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&#13;
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
&#13;
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
&#13;
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work&#13;
&#13;
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed&#13;
&#13;
Video/Films/Audio: (13 linear feet) including media relating to Fredericksâ€™ work, civic interests, and life&#13;
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Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.</text>
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The Victory Eagle on the facade of the Veterans Memorial Building in Detroit is 30 feet high and projects 4Â½ feet from the wall in high relief. Seven free-standing pylons were originally placed in front of the building along the walkway leading to the entrance. Twenty feet high and carved with incised relief, they depict scenes from the military history of Detroit and the United States. &#13;
&#13;
The "Civil War" pylon shows Abraham Lincoln parting the North and South. Below are Generals Grant and Lee.</text>
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Series VIII, Cabinet 3 Drawer 2 Folder 1</text>
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
&#13;
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
&#13;
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work&#13;
&#13;
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed&#13;
&#13;
Video/Films/Audio: (13 linear feet) including media relating to Fredericksâ€™ work, civic interests, and life&#13;
&#13;
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The Fountain, also known as the "Cleveland War Memorial", is composed of a large granite basin set with bronze plaques containing the names of men and women who gave their lives for their country. Located within the basin are four granite carvings depicting the great civilizations of the earth: Nordic, Eastern, Southern and Western cultures.&#13;
&#13;
Centered within is the 10 Â½ foot sculptured bronze sphere representing the Universe as man has imagined it. Its design contains symbols of Eternal Life and Spirit derived from ancient myths.&#13;
&#13;
The bronze central figure towers 43 feet above the basin. This figure expresses the main theme of the Fountain: the spirit of mankind rising out of the flames of war and the destructive elements of life, reaching and ascending to a new understanding of life.&#13;
&#13;
The Fountain took nineteen years to complete and is located at the Civic Center Mall A in Cleveland, Ohio.</text>
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
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&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
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Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
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Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
&#13;
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
&#13;
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&#13;
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed&#13;
&#13;
Video/Films/Audio: (13 linear feet) including media relating to Fredericksâ€™ work, civic interests, and life&#13;
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&#13;
Centered within is the 10 Â½ foot sculptured bronze sphere representing the Universe as man has imagined it. Its design contains symbols of Eternal Life and Spirit derived from ancient myths.&#13;
&#13;
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
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&#13;
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&#13;
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&#13;
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&#13;
Although the first clowns date back to ancient times, the descendants of modern clowns were the traveling minstrels of the Middle Ages. They wore brightly colored costumes with ruffled collars and bells, plus they painted their faces or wore masks. They entertained by various means including poetry, music, juggling, acrobatics, and working with trained animals. Not until the sixteenth century when the commedia dell' arte began did pantomime become popular. Today it is a basic tool for clowns. From very early times the purpose of the clown was to display the gamut of human experience and emotion in an uninhibited manner, often by exaggeration.&#13;
&#13;
Fredericks' clowns possess all the characteristic attributes. First, they wear the familiar costume: baggy pants, bells, and ruffled neck, wrist and ankle bands. Their faces are painted also. Their postures and gestures are very expressive. The Lovesick Clown shows exaggerated, unrepressed emotion. The mute Clown Musicians with their invisible instruments humorously remind us of the ability of clowns to entertain without sound. The Circus Train Clown has the circus train down below on the base and the Lovesick Clown has Cupid's arrow through his heart. The Acrobat Clown is depicted with a little dog balancing on the palms of his hands. The Juggler Clown has a ball balanced on the tip of his nose and the Clown Musicians play their imaginary instruments.&#13;
&#13;
Fredericks sculpted the clowns using simple geometric shapes. The forms are highly stylized with clean lines and sharp edges making them visually appealing.&#13;
&#13;
Drawing also includes sketches for "Harlequins (Clown Musicians), Ballerina &amp; Orchestral Parade" and "Baboon and Sitting Friend".</text>
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
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&#13;
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&#13;
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&#13;
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&#13;
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&#13;
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Fredericks, Marshall M., 1908-1998 </text>
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&#13;
Fredericks' clowns possess all the characteristic attributes. First, they wear the familiar costume: baggy pants, bells, and ruffled neck, wrist and ankle bands. Their faces are painted also. Their postures and gestures are very expressive. The Lovesick Clown shows exaggerated, unrepressed emotion. The mute Clown Musicians with their invisible instruments humorously remind us of the ability of clowns to entertain without sound. The Circus Train Clown has the circus train down below on the base and the Lovesick Clown has Cupid's arrow through his heart. The Acrobat Clown is depicted with a little dog balancing on the palms of his hands. The Juggler Clown has a ball balanced on the tip of his nose and the Clown Musicians play their imaginary instruments.&#13;
&#13;
Fredericks sculpted the clowns using simple geometric shapes. The forms are highly stylized with clean lines and sharp edges making them visually appealing.</text>
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
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&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
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Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.</text>
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      <name>Drawing</name>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image.</description>
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              <text>7" x 13.75"</text>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="443089">
              <text>Graphite drawing</text>
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        <name>Dublin Core</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Sketch for "Crating and Shipping" for the Ford Rotunda</text>
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            <name>Identifier</name>
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                <text>1998.001.VIII.738</text>
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                <text>Drawing, American--20th century.&#13;
Ford Rotunda (Dearborn, Mich.)&#13;
Fredericks, Marshall M., 1908-1998</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Graphite on tracing paper&#13;
7" x 13.75"&#13;
&#13;
Sketch for one of the sixteen fiberglass polyester resin laminate reliefs for the Ford Rotunda, Dearborn, Michigan depicting industries related to the manufacture of automobiles.&#13;
&#13;
The sixteen reliefs won the Gold Medal in Sculpture from the Architectural League of New York in 1956.&#13;
&#13;
The Ford Rotunda was destroyed by fire in 1962.</text>
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            <name>Creator</name>
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                <text>Fredericks, Marshall M., 1908-1998</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="443083">
                <text>Marshall M. Fredericks Papers&#13;
Series VIII, Cabinet 1 Drawer 8 Folder 9</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>c. 1953</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="443085">
                <text>Use of this image requires permission from the Marshall M. Fredericks Archives.</text>
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          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
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              <elementText elementTextId="443086">
                <text>VIII-01-08-09</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="443087">
                <text>image/jpeg</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="443088">
                <text>Graphite drawing</text>
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        <name>Crating and Shipping</name>
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        <name>Ford Rotunda</name>
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      <tag tagId="2974">
        <name>VIII010809</name>
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