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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
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&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
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Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
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BIRD, PHILIP SYNOD (9 Nov. 1886-10 June 1948), a clergyman and civic leader, was born in Newtonville, Mass., the son of Joseph Edward and Gertrude Hubbard Smead Bird. He graduated with an A.B. from Pomona College, Claremont, Calif. (1909); from the University of California with a Master of Literature degree (1910); and from Union Theological Seminary, New York, in 1913.&#13;
&#13;
Bird was ordained on 11 May 1913 and served as pastor and teacher of Biblical literature at churches and schools in Claremont, Calif, and Dobbins Ferry and Utica, N.Y. before his installation as pastor of the CHURCH OF THE COVENANT in Cleveland on 20 Feb. 1928. During his ministry, membership increased (from 1,733 to 2,500); Christ Chapel was created; the Williamson Chancel was restructured; and the Student Christian Union on the Western Reserve University campus was established. Bird was president of the Cleveland Church Fed. (1931-33); chairman of the Church Extension Committee of the Presbyterian of Cleveland (1929-33); and moderator of the Presbyterian (1942-43). In 1933 he organized the interfaith Cleveland Peace Committee, and was elected its chairman in 1936. He was also on the board of numerous civic and social service organizations.&#13;
&#13;
Dr. Bird received honorary degrees from Hamilton College, Clinton, N.Y. (1924); from WRY (1928); and from the College of the Ozark, Clarksville, Arc. (1933). Dr. Bird married Margaret Hubbard Kincaid of Utica, N.Y., on 11 July 1922; and had 1 daughter, Mrs. Joseph (Margaret Elizabeth) Kudva. Dr. Bird died in Cleveland and is buried in LAKE VIEW CEMETERY.&#13;
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
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&#13;
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The sixteen reliefs won the Gold Medal in Sculpture from the Architectural League of New York in 1956.&#13;
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
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&#13;
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
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Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
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&#13;
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
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&#13;
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&#13;
The architect of the building, Frederick H. Hobbs, Jr. described the project in this manner:&#13;
&#13;
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&#13;
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Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
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Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
&#13;
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
&#13;
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work&#13;
&#13;
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed&#13;
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Video/Films/Audio: (13 linear feet) including media relating to Fredericksâ€™ work, civic interests, and life&#13;
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Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.</text>
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Fredericks, Marshall M., 1908-1998</text>
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Cast in bronze in 1955, "Sheep (The Guests Have Arrived)" depicts a flock of seven foreshortened sheep staring straight ahead at the viewer. Two smaller sheep, possibly lambs, are included in the bottom right hand corner. Fredericks incorporated a great deal of detail in each of the sheep, especially in their fluffy wool coats.</text>
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Series VIII, Cabinet 2 Drawer 12 Folder 7</text>
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Fredericks, Marshall M., 1908-1998</text>
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One of Fredericks' last public works, "Star Dream Fountain" is located in Barbara Hallman Plaza in Royal Oak, Michigan. The sculpture is based on a 1947 preliminary design for the "Cleveland War Memorial". This allegorical work symbolizes man's continual search for spiritual peace.</text>
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Series VIII, Cabinet 2 Drawer 14 Folder 2</text>
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                  <text>The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including:&#13;
&#13;
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
&#13;
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
&#13;
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work&#13;
&#13;
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed&#13;
&#13;
Video/Films/Audio: (13 linear feet) including media relating to Fredericksâ€™ work, civic interests, and life&#13;
&#13;
Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.</text>
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Figure drawing.&#13;
Fredericks, Marshall M., 1908-1998&#13;
Gruen, Victor, 1903-&#13;
Shopping malls--United States.</text>
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The Boy and Bear was commissioned by the J. L. Hudson Company for architect Victor Gruenâ€™s Northland Shopping Center in Southfield, Michigan; at the time, Northland was only the second open-air pedestrian shopping mall in the United States.  The bear is carved in limestone and the boy is cast in bronze and gold-plated.  The Boy and Bear is located just outside one of the entrances to Macyâ€™s, formerly Hudsonâ€™s department store.  Three years after Fredericks started the sculpture, The Boy and Bear was dedicated in 1954.  In a 1981 interview with the Detroit News art critic Joy Colby, Fredericks said, â€œPeople donâ€™t like to go shopping in just a cement building, you know; they really donâ€™t.  If it has something that appeals to their eye and is more friendly and warm and maybe has a little fun connected with it I think they enjoy it more.â€   &#13;
&#13;
While there is no documented correlation between Rudyard Kiplingâ€™s boy (Mowgli) and bear (Baloo) in his famous novel The Jungle Book (1894) and Fredericksâ€™ The Boy and Bear, most note great similarities.&#13;
&#13;
Fredericks love for children is clearly at the heart of this sculpture.  The bearâ€™s enormous body compared to the frail boy reminds the viewer of manâ€™s special bond with animals.  The bear with his massive head lowered, ears upright, brow furrowed and gentle smile reaches out to the boy and each viewer in friendship, and appears to offer to lend an ear to listen.  Fredericks had created a special relationship with The Boy and Bear, but has also left open the possibility of relationships yet to come.&#13;
&#13;
The Boy and Bear was later cast in bronze and donated to Saginaw Valley State University where it resides today in the Marshall M. Fredericks Sculpture Museumâ€™s sculpture garden.  </text>
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Series VIII, Cabinet 1 Drawer 2 Folder 15</text>
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&#13;
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