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&#13;
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Fredericks, Marshall M., 1908-1998</text>
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&#13;
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&#13;
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Series VIII, Cabinet 1 Drawer 7 Folder 4</text>
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&#13;
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
&#13;
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&#13;
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&#13;
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
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&#13;
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
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&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
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&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
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&#13;
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&#13;
Video/Films/Audio: (13 linear feet) including media relating to Fredericksâ€™ work, civic interests, and life&#13;
&#13;
Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.</text>
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&#13;
Minted in bronze, diameter 3 inches, Brookgreen Gardens, Pawleys Island, South Carolina.&#13;
&#13;
Based on "Leaping Gazelle" in the collection of Brookgreen Gardens.&#13;
&#13;
Face: Inscription, "Brookgreen Gardens, South Carolina," with bas relief of "Leaping Gazelle".&#13;
&#13;
Reverse: Two wrens, South Carolina's state bird, perched on rhododendrons.&#13;
&#13;
Presented to Sustaining, Patron, and Life members in 1977, also part of Brookgreen Gardens Annual Medallic Series. Exhibited as United States entry at the Biennial Exhibition of the FÃ©deration Internationale de la MÃ©daille (F.I.D.E.M.) in Florence, Italy, 1983.</text>
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Series VIII, Cabinet 1 Drawer 11 Folder 1</text>
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Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
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Sketches for the sixteen fiberglass polyester resin laminate reliefs for the Ford Rotunda, Dearborn, Michigan depicting industries related to the manufacture of automobiles.&#13;
&#13;
The sixteen reliefs won the Gold Medal in Sculpture from the Architectural League of New York in 1956.&#13;
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The Ford Rotunda was destroyed by fire in 1962.</text>
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Series VIII, Cabinet 1 Drawer 8 Folder 9</text>
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Series II, Box 1 Folder 21</text>
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Series VIII, Cabinet 2 Drawer 11 Folder 3</text>
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
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&#13;
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            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="431025">
                <text>1998.001.VIII.432</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Drawing, American--20th century.&#13;
Figure drawing.&#13;
Fredericks, Marshall M., 1908-1998</text>
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          <element elementId="41">
            <name>Description</name>
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                <text>Colored pencil on tracing paper&#13;
16.5" x 13.5"&#13;
&#13;
The erection of The Spirit of Detroit at the City-County Building (now Coleman A. Young Municipal Center) in 1958 marked the formal completion of the structure whose construction began in 1951. Located in front of a white marble wall at the entrance to the building, the sculpture depicts the cultural and religious spirit of the Detroit community. At the time, The Spirit of Detroit was said to be the largest sculpture cast in Europe since the Renaissance period (1400 â€“ 1600). It stands sixteen feet high and twenty-two feet across from fingertip to fingertip.&#13;
&#13;
On the Vermont marble wall behind the figure are the official seals of Wayne County, Michigan and the City of Detroit. Engraved on the wall is a verse from II Corinthians: â€Now the Lord is that Spirit, and where the Spirit of the Lord is, there is Liberty.â€ Designed to continue the thought indicated in the inscription on the wall, the sculpture is in the form of a kneeling man with outstretched arms. In his right hand he holds a father, mother and child representing family, which, according to Fredericks, is â€œprobably the noblest human relationship.â€ In his left hand, the figure bears a sphere with rays emanating from it signifying deity. Fredericks chose the sphere because it is an object complete in itself with no beginning and no end.&#13;
&#13;
This sculpture took Fredericks four years to complete and meant a great deal to the sculptor, who once remarked, â€œI pray only that this work in some small way inspire those who see it.â€ Fredericks appears to have gotten his wish as the citizens of Detroit immediately embraced this giant figure as the cityâ€™s cultural icon by giving it the affectionate nickname, â€œThe Jolly Green Giant.â€ The sculpture is also frequently dressed in local sporting teamsâ€™ jerseys during playoff action, and The Spirit of Detroitâ€™s image appears as the central element in the logos of the cityâ€™s departments and services.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="447752">
                <text>Fredericks, Marshall M., 1908-1998</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="447753">
                <text>Marshall M. Fredericks Papers&#13;
Series VIII, Cabinet 2 Drawer 13 Folder 2</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="447754">
                <text>c. 1958</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="447755">
                <text>Use of this image requires permission from the Marshall M. Fredericks Archives.</text>
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                <text>VIII-02-13-02</text>
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            <name>Format</name>
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                <text>image/jpeg</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Colored pencil drawing</text>
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        <name>The Spirit of Detroit</name>
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