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                  <text>Marshall M. Fredericks Archives Collection</text>
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                  <text>The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including:&#13;
&#13;
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
&#13;
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
&#13;
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work&#13;
&#13;
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed&#13;
&#13;
Video/Films/Audio: (13 linear feet) including media relating to Fredericksâ€™ work, civic interests, and life&#13;
&#13;
Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.</text>
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                <text>Two sections of the plaster mold from "Lord Byron" (The Poet)</text>
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                <text>Artists' studios--United States.&#13;
Byron, George Gordon Byron, baron, 1788-1824. &#13;
Figure sculpture, American--20th century. &#13;
Fredericks, Marshall M., 1908-1998&#13;
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                <text>According to MaryAnn Wilkinson, former curator of modern and contemporary art at The Detroit Institute of Arts, â€œHis last monumental work, Lord Byron, designed in 1938, enlarged by the artist, and cast posthumously in 1998 for the Marshall Fredericks Sculpture Museum paradoxically seems to refer back to Fredericks's earliest influences.  This literary figure clearly inspired by Rodin's Balzac, strikes a shameless dramatic pose: head flung back with his hand on his forehead, heavy cloak partially pulled around his body with the other hand flying out to the side and back.  Fredericks, in contrast to the symmetry that generally characterizes his designs, treated each side of the Byron figure in a different manner.  Along its right side, the figure is closed and solid.  The drop of the heavy cloak does not allow for articulation of forms or even for suggestion of the body beneath.  Rather, the artist exploits the long, unbroken line of the cloak from the figure's chin to the ground.  In contrast, the figure's left side is open and plastic with elbow and knee flung out at an angle from the nipped-in waist.  Like Sun Worshipper, The Poet: Lord Byron represents an important mid-career design that he was only able to realize in large scale at the end of his career.â€ (Marshall M. Fredericks, Sculptor, p. 15)  &#13;
&#13;
Byron was a member of the Romantics Poets movement and lived from 1788-1824. As a young adult, Fredericks developed a deep passion for Byronâ€™s poetry.  The Poet: Lord Byron was cast posthumously in 1998 and resides in the Marshall M. Fredericks Sculpture Museumâ€™s sculpture garden.   &#13;
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                <text>Use of this image requires permission from the Marshall M. Fredericks Archives.</text>
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                <text>Bloomfield Hills (Mich.)</text>
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                <text>This is the full-scale model for the figures in the TWO SISTERS FOUNTAIN, which is located in a courtyard of Kingswood School Cranbrook. Smaller and earlier versions of these figures are included in a maquette for that fountain which is on display across the Museum. Fredericks enlarged the maquette to life size and cast this full-scale plaster original before leaving Cranbrook for military service in 1942.  Yet the figures were not cast in bronze until 1965 when Robert Grindley decided that the composition would be an appropriate memorial for his wife. His two daughters attended Kingswood School, thus the fountain was named TWO SISTERS. The completed fountain is pictured on the photo wall at the front of the gallery.  &#13;
&#13;
&#13;
Cast in 1988.</text>
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              <elementText elementTextId="431981">
                <text>Use of this image requires permission from the Marshall M. Fredericks Sculpture Museum</text>
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                <text>University Center (Mich.)</text>
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              <text>From Jennifer Lentz (Collection Documentation Intern 1991-1992)&#13;
&#13;
Memo dated September 11, 1991:&#13;
&#13;
"RE: Mother and Child - Two Sisters&#13;
&#13;
On the list that Mrs. Fredericks created titled: Principal Works of Marshall M. Fredericks, it lists several different Mother and Childs as well as Two Sisters. I asked Mr. Fredericks if these are different sculptures or just variations with different names. He said the first one listed as Mother and Child, 1930, plaster 12" high, destroyed, no longer exists. They showed me a photograph of it. The mother figure has both arms raised to the sides and she is wearing some sort of loose garment like a cape.  The next one listed Mother and Child, 1931, porcelain, 12" high, destroyed, no longer exists either. They showed me a photo of it also. The mother is seated and leans backward and the child reclines in her lap. I asked him about the name of our maquette and the full-size plaster. He said he originally named the maquette Mother and Child. The name Two Sisters was not used until 1965 when Robert Grindley comissioned it as a memorial for his wife to be placed at Kingswood in a fountain. His two daughters attended Kingswood School. Mr. Fredericks said we should title it Mother and Child also called Two Sisters.  (However the bronze cast in the MFSG Garden is labeled Two Sisters.) The earliest date we have for the composition that survives today is from 1937 for a gilt bronze on at Cranbrook.  There is also one from at least May 1939 when it was pictured in Pencil Points magazine in an alternate design for a fountain basin. In these two early versions as well as our maquette dated to 1942 the younger figure has the cap-like hair style. Not until 1965 does she appear with braids. 1937 is also the date for Eve which is listed as being a study for Two Sisters/Mother and Child on the list of works. 1965 is the first time the name Two Sisters was used."&#13;
