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                  <text>The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including:&#13;
&#13;
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
&#13;
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
&#13;
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work&#13;
&#13;
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed&#13;
&#13;
Video/Films/Audio: (13 linear feet) including media relating to Fredericksâ€™ work, civic interests, and life&#13;
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Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.</text>
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                <text>The Nordic Swan from "Nordic Swan and the Ugly Duckling" (Hans Christian Andersen Fountain) at Danish Village</text>
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                <text>Animal sculpture--20th century.&#13;
Bronze sculpture, American--20th century.&#13;
Fountains.&#13;
Fredericks, Marshall M., 1908-1998&#13;
Outdoor sculpture--United States. &#13;
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                <text>This sculpture represents Fredericks' interpretation of Hans Christian Andersen's popular story, The Ugly Duckling.  Unlike Fredericks' portrayals of other literary subjects, this sculpture illustrates not one moment in the story, but two. &#13;
&#13;
Fredericks placed the unhappy duckling driven from place to place because of his ugliness at the base of the fountain. Located above is the beautiful swan he grew to be.  &#13;
&#13;
Fredericks emphasized the difference between the young and mature bird.  The earthbound duckling is awkward and heavy, with stubby wings and tail while the swan soars overhead in an open form which appears almost weightless.  Fredericks originally conceived this sculpture for the Danish Village retirement home in Rochester Hills, Michigan.&#13;
&#13;
A bronze cast of this sculpture is located in SkÃ¦lskor, Denmark where Hans Christian Andersen lived and penned â€œThe Little Mermaid,â€ â€œThe Ugly Duckling,â€ and many other childrenâ€™s stories.&#13;
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Series V, Box 17 Folder 5&#13;
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&#13;
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
&#13;
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
&#13;
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work&#13;
&#13;
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed&#13;
&#13;
Video/Films/Audio: (13 linear feet) including media relating to Fredericksâ€™ work, civic interests, and life&#13;
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Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.</text>
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                <text>The office in Marshall Fredericks' Royal Oak studio</text>
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                <text>Artists' studios--United States.&#13;
Animal sculpture--20th century.&#13;
Bronze sculpture, American--20th century.&#13;
Figure sculpture, American--20th century. &#13;
Fredericks, Marshall M., 1908-1998&#13;
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                <text>Located on the northwest corner of Normandy and Woodward Avenue in Royal Oak, Michigan, the building served as Fredericks' studio for over 50 years.</text>
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Series V, Box 28 Folder 13</text>
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                <text>Use of this image requires permission from the Marshall M. Fredericks Archives.</text>
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        <name>Christ on the Cross</name>
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                  <text>The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including:&#13;
&#13;
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
&#13;
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
&#13;
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work&#13;
&#13;
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed&#13;
&#13;
Video/Films/Audio: (13 linear feet) including media relating to Fredericksâ€™ work, civic interests, and life&#13;
&#13;
Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.</text>
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                <text>The pedestal for "Wings of the Morning" (Edgar B. Flint Memorial) being lowered</text>
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                <text>Animal sculpture--20th century. &#13;
Bronze sculpture, American--20th century.&#13;
Fredericks, Marshall M., 1908-1998&#13;
Outdoor sculpture--United States. &#13;
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                <text>The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours communicate the optimistic spiritual content of the sculpture.  &#13;
 &#13;
Fredericks was inspired by Psalm 139:9-10: &#13;
&#13;
"If I take the wings of the morning, and dwell in the uttermost parts of the sea; even there shall Thy hand lead me, and Thy right hand shall hold me."  &#13;
&#13;
These verses are inscribed on the pedestal of the bronze cast at Kirk in the Hills Presbyterian Church, Bloomfield Hills, Michigan.</text>
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Series V, Box 24 Folder 13&#13;
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                <text>1986</text>
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                <text>The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours communicate the optimistic spiritual content of the sculpture.  &#13;
 &#13;
Fredericks was inspired by Psalm 139:9-10: &#13;
&#13;
"If I take the wings of the morning, and dwell in the uttermost parts of the sea; even there shall Thy hand lead me, and Thy right hand shall hold me."  &#13;
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&#13;
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                <text>The erection of The Spirit of Detroit at the City-County Building (now Coleman A. Young Municipal Center) in 1958 marked the formal completion of the structure whose construction began in 1951. Located in front of a white marble wall at the entrance to the building, the sculpture depicts the cultural and religious spirit of the Detroit community.   At the time, The Spirit of Detroit was said to be the largest sculpture cast in Europe since the Renaissance period (1400 â€“ 1600).  It stands sixteen feet high and twenty-two feet across from fingertip to fingertip.&#13;
&#13;
On the Vermont marble wall behind the figure are the official seals of Wayne County, Michigan and the City of Detroit. Engraved on the wall is a verse from II Corinthians:  â€Now the Lord is that Spirit, and where the Spirit of the Lord is, there is Liberty.â€ Designed to continue the thought indicated in the inscription on the wall, the sculpture is in the form of a kneeling man with outstretched arms. In his right hand he holds a father, mother and child representing family, which, according to Fredericks, is â€œprobably the noblest human relationship.â€ In his left hand, the figure bears a sphere with rays emanating from it signifying deity. Fredericks chose the sphere because it is an object complete in itself with no beginning and no end. &#13;
&#13;
This sculpture took Fredericks four years to complete and meant a great deal to the sculptor, who once remarked, â€œI pray only that this work in some small way inspire those who see it.â€ Fredericks appears to have gotten his wish as the citizens of Detroit immediately embraced this giant figure as the cityâ€™s cultural icon by giving it the affectionate nickname, â€œThe Jolly Green Giant.â€  The sculpture is also frequently dressed in local sporting teamsâ€™ jerseys during playoff action, and The Spirit of Detroitâ€™s image appears as the central element in the logos of the cityâ€™s departments and services.&#13;
