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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
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Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
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Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
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                <text>The King of Sweden begins to unveil "God on the Rainbow" (Gud Fader PÃ¥ HimmelsbÃ¥gan)</text>
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Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
&#13;
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
&#13;
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work&#13;
&#13;
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
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&#13;
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                <text>The King of Sweden speaks prior to unveiling "God on the Rainbow" (Gud Fader PÃ¥ HimmelsbÃ¥gan)</text>
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                <text>Mrs. Dorothy (Honey) Arbury studied with Fredericks when she attended Kingswood School at the Cranbrook Educational Community in Bloomfield Hills, Michigan, in the 1930s. She met him through her uncle, Alden B. Dow, a prominent architect in Midland, Michigan, with whom Fredericks worked on architectural sculpture projects. In 1963, Mrs. Arbury was on the founding Board of Control of Saginaw Valley College, which later became Saginaw Valley State University (SVSU). She remained active on that board and on the SVSU Foundation Board into the 1990s. Mrs. Arbury and her husband, Ned Arbury, and Fredericks and his wife, Rosalind Fredericks, formed the idea of a permanent exhibit of Fredericks' work adjacent to the university's then-new facility for the art, music and theater departments. SVSU and the Arburys worked together toward an agreement to have the Marshall M. Fredericks Sculpture Gallery and Sculpture Garden built adjacent to the art department. &#13;
&#13;
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&#13;
The lion and the monkey was Marshall's first attempt and he did cast a maquette. But a dear scandinavian lady he knew due to his scandinavian work and who lived locally reminded him that there was a fable that the kids learned in school about the lion and the mouse. So he changed it and won the commission for the Eastland Mall project. She often visited the studio and would tell me this story. &#13;
Carl Fredericks from an email dated February 17 2010</text>
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                <text>Fredericks has said that this sculpture illustrates the story of "The Lion and the Mouse."  In that story a lion caught a mouse, but as he was about to eat him the mouse pleaded for mercy, promising to help the lion one day.  The lion was so amused by the prospect of a tiny mouse helping the king of the jungle that he let the mouse go.  Some time later the mouse came across the lion tied up in a hunter's net.  The mouse gnawed through the ropes to free him.  In a different version of the story, the mouse extracted from the lion's paw a troublesome thorn too tiny for the massive lion's claws to catch.  A fitting moral to the story is that kindness is seldom thrown away, be it given to the mightiest or lowliest of creatures.  Notice how Fredericks captured the whole story in a single image that contrasts the tiny mouse with the larger lion.  &#13;
&#13;
The J. L. Hudson Company commissioned this sculpture for Eastland Shopping Center in Harper Woods.  Like many of Fredericks' sculptures, he designed it specifically for children.  Both animals are humanized with friendly facial expressions.  The lion's reclining position and his crossed legs are very human-like, yet his huge round head is stylized with uniformly coiled ringlets and his knees are abstracted.  These alterations of nature make the king of the jungle unthreatening to children and adults alike.  &#13;
&#13;
Cast in 1988</text>
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                <text>&lt;a href="https://www.flickr.com/photos/marshallfredericks/6351228096/in/set-72157628015891879" target="_blank"&gt;Lion and Mouse, Eastland Center, Harper Woods, MI&lt;/a&gt;</text>
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              <text>From Jennifer Lentz (Collection Documentation Intern 1991-1992)&#13;
Memo dated September 11, 1991&#13;
&#13;
"RE: The Lion and Mouse - Lion and Monkey&#13;
Molly told me that the Lion and Monkey was the predecessor of the Lion and Mouse although they were both created in 1957. The lion is in the same position but the monkey sits upon his left knee.  Mr. Fredericks thought it would not be best to put the figure on the knee because he thought that children could sit there. He changed it to The Lion and Mouse with Aesop's fable in mind.  Molly said she is aware that in Aesop's story the mouse frees the lion from the hunters net by gnawing through it. Although when Mr. Fredericks tells the story he says that the mouse pulled a thorn out of the lion's paw. She had not heard of the story of Androcles and the Lion."&#13;
&#13;
&#13;
&#13;
Molly Barth copy:&#13;
