576 10 8302 https://omeka2.svsu.edu/files/original/df5b1164dc414ee9a123c695c567e116.jpg 27bad9ce797430f97430c8fa35a0c626 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marshall M. Fredericks Archives Collection Description An account of the resource The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including: Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum Financial (30 linear feet) document the day-to-day operations of running a studio Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc. Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life Ephemera:(8 linear feet) containing portfolio postcards, posters, etc. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Black and white print Physical Dimensions The actual physical size of the original image. 8" x 10" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Side view of "Freedom of the Human Spirit" at the 1964 New York World's Fair Subject The topic of the resource Animal sculpture--20th century. Bronze sculpture, American--20th century. Figure sculpture, American--20th century. Fredericks, Marshall M., 1908-1998 New York World's Fair (1964-1965) Outdoor sculpture--United States. Public sculpture, American Description An account of the resource The businessmen backers of the 1964-65 New York World’s Fair aspired to produce an economic boom for the city that would rival the hugely successful New York World’s Fair of 1939-40 that brought more than 44 million visitors to the city. Many of these planners, kids during the ’39-40 Fair, hoped that the experience would be as memorable for their children and families has it had been for them. Dedicated to “Man’s Achievement on a Shrinking Globe in an Expanding Universe,” the Fair’s theme was “Peace through Understanding.” The Fair’s Sculpture Committee requested that Marshall Fredericks submit a proposal for a sculpture to be included at the event. Fredericks submitted several sketches and the Committee selected a sketch of two figures with swans. Originally the figures in the sketch had wings, but the review panel requested that Fredericks remove them in the final sculpture. According to the artist, the sculpture “depicts human figures as if soaring in migratory flights with huge swans, an ancient symbol of eternal life.” One of four major sculptures at the Fair, the sculpture stood in the Court of States at the entrance of the U S Government Pavilion. This marked the second time Fredericks contributed a sculpture to a New York World’s Fair, as he previously exhibited a fountain at the 1939 Fair. The Freedom of the Human Spirit still stands at its original location in Flushing Meadows Corona Park in Queens borough. In 1983, Fredericks donated the design for this sculpture to his adopted hometown of Birmingham, Michigan in honor of the city’s fiftieth anniversary. Erected in Shain Park, the city financed the sculpture through generous donations from over one thousand individuals and corporations. In 2009, the city of Birmingham renovated the park and relocated the sculpture to an area in the center of the park. A small-scale casting of Freedom of the Human Spirit also serves as the annual Communications Award for the International Center for the Disabled (ICD), an organization of which Fredericks was a longtime benefactor. Source A related resource from which the described resource is derived Marshall M. Fredericks Papers Series V, Box 13 Folder 8 Date A point or period of time associated with an event in the lifecycle of the resource n.d. Rights Information about rights held in and over the resource Use of this image requires permission from the Marshall M. Fredericks Archives. Relation A related resource V-13-08 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Flushing Meadows-Corona Park (New York, N.Y.) Animal Animal Sculpture Bronze Bronze Sculpture Figure Figure sculpture Freedom of the Human Spirit New York New York World's Fair Outdoor Sculpture Public Sculpture Sculpture Swan V1308 World's Fair https://omeka2.svsu.edu/files/original/779849d7338961670f9d945f29565640.jpg 50a9c665c232482f2c3926e5d380c977 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marshall M. Fredericks Archives Collection Description An account of the resource The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including: Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum Financial (30 linear feet) document the day-to-day operations of running a studio Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc. Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life Ephemera:(8 linear feet) containing portfolio postcards, posters, etc. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Color print Physical Dimensions The actual physical size of the original image. 4" x 6" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Side view of "Freedom of the Human Spirit" following its restoration Source A related resource from which the described resource is derived Marshall M. Fredericks Papers Series II, Box 14, Folder 3 Date A point or period of time associated with an event in the lifecycle of the resource 1996 July 1 Rights Information about rights held in and over the resource Use of this image requires permission from the Marshall M. Fredericks Archives. Relation A related resource II-14-03 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 31 Subject The topic of the resource Animal sculpture--20th century. Bronze sculpture, American--20th century. Figure sculpture, American--20th century. Fredericks, Marshall M., 1908-1998 New York World's Fair (1964-1965) Outdoor sculpture--United States. Public sculpture, American Sculpture--Conservation and