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&#13;
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
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&#13;
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Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
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Video/Films/Audio: (13 linear feet) including media relating to Fredericksâ€™ work, civic interests, and life&#13;
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                <text>The plasteline model for "The Family Protected by Hearling Herbs" in Fredericks' Royal Oak, Michigan studio</text>
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                <text>Artists' studios--United States.&#13;
Figure sculpture, American--20th century. &#13;
Fredericks, Marshall M., 1908-1998&#13;
Relief (Art)&#13;
William Beaumont Hospital (Royal Oak, Mich.)&#13;
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            <description>An account of the resource</description>
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                <text>Inspired by the verse, "The leaves of the tree were for the healing of the nation" (Revelation 22:2), the aluminum relief is located on the facade of William Beaumont Hospital in Royal Oak, Michigan. &#13;
&#13;
It was awarded the Gold Medal in Sculpture by the Architectural League of New York in 1956.&#13;
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            <name>Creator</name>
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                <text>Hartwick, Maurice C.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Marshall M. Fredericks Papers&#13;
Series V, Box 10 Folder 16&#13;
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            <name>Date</name>
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              <elementText elementTextId="307879">
                <text>n.d.</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="307880">
                <text>Use of this image requires permission from the creator.</text>
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            <description>A related resource</description>
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                <text>V-10-16&#13;
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                <text>image/jpeg</text>
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            <name>Identifier</name>
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                <text>4829</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Royal Oak (Mich.)</text>
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        <name>Family</name>
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        <name>Family and Justice</name>
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        <name>Family and Justice Reliefs</name>
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        <name>Herbs</name>
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        <name>The Family Protected by Healing Herbs</name>
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        <name>V1016</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Marshall M. Fredericks Archives Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including:&#13;
&#13;
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
&#13;
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
&#13;
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work&#13;
&#13;
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed&#13;
&#13;
Video/Films/Audio: (13 linear feet) including media relating to Fredericksâ€™ work, civic interests, and life&#13;
&#13;
Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.</text>
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      <name>Still Image</name>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Color print</text>
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          <name>Physical Dimensions</name>
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              <text>4" x 6"</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The plasteline model for "The Friendly Dragon" entirely covered in plaster</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="313521">
                <text>Animal sculpture--20th century. &#13;
Artists' studios--United States.&#13;
Dragons in art.&#13;
Fredericks, Marshall M., 1908-1998&#13;
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="313522">
                <text>â€œI did â€¦ a dragon; I called it The Friendly Dragon. The architect said he didn't think he would use it because he said the children would be frightened of a dragon. But children love dragons and it's not an ugly dragon, it's a friendly dragon with a big smile and it's cozy and you can sit on its back on those humps on its back. It's just that he never was a child, I guess, so he doesn't know. So they put up a thing, a structural beam thing. I've never seen a child near it so maybe they didn't get the audience that they wanted really. I think maybe I'll do that Dragon. I like dragons anyway, they're special.â€ (Marshall Fredericks, from a 1981 interview with Joy Colby, The Detroit News art critic.) &#13;
&#13;
Throughout his long career, Fredericks often returned to his joyful and whimsical work that involved animals. â€œThe Friendly Dragon, cast twice in 1991, as a pair for the Meijer Gardens, Grand Rapids, Michigan, is a childâ€™s magical dream.  Like a Maurice Sendak illustration (popular author of Where the Wild Things Are), Fredericksâ€™ dragon presents a danger that has become approachable, a wild animal that has become as friendly as a pet.â€  (Marshall M. Fredericks, Sculptor, p. 14)  &#13;
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          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="313523">
                <text>Marshall M. Fredericks Papers&#13;
Series V, Box 13 Folder 19&#13;
</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="313524">
                <text>1991</text>
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            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="313525">
                <text>Use of this image requires permission from the Marshall M. Fredericks Archives.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="313526">
                <text>V-13-19</text>
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            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="313527">
                <text>image/jpeg</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="313528">
                <text>Image</text>
              </elementText>
            </elementTextContainer>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Bloomfield Hills (Mich.)</text>
              </elementText>
            </elementTextContainer>
          </element>
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        <name>Animal</name>
      </tag>
      <tag tagId="2203">
        <name>Dragon</name>
      </tag>
      <tag tagId="2204">
        <name>Friendly</name>
      </tag>
      <tag tagId="1781">
        <name>Model</name>
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      <tag tagId="1565">
        <name>Plaster</name>
      </tag>
      <tag tagId="1780">
        <name>Plaster Model</name>
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        <name>Studio</name>
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        <name>The Friendly Dragon</name>
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        <name>V1319</name>
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