The first plaster model is the Lion and the Mouse.  The J. L. Hudson Company commissioned Fredericks to make this for Eastland Shopping Center in St. Clair Shores.  The original sculpture for the shopping center was made from this plaster model.  Here in the gallery, but the one that's at the shopping center is carved in limestone, the lion, and the little mouse that's on the paw of the lion, is cast in bronze and then gold-plated.  Of course you all know the story of The Lion and the mouse.  Well, let me tell you the story of the "Lion and the Mouse."  One day, that lion came across this wee, little mouse and he was going to eat him, but the mouse said, "No! One day, I will be able to help you," and that lion just laughed at that mouse and he said, "How could you ever help me?," and he said, "I  just know I can, one day!"  So because he just thought it was so funny, he let the mouse go.  But one day, the mouse heard the lion making a ferocious kind of cry, so he came across him, and he said, "What's the matter?"  and he said, "Oh, my paw hurts so terribly!" so the mouse looked and he saw a thorn in his paw and he pulled that thorn right out of the lion's paw, and the lion was forever grateful to that wee, little mouse that he thought could never help him.  That little mouse did show the lion what he could do, and they were forever friends.&#13;
&#13;
Carl Fredericks:&#13;
The lion and the monkey was Marshall's first attempt and he did cast a maquette. But a dear Scandinavian lady he knew due to his Scandinavian work and who lived locally reminded him that there was a fable that the kids learned in school about the lion and the mouse. So he changed it and won the commission for the Eastland Mall project. She often visited the studio and would tell me this story. </text>
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Plaster original&#13;
&#13;
Gift of Mr. and Mrs. Marshall M. Fredericks&#13;
1991.002&#13;
&#13;
Fredericks stated that this sculpture illustrates the well known  Aesop Fable of "The Lion and the Mouse." The mouse, whose life  was spared by the lion, helps that same lion to escape a horrible fate. A fitting moral to the story is that kindness is seldom thrown away, be it given to the mightiest, lowliest, or smallest of creatures. Fredericks rendition illustrates the conclusion of the story in which the lion comes to friendly terms with the mouse.&#13;
&#13;
The J. L. Hudson Company commissioned this sculpture for Eastland Center in Harper Woods, Michigan. Like many of Fredericks'  sculptures, he designed it specifically for children. Both  animals are humanized with friendly facial expressions. The  lion's reclining position and his crossed legs are very  human-like, yet his huge round head is stylized with uniformly  coiled ringlets and his knees are stylized and abstracted. These artistic intentions make the king of the jungle appealing to  children and adults alike.</text>
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                  <text>The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including:&#13;
&#13;
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
&#13;
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
&#13;
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work&#13;
&#13;
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed&#13;
&#13;
Video/Films/Audio: (13 linear feet) including media relating to Fredericksâ€™ work, civic interests, and life&#13;
&#13;
Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.</text>
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                <text>The Main Gallery of the Marshall M. Fredericks Sculpture Museum at Saginaw Valley State University</text>
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                <text>Animal sculpture--20th century.&#13;
Bronze sculpture, American--20th century.&#13;
Figure sculpture, American--20th century. &#13;
Fredericks, Marshall M., 1908-1998&#13;
Saginaw Valley State University. Marshall M. Fredericks Sculpture Museum&#13;
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                <text>Mrs. Dorothy (Honey) Arbury studied with Fredericks when she attended Kingswood School at the Cranbrook Educational Community in Bloomfield Hills, Michigan, in the 1930s. She met him through her uncle, Alden B. Dow, a prominent architect in Midland, Michigan, with whom Fredericks worked on architectural sculpture projects. In 1963, Mrs. Arbury was on the founding Board of Control of Saginaw Valley College, which later became Saginaw Valley State University (SVSU). She remained active on that board and on the SVSU Foundation Board into the 1990s. Mrs. Arbury and her husband, Ned Arbury, and Fredericks and his wife, Rosalind Fredericks, formed the idea of a permanent exhibit of Fredericks' work adjacent to the university's then-new facility for the art, music and theater departments. SVSU and the Arburys worked together toward an agreement to have the Marshall M. Fredericks Sculpture Gallery and Sculpture Garden built adjacent to the art department. &#13;
&#13;
The gallery opened to the public in the Arbury Fine Arts Center in May 1988. About half of the $7.2 million of private money raised for the building went to design and construction, restoration, transportation and installation. Fredericks oversaw installation of the more than 200 mostly plaster models in the permanent exhibit gallery. &#13;
&#13;