restoration--United States. Description An account of the resource The businessmen backers of the 1964-65 New York World’s Fair aspired to produce an economic boom for the city that would rival the hugely successful New York World’s Fair of 1939-40 that brought more than 44 million visitors to the city. Many of these planners, kids during the ’39-40 Fair, hoped that the experience would be as memorable for their children and families has it had been for them. Dedicated to “Man’s Achievement on a Shrinking Globe in an Expanding Universe,” the Fair’s theme was “Peace through Understanding.” The Fair’s Sculpture Committee requested that Marshall Fredericks submit a proposal for a sculpture to be included at the event. Fredericks submitted several sketches and the Committee selected a sketch of two figures with swans. Originally the figures in the sketch had wings, but the review panel requested that Fredericks remove them in the final sculpture. According to the artist, the sculpture “depicts human figures as if soaring in migratory flights with huge swans, an ancient symbol of eternal life.” One of four major sculptures at the Fair, the sculpture stood in the Court of States at the entrance of the U S Government Pavilion. This marked the second time Fredericks contributed a sculpture to a New York World’s Fair, as he previously exhibited a fountain at the 1939 Fair. The Freedom of the Human Spirit still stands at its original location in Flushing Meadows Corona Park in Queens borough. In 1983, Fredericks donated the design for this sculpture to his adopted hometown of Birmingham, Michigan in honor of the city’s fiftieth anniversary. Erected in Shain Park, the city financed the sculpture through generous donations from over one thousand individuals and corporations. In 2009, the city of Birmingham renovated the park and relocated the sculpture to an area in the center of the park. A small-scale casting of Freedom of the Human Spirit also serves as the annual Communications Award for the International Center for the Disabled (ICD), an organization of which Fredericks was a longtime benefactor. Creator An entity primarily responsible for making the resource Possibly photographed by Joe Jernejcic Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Flushing Meadows-Corona Park (New York, N.Y.) Freedom of the Human Spirit II1403 https://omeka2.svsu.edu/files/original/826389e04d42c100f93e69e3644b903b.jpg 3a220e7ab813d1c0fb7b30b7a1d6019a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marshall M. Fredericks Archives Collection Description An account of the resource The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including: Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum Financial (30 linear feet) document the day-to-day operations of running a studio Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc. Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life Ephemera:(8 linear feet) containing portfolio postcards, posters, etc. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Black and white print Physical Dimensions The actual physical size of the original image. 8" x 10" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Side view of "Freedom of the Human Spirit" in Shain Park Subject The topic of the resource Animal sculpture--20th century. Bronze sculpture, American--20th century. Figure sculpture, American--20th century. Fredericks, Marshall M., 1908-1998 Outdoor sculpture--United States. Public sculpture, American Description An account of the resource The businessmen backers of the 1964-65 New York World’s Fair aspired to produce an economic boom for the city that would rival the hugely successful New York World’s Fair of 1939-40 that brought more than 44 million visitors to the city. Many of these planners, kids during the ’39-40 Fair, hoped that the experience would be as memorable for their children and families has it had been for them. Dedicated to “Man’s Achievement on a Shrinking Globe in an Expanding Universe,” the Fair’s theme was “Peace through Understanding.” The Fair’s Sculpture Committee requested that Marshall Fredericks submit a proposal for a sculpture to be included at the event. Fredericks submitted several sketches and the Committee selected a sketch of two figures with swans. Originally the figures in the sketch had wings, but the review panel requested that Fredericks remove them in the final sculpture. According to the artist, the sculpture “depicts human figures as if soaring in migratory flights with huge swans, an ancient symbol of eternal life.” One of four major sculptures at the Fair, the sculpture stood in the Court of States at the entrance of the U S Government Pavilion. This marked the second time Fredericks contributed a sculpture to a New York World’s Fair, as he previously exhibited a fountain at the 1939 Fair. The Freedom of the Human Spirit still stands at its original location in Flushing Meadows Corona Park in Queens borough. In 1983, Fredericks donated the design for this sculpture to his adopted hometown of Birmingham, Michigan in honor of the city’s fiftieth anniversary. Erected in Shain Park, the city financed the sculpture through generous donations from over one thousand individuals and corporations. In 2009, the city of Birmingham renovated the park and relocated the sculpture to an area in the center of the park. A small-scale casting of Freedom of the Human Spirit also serves as the annual Communications Award for the International Center for the Disabled (ICD), an organization of which Fredericks was a longtime benefactor. Source A related resource from which the described resource is derived