso is not patinated with chemicals to produce the green or brown surface color commonly found on bronzes. Fredericks chose to leave the Torso with its raw bronze color. He finished the statue with a high degree of polish to emphasize the smooth forms, graceful lines, and strong muscles of the figure. This cast, made in 1984, exhibits the fine craftsmanship that Fredericks demanded of his founders. The Sculptor's Studio displays other versions of this sculpture.&#13;
&#13;
The nude female form is a subject that has entranced artists since the dawn of time. Fredericks' treatment is typical of sculptors working during the Art Deco period when streamlined, elegant forms predominated, yet Fredericks' realistic but slightly idealized treatment of this traditional subject also illustrates his personal, mature style.</text>
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                <text>Use of this image requires permission from the Marshall M. Fredericks Sculpture Museum</text>
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              <text>From Jennifer Lentz (Collection Documentation Intern 1991-1992)&#13;
&#13;
Memo dated April 22, 1992:&#13;
&#13;
"RE: Portrait of an Old Man and Wood Sprite&#13;
I asked Molly about these and about any other wood carvings Fredericks did. For Portrait of an Old Man he made a model first from life. For Wood Sprite he carved it directly. In 1931 when he got to Cranbrook he carved 6 other small works directly from fence rails. He has since given away 5 of them and he has one."</text>
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            <description>The topic of the resource</description>
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&#13;
Fredericks used these woodcarving tools during his career. The wooden mallets and hone stones show substantial wear from years of use. Fredericks acquired the chisels from another wood carver, whose initials "MW" are embroidered on the fabric pouch. </text>
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Fredericks' design for the Henry Ford Memorial at the Dearborn Public Library across Michigan Avenue from Ford World Headquarters in Dearborn, Michigan features a full-length portrait of the company founder standing in front of a curved marble wall that holds four reliefs depicting the history of the man and the company. Exhibited above this display case are the full-size plaster models for the    reliefs while the full-size plaster model of Ford (1863-1947) stands nearby. Although Ford did not sit (or stand) for his portrait, Fredericks worked from photographs of the man he met only briefly.&#13;
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Gift of Mr. and Mrs. Marshall M. Fredericks&#13;
1994.010</text>
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Memo dated October 23, 1991:&#13;
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"RE: Portrait of a German Philosopher, Nubujii Yoshida, Portrait of Lloyd Westbrook (Portrait of a Young Man)&#13;
All of these were done in 1931 while Fredericks was in Germany and he had them shipped back to the United States when he returned. Lloyd Westbrook was his roommate for a time in Germany. I think that the portrait head of a German Philosopher was also done in Germany. It was done in 1931."</text>
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                <text>"Many will recall the "Portrait of A Japanese," a bronze by young Marshall Fredericks which took the first prize for sculpture in  the May show at the Cleveland Museum of Art last Spring.  The  inspiration for the head came from a Japanese student with whom  he had lived while studying abroad.  Both were scholarship  winners.  Mr. Fredericks had been awarded the Matzen Fellowship  for a year's foreign study at the close of his senior year.  The  Japanese boy, strangely enough, had been a student of Henry Hunt  Clark, the new director of the Art School in Boston."&#13;
&#13;
Taken from - The Bystander, November 7, 1931 (Archive Series VI)</text>
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                  <text>Marshall M. Fredericks Sculpture Museum Objects Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="17">
      <name>Sculpture</name>
      <description/>
      <elementContainer>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image.</description>
          <elementTextContainer>
            <elementText elementTextId="434819">
              <text>19.5" x 10" x 11"</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="26">
          <name>Materials</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="434820">
              <text>Bronze</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="86">
          <name>Catalog Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="434821">
              <text>1994.014  </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="87">
          <name>Object Location</name>
          <description>Location of object in collection.</description>
          <elementTextContainer>
            <elementText elementTextId="434822">
              <text>Main Exhibit Gallery</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="88">
          <name>Provenance</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="434823">
              <text>05/26/1994 gifted to MFSM</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="89">
          <name>Notes</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="434824">
              <text>From Jennifer Lentz (Collection Documentation Intern 1991-1992)&#13;
&#13;
Memo dated October 23, 1991:&#13;
&#13;
"RE: Portrait of a German Philosopher, Nubujii Yoshida, Portrait of Lloyd Westbrook (Portrait of a Young Man)&#13;
All of these were done in 1931 while Fredericks was in Germany and he had them shipped back to the United States when he returned. Lloyd Westbrook was his roommate for a time in Germany. I think that the portrait head of a German Philosopher was also done in Germany. It was done in 1931."</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="434811">
                <text>German Philosopher [Bronze]</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="434812">
                <text>Figure sculpture, American--20th century</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="434813">
                <text>Portrait of a German Philosopher, 1931&#13;
Bronze, cast before 1961&#13;
&#13;
Gift of Mr. and Mrs. Marshall M. Fredericks&#13;
1994.014&#13;
&#13;
Fredericks never identified by name the German philosopher he portrayed during his travel and study in Germany following the months he spent as an assistant in the studio of Carl Milles in Stockholm. In 1991 he indicated that he had shipped a German Philosopher, Nobujii Yoshida, and Lloyd Westbrook to the U.S. during his youthful sojourn. However, this cast has a Bedi Rassy foundry mark, indicating it was cast in New York City before that foundry became the Bedi Makky Foundry. The location of the early German cast is unknown.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="434814">
                <text>Fredericks, Marshall M., 1908-1998</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="434815">
                <text>1931</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="434816">
                <text>Use of this image requires permission from the Marshall M. Fredericks Sculpture Museum</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="434817">
                <text>Sculpture</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="434818">
                <text>University Center (Mich.)</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="1752">
        <name>Bronze</name>
      </tag>
      <tag tagId="1757">
        <name>Bronze Sculpture</name>
      </tag>
      <tag tagId="1755">
        <name>Bust</name>
      </tag>
      <tag tagId="1873">
        <name>Figure</name>
      </tag>
      <tag tagId="1872">
        <name>Figure sculpture</name>
      </tag>
      <tag tagId="1754">
        <name>Portrait</name>
      </tag>
      <tag tagId="302">
        <name>Portrait of a German Philosopher</name>
      </tag>
      <tag tagId="1753">
        <name>Sculpture</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