Through the years, private donors have made it possible for some of the bronze casts to be made for the Sculpture Garden. Fredericks gave the balance of the collection in 1994. After his death in 1998, the gallery received his remaining tools, equipment, archives, architectural site models, sculptures and more. With the growth of the collection, the Board of Advisors elevated the gallery to museum status in 1999. In October 2003, the $2.5 million Phase II Capital Campaign expansion became a reality, nearly doubling the museum's size. The addition includes the Sculptor's Studio, a classroom, archives vault, research reading room, two temporary exhibition galleries and a gift shop.&#13;
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                <text>Marshall M. Fredericks Papers&#13;
Series V, Box 26 Folder 14</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Use of this image requires permission from the Marshall M. Fredericks Archives.</text>
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            <description>A related resource</description>
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      <tag tagId="141">
        <name>Freedom of the Human Spirit</name>
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        <name>Male Baboon</name>
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        <name>Marshall M. Fredericks Sculpture Museum</name>
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        <name>Saginaw Valley State University</name>
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        <name>The Lion and Mouse</name>
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                  <text>The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including:&#13;
&#13;
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
&#13;
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
&#13;
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work&#13;
&#13;
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed&#13;
&#13;
Video/Films/Audio: (13 linear feet) including media relating to Fredericksâ€™ work, civic interests, and life&#13;
&#13;
Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.</text>
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            <name>Title</name>
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                <text>The Main Gallery of the Marshall M. Fredericks Sculpture Museum with "Christ on the Cross"</text>
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            <name>Subject</name>
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                <text>Figure sculpture, American--20th century. &#13;
Fredericks, Marshall M., 1908-1998&#13;
Saginaw Valley State University. Marshall M. Fredericks Sculpture Museum&#13;
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Mrs. Dorothy (Honey) Arbury studied with Fredericks when she attended Kingswood School at the Cranbrook Educational Community in Bloomfield Hills, Michigan, in the 1930s. She met him through her uncle, Alden B. Dow, a prominent architect in Midland, Michigan, with whom Fredericks worked on architectural sculpture projects. In 1963, Mrs. Arbury was on the founding Board of Control of Saginaw Valley College, which later became Saginaw Valley State University (SVSU). She remained active on that board and on the SVSU Foundation Board into the 1990s. Mrs. Arbury and her husband, Ned Arbury, and Fredericks and his wife, Rosalind Fredericks, formed the idea of a permanent exhibit of Fredericks' work adjacent to the university's then-new facility for the art, music and theater departments. SVSU and the Arburys worked together toward an agreement to have the Marshall M. Fredericks Sculpture Gallery and Sculpture Garden built adjacent to the art department. &#13;
&#13;
The gallery opened to the public in the Arbury Fine Arts Center in May 1988. About half of the $7.2 million of private money raised for the building went to design and construction, restoration, transportation and installation. Fredericks oversaw installation of the more than 200 mostly plaster models in the permanent exhibit gallery. &#13;
&#13;
Through the years, private donors have made it possible for some of the bronze casts to be made for the Sculpture Garden. Fredericks gave the balance of the collection in 1994. After his death in 1998, the gallery received his remaining tools, equipment, archives, architectural site models, sculptures and more. With the growth of the collection, the Board of Advisors elevated the gallery to museum status in 1999. In October 2003, the $2.5 million Phase II Capital Campaign expansion became a reality, nearly doubling the museum's size. The addition includes the Sculptor's Studio, a classroom, archives vault, research reading room, two temporary exhibition galleries and a gift shop.&#13;
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            <description>A related resource from which the described resource is derived</description>
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                <text>Marshall M. Fredericks Papers&#13;
Series V, Box 25 Folder 2&#13;
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="339957">
                <text>Use of this image requires permission from the Marshall M. Fredericks Archives.</text>
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            <description>A related resource</description>
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                <text>V-25-02&#13;
</text>
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        <name>Christ on the Cross</name>
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