Marshall M. Fredericks Papers Series V, Box 13 Folder 13 Date A point or period of time associated with an event in the lifecycle of the resource n.d. Rights Information about rights held in and over the resource Use of this image requires permission from the Marshall M. Fredericks Archives. Relation A related resource V-13-13 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Birmingham (Mich.) Animal Animal Sculpture Birmingham Bronze Bronze Sculpture Figure Figure sculpture Freedom of the Human Spirit Michigan Public Sculpture Sculpture Shain Park Swan V1313 https://omeka2.svsu.edu/files/original/a5489903294e888ea278d77da7901f9b.jpg d80588e3180f1c2699aba955425dcfbe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marshall M. Fredericks Archives Collection Description An account of the resource The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including: Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum Financial (30 linear feet) document the day-to-day operations of running a studio Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc. Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life Ephemera:(8 linear feet) containing portfolio postcards, posters, etc. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Color print Physical Dimensions The actual physical size of the original image. 4" x 6" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Side view of "Freedom of the Human Spirit" upon completion of its restoration Source A related resource from which the described resource is derived Marshall M. Fredericks Papers Series II, Box 14, Folder 3 Date A point or period of time associated with an event in the lifecycle of the resource 1996 July 1 Rights Information about rights held in and over the resource Use of this image requires permission from the Marshall M. Fredericks Archives. Relation A related resource II-14-03 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 26 Subject The topic of the resource Animal sculpture--20th century. Bronze sculpture, American--20th century. Figure sculpture, American--20th century. Fredericks, Marshall M., 1908-1998 New York World's Fair (1964-1965) Outdoor sculpture--United States. Public sculpture, American Sculpture--Conservation and restoration--United States. Description An account of the resource The businessmen backers of the 1964-65 New York World’s Fair aspired to produce an economic boom for the city that would rival the hugely successful New York World’s Fair of 1939-40 that brought more than 44 million visitors to the city. Many of these planners, kids during the ’39-40 Fair, hoped that the experience would be as memorable for their children and families has it had been for them. Dedicated to “Man’s Achievement on a Shrinking Globe in an Expanding Universe,” the Fair’s theme was “Peace through Understanding.” The Fair’s Sculpture Committee requested that Marshall Fredericks submit a proposal for a sculpture to be included at the event. Fredericks submitted several sketches and the Committee selected a sketch of two figures with swans. Originally the figures in the sketch had wings, but the review panel requested that Fredericks remove them in the final sculpture. According to the artist, the sculpture “depicts human figures as if soaring in migratory flights with huge swans, an ancient symbol of eternal life.” One of four major sculptures at the Fair, the sculpture stood in the Court of States at the entrance of the U S Government Pavilion. This marked the second time Fredericks contributed a sculpture to a New York World’s Fair, as he previously exhibited a fountain at the 1939 Fair. The Freedom of the Human Spirit still stands at its original location in Flushing Meadows Corona Park in Queens borough. In 1983, Fredericks donated the design for this sculpture to his adopted hometown of Birmingham, Michigan in honor of the city’s fiftieth anniversary. Erected in Shain Park, the city financed the sculpture through generous donations from over one thousand individuals and corporations. In 2009, the city of Birmingham renovated the park and relocated the sculpture to an area in the center of the park. A small-scale casting of Freedom of the Human Spirit also serves as the annual Communications Award for the International Center for the Disabled (ICD), an organization of which Fredericks was a longtime benefactor. Creator An entity primarily responsible for making the resource Possibly photographed by Joe Jernejcic Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Flushing Meadows-Corona Park (New York, N.Y.) Freedom of the Human Spirit II1403 https://omeka2.svsu.edu/files/original/46dfc7bbb546dccb2cab3729e7c889b4.jpg fe255baa25b65465ce969c7ed9d7bd3c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marshall M. Fredericks Archives Collection Description An account of the resource The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including: Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum Financial (30 linear feet) document the day-to-day operations of running a studio Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc. Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life Ephemera:(8 linear feet) containing portfolio postcards, posters, etc. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Color print Physical Dimensions The actual physical size of the original image. 5" x 7" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Side view of "God on the Rainbow" (Gud Fader På Himmelsbågan) Subject The topic of the resource Angels in art. Bronze sculpture, American--20th century. Figure sculpture, American--20th century. Fredericks, Marshall M., 1908-1998 God--Art. Milles, Carl, 1875-1955 Outdoor sculpture--United States. Public sculpture, American Description An account of the resource Based on a 1946 sketch by Carl Milles for a peace monument intended for the United Nations Building in New York, Fredericks’ enlargement now stands at the entrance to Stockholm Harbor, a project spearheaded by Cilla Jahn, in collaboration with Millesgården and the AP Foundation. Source A related resource from which the described resource is derived Marshall M. Fredericks Papers Series V, Box 14 Folder 21 Date A point or period of time associated with an event in the lifecycle of the resource n.d. Rights Information about rights held in and over the resource Use of this image requires permission from the Marshall M. Fredericks Archives. Relation A related resource V-14-21 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context 30A Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Nacka (Sweden) Angel Bronze Bronze Sculpture Figure Figure sculpture God God on the Rainbow God on the Rainbow (Gud Fader På Himmelsbågan) Sculpture Stockholm Harbor V1421 https://omeka2.svsu.edu/files/original/3c0a65ad9c12b9bb931d4993e96582d1.jpg c8dad6e06a47704c0c6304eb0485a0a0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marshall M. Fredericks Archives Collection Description An account of the resource The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including: Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum Financial (30 linear feet) document the day-to-day operations of running a studio Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc. Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life Ephemera:(8 linear feet) containing portfolio postcards, posters, etc. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Color print Physical Dimensions The actual physical size of the original image. 9.5" x 12" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Side view of "God on the Rainbow" (Gud Fader På Himmelsbågan) at dusk Subject The topic of the resource Angels in art. Bronze sculpture, American--20th century. Figure sculpture, American--20th century. Fredericks, Marshall M., 1908-1998 God--Art. Milles, Carl, 1875-1955 Outdoor sculpture--United States. Public sculpture, American Description An account of the resource Based on a 1946 sketch by Carl Milles for a peace monument intended for the United Nations Building in New York, Fredericks’ enlargement now stands at the entrance to Stockholm Harbor, a project spearheaded by Cilla Jahn, in collaboration with Millesgården and the AP Foundation. Source A related resource from which the described resource is derived Marshall M. Fredericks Papers Series V, Box 14 Folder 21 Date A point or period of time associated with an event in the lifecycle of the resource n.d. Rights Information about rights held in and over the resource Use of this image requires permission from the Marshall M. Fredericks Archives. Relation A related resource V-14-21 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Nacka (Sweden) Angel Bronze Bronze Sculpture Figure Figure sculpture God God on the Rainbow God on the Rainbow (Gud Fader På Himmelsbågan) Sculpture Stockholm Harbor V1421 https://omeka2.svsu.edu/files/original/side-view-of-leaping-gazelle-fountain-at-saginaw-valley-state-university_38e6d7f892.tif a8defbae83c203969d958a615cf12273 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marshall M. Fredericks Archives Collection Description An account of the resource The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including: Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum Financial (30 linear feet) document the day-to-day operations of running a studio Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc. Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life Ephemera:(8 linear feet) containing portfolio postcards, posters, etc. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Color print Physical Dimensions The actual physical size of the original image. 4" x 6" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Side view of "Leaping Gazelle Fountain" at Saginaw Valley State University Subject The topic of the resource Animal sculpture--20th century. Bronze sculpture, American--20th century. Fredericks, Marshall M., 1908-1998 Outdoor sculpture--United States. Public sculpture, American Saginaw Valley State University. Marshall M. Fredericks Sculpture Museum Description An account of the resource Mrs. Dorothy (Honey) Arbury studied with Fredericks when she attended Kingswood School at the Cranbrook Educational Community in Bloomfield Hills, Michigan, in the 1930s. She met him through her uncle, Alden B. Dow, a prominent architect in Midland, Michigan, with whom Fredericks worked on architectural sculpture projects. In 1963, Mrs. Arbury was on the founding Board of Control of Saginaw Valley College, which later became Saginaw Valley State University (SVSU). She remained active on that board and on the SVSU Foundation Board into the 1990s. Mrs. Arbury and her husband, Ned Arbury, and Fredericks and his wife, Rosalind Fredericks, formed the idea of a permanent exhibit of Fredericks' work adjacent to the university's then-new facility for the art, music and theater departments. SVSU and the Arburys worked together toward an agreement to have the Marshall M. Fredericks Sculpture Gallery and Sculpture Garden built adjacent to the art department. The gallery opened to the public in the Arbury Fine Arts Center in May 1988. About half of the $7.2 million of private money raised for the building went to design and construction, restoration, transportation and installation. Fredericks oversaw installation of the more than 200 mostly plaster models in the permanent exhibit gallery. Through the years, private donors have made it possible for some of the bronze casts to be made for the Sculpture Garden. Fredericks gave the balance of the collection in 1994. After his death in 1998, the gallery received his remaining tools, equipment, archives, architectural site models, sculptures and more. With the growth of the collection, the Board of Advisors elevated the gallery to museum status in 1999. In October 2003, the $2.5 million Phase II Capital Campaign expansion became a reality, nearly doubling the museum's size. The addition includes the Sculptor's Studio, a classroom, archives vault, research reading room, two temporary exhibition galleries and a gift shop. Source A related resource from which the described resource is derived Marshall M. Fredericks Papers Series V, Box 26 Folder 14 Date A point or period of time associated with an event in the lifecycle of the resource n.d. Rights Information about rights held in and over the resource Use of this image requires permission from the Marshall M. Fredericks Archives. Relation A related resource V-26-14 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant University Center (Mich.) Animal Animal Sculpture Bronze Bronze Sculpture Fountain Leaping Gazelle Leaping Gazelle Fountain Saginaw Valley State University Sculpture SVSU V2614 https://omeka2.svsu.edu/files/original/side-view-of-leaping-gazelle-fountain-on-the-campus-of-saginaw-valley-state-university_98e452c2e7.tif a837c6c788c9a4634eacbda6c9f003e5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marshall M. Fredericks Archives Collection Description An account of the resource The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including: Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum Financial (30 linear feet) document the day-to-day operations of running a studio Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc. Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life Ephemera:(8 linear feet) containing portfolio postcards, posters, etc. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Color print Physical Dimensions The actual physical size of the original image. 4" x 6" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Side view of "Leaping Gazelle Fountain" on the campus of Saginaw Valley State University Subject The topic of the resource Animal sculpture--20th century. Bronze sculpture, American--20th century. Fountains. Fredericks, Marshall M., 1908-1998 Outdoor sculpture--United States. Public sculpture, American Saginaw Valley State University. Marshall M. Fredericks Sculpture Museum Description An account of the resource Mrs. Dorothy (Honey) Arbury studied with Fredericks when she attended Kingswood School at the Cranbrook Educational Community in Bloomfield Hills, Michigan, in the 1930s. She met him through her uncle, Alden B. Dow, a prominent architect in Midland, Michigan, with whom Fredericks worked on architectural sculpture projects. In 1963, Mrs. Arbury was on the founding Board of Control of Saginaw Valley College, which later became Saginaw Valley State University (SVSU). She remained active on that board and on the SVSU Foundation Board into the 1990s. Mrs. Arbury and her husband, Ned Arbury, and Fredericks and his wife, Rosalind Fredericks, formed the idea of a permanent exhibit of Fredericks' work adjacent to the university's then-new facility for the art, music and theater departments. SVSU and the Arburys worked together toward an agreement to have the Marshall M. Fredericks Sculpture Gallery and Sculpture Garden built adjacent to the art department. The gallery opened to the public in the Arbury Fine Arts Center in May 1988. About half of the $7.2 million of private money raised for the building went to design and construction, restoration, transportation and installation. Fredericks oversaw installation of the more than 200 mostly plaster models in the permanent exhibit gallery. Through the years, private donors have made it possible for some of the bronze casts to be made for the Sculpture Garden. Fredericks gave the balance of the collection in 1994. After his death in 1998, the gallery received his remaining tools, equipment, archives, architectural site models, sculptures and more. With the growth of the collection, the Board of Advisors elevated the gallery to museum status in 1999. In October 2003, the $2.5 million Phase II Capital Campaign expansion became a reality, nearly doubling the museum's size. The addition includes the Sculptor's Studio, a classroom, archives vault, research reading room, two temporary exhibition galleries and a gift shop. Source A related resource from which the described resource is derived Marshall M. Fredericks Papers Series V, Box 25 Folder 11 Date A point or period of time associated with an event in the lifecycle of the resource 1988 Rights Information about rights held in and over the resource Use of this image requires permission from the Marshall M. Fredericks Archives. Relation A related resource V-25-11 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context A Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant University Center (Mich.) Animal Animal Sculpture Bronze Bronze Sculpture Fountain Leaping Gazelle Leaping Gazelle Fountain Saginaw Valley State University Sculpture SVSU Unveiling V2511 https://omeka2.svsu.edu/files/original/8c8b6ee9fc45d1461f49a0f85eff333d.jpg 8c645037d242a3bfbf602ecf236738f9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marshall M. Fredericks Archives Collection Description An account of the resource The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including: Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum Financial (30 linear feet) document the day-to-day operations of running a studio Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc. Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life Ephemera:(8 linear feet) containing portfolio postcards, posters, etc. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Color print Physical Dimensions The actual physical size of the original image. 3.5" x 5" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Side view of "Leaping Gazelle" at "Milles as Mentor" exhibit at the Cranbrook Art Museum Subject The topic of the resource Animal sculpture--20th century. Bronze sculpture, American--20th century. Cranbrook Educational Community Exhibitions. Fredericks, Marshall M., 1908-1998 Description An account of the resource The "Milles as Mentor" exhibit at the Cranbrook Art Museum featured two pieces from Marshall Fredericks, "Leaping Gazelle" and the figures from "Night and Day Fountain". The exhibit ran from May 21-December 2, 1990. Source A related resource from which the described resource is derived Marshall M. Fredericks Papers Series V, Box 27 Folder 8 Date A point or period of time associated with an event in the lifecycle of the resource 1990 Rights Information about rights held in and over the resource Use of this image requires permission from the Marshall M. Fredericks Archives. Relation A related resource V-27-08 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Bloomfield Hills (Mich.) Animal Animal Sculpture Bronze Bronze Sculpture Cranbrook Art Museum Exhibitions Leaping Gazelle Milles as Mentor Sculpture Smal Scale V2708 https://omeka2.svsu.edu/files/original/side-view-of-leaping-gazelle-at-an-unidentified-location_5401d3840f.tif 4d4eee6474fae9aaddfae705ddc6a143 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marshall M. Fredericks Archives Collection Description An account of the resource The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including: Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces Subject Files: (24 linear feet) document Fredericks’ civic interests such as Disabled Americans’ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum Financial (30 linear feet) document the day-to-day operations of running a studio Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericks’ teaching career, projects, civic activities, and personal life Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc. Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed Video/Films/Audio: (13 linear feet) including media relating to Fredericks’ work, civic interests, and life Ephemera:(8 linear feet) containing portfolio postcards, posters, etc. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Color print Physical Dimensions The actual physical size of the original image. 4" x 6" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Side view of "Leaping Gazelle" at an unidentified location Subject The topic of the resource Animal sculpture--20th century. Bronze sculpture, American--20th century. Fredericks, Marshall M., 1908-1998 Description An account of the resource In 1936, Marshall Fredericks entered a national competition to design a memorial honoring Levi L. Barbour for Belle Isle, an island park in Detroit, Michigan. Barbour, a prominent lawyer who had been instrumental in the purchase of the island as a public park, bequeathed $20,000 to the city for the purpose of erecting some permanent structure on Belle Isle as a “continual hint to [his] fellow citizens to devote themselves to the benefit and pleasure of the public.” Open to all Detroit-area sculptors with approved credentials and others with a national reputation, the competition received entries from twenty-six sculptors. Chosen by a unanimous vote, Fredericks’ winning model featured a wounded or leaping antelope which “attempt[ed] to show the beauty in the excitement, or even death, of nature,” according to the artist. Fredericks surrounded the central figure with four smaller figures: a weasel, hawk, squirrel and pheasant, all native to Belle Isle and representing both the predatory and non-predatory aspects of nature. Located in Belle Isle’s Rose Garden, the sculpture stands sixteen feet tall atop a granite pedestal. In its final form, Fredericks altered his original concept but the overall intent remained the same. Instead of an antelope, a wheeling bronze gazelle is the focal point of the fountain and the four smaller figures on the granite basin depict a hawk, grouse, rabbit and otter, representations of the island’s indigenous animals. At the memorial’s dedication in 1937, Fredericks said the fountain “is meant to express beauty in nature and its creation.” Considered by Fredericks to be his “first break,” the Belle Isle Competition garnered Fredericks a great deal of national attention and increased his public notoriety. With castings found throughout the United States and Europe, the Leaping Gazelle remains one of Fredericks’ most popular sculptures. Source A related resource from which the described resource is derived Marshall M. Fredericks Papers Series V, Box 15 Folder 27 Date A point or period of time associated with an event in the lifecycle of the resource n.d. Rights Information about rights held in and over the resource Use of this image requires permission from the Marshall M. Fredericks Archives. Relation A related resource V-15-27 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Image Animal Animal Sculpture Bronze Bronze Sculpture Gazelle Leaping Gazelle Outdoor Sculpture Sculpture V1527