&#13;
&#13;
From Jennifer Lentz (Collection Documentation Intern 1991-1992)&#13;
Memo dated September 5, 1991 (Excerpt)&#13;
&#13;
"RE: Works at Cranbrook Academy of Art Museum:&#13;
Two Sisters/Mother and Child&#13;
Childhood Friends&#13;
Torso of a Dancer&#13;
Persephone (Bacchante)&#13;
&#13;
Today I met with David Rau at the Cranbrook Academy of Art Museum.  He showed me two works by Fredericks in storage.  One was labeled Two Sisters and dated 1938-39.  Our records from Cranbrook (?) indicate this piece is from 1937 and it is titled Mother and Child.  It is about two feet high (I did not measure it) and is fire gilt bronze.  The figures are similar to the figures in the maquette in Pencil Points magazine from May 1939.  The younger child has the cap-like hair style.  I will have to compare them to tell if the figures are exactly the same.  In any case these figures are closer to the figures in our maquette than to the figures in the actual fountain and to the full-scale plaster of the two figures in the gallery."&#13;
&#13;
MF, Sculptor copy:&#13;
In 1940-42 Fredericks executed one of the most graceful and winning of his early works, the Two Sisters fountain, which was cast and erected, after the interruption of World War II, in 1964 in a courtyard of Kingswood School for Girls at Cranbrook. The evolution of his style gave to these human figures also the clarity of silhouette, the clean, firm forms, and the stylized detail required for a piece in sunlight.&#13;
&#13;
Molly Barth copy:&#13;
The next piece is entitled "Mother and Child" or "The Sisters."  This is the plaster model that was used for the bronze casting that's at Kingswood, the girl's school at Cranbrook, in Bloomfield Hills, Michigan.  We also have a bronze casting that was donated to Saginaw and is outside in the Sculpture Garden.  Mr. Fredericks originally did this in 1941, and he hoped that this would be at Cranbrook, and World War II broke out, and that kind of put everything on hold.  He came back, but it still did not materialize, then a gentleman came into his studio, and saw this, and he was looking for a memorial for his wife, and it just so happened that his two daughters had gone to Kingswood, so he thought this would be just the perfect piece, so it was dedicated in 1965, and it's there in the courtyard there at Cranbrook, at Kingswood.</text>
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Plaster original&#13;
&#13;
Gift of Mr. and Mrs. Marshall M. Fredericks&#13;
1991.005&#13;
&#13;
This is the full-scale model for the figures in the Two Sisters  Fountain, located in a courtyard of Kingswood School, Cranbrook  Educational Community, Bloomfield Hills, Michigan. A smaller,  maquette of this sculpture is also on display in the Main Exhibit Gallery. Fredericks enlarged the maquette to life size and cast  this full-scale plaster original before leaving Cranbrook for  military service in 1942. The figures were not cast in bronze  until 1965 when Robert Grindley decided that the composition  would be an appropriate memorial for his wife. His two daughters attended Kingswood School, thus the fountain was named TWO  SISTERS.</text>
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                <text>&lt;a href="https://www.flickr.com/photos/marshallfredericks/5908931318/in/set-72157604118554937"&gt;&lt;strong&gt;Two Sisters, Sculpture Garden, Marshall M. Fredericks Sculpture Museum, University Center, MI&lt;/strong&gt;&lt;/a&gt;</text>
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              <text>From Jennifer Lentz (Collection Documentation Intern 1991-1992)&#13;
&#13;
Memo dated September 11, 1991:&#13;
&#13;
"RE: Mother and Child - Two Sisters&#13;
&#13;
On the list that Mrs. Fredericks created titled: Principal Works of Marshall M. Fredericks, it lists several different Mother and Childs as well as Two Sisters. I asked Mr. Fredericks if these are different sculptures or just variations with different names. He said the first one listed as Mother and Child, 1930, plaster 12" high, destroyed, no longer exists. They showed me a photograph of it. The mother figure has both arms raised to the sides and she is wearing some sort of loose garment like a cape.  The next one listed Mother and Child, 1931, porcelain, 12" high, destroyed, no longer exists either. They showed me a photo of it also. The mother is seated and leans backward and the child reclines in her lap. I asked him about the name of our maquette and the full-size plaster. He said he originally named the maquette Mother and Child. The name Two Sisters was not used until 1965 when Robert Grindley comissioned it as a memorial for his wife to be placed at Kingswood in a fountain.  His two daughters attended Kingswood School. Mr. Fredericks said we should title it Mother and Child also called Two Sisters.  (However the bronze cast in the MFSG Garden is labeled Two Sisters.) The earliest date we have for the composition that survives today is from 1937 for a gilt bronze on at Cranbrook.  There is also one from at least May 1939 when it was pictured in Pencil Points magazine in an alternate design for a fountain basin. In these two early versions as well as our maquette dated to 1942 the younger figure has the cap-like hair style. Not until 1965 does she appear with braids. 1937 is also the date for Eve which is listed as being a study for Two Sisters/Mother and Child on the list of works. 1965 is the first time the name Two Sisters was used."&#13;
----------------------------------------------------------------------------------------------------------------------------------------&#13;
From Jennifer Lentz (Collection Documentation Intern 1991-1992)&#13;
Memo dated August 20, 1991&#13;
&#13;
"RE: Two Sisters Fountain at Cranbrook&#13;
&#13;
Yesterday Molly told me Mr. Fredericks enlarged it to full size before he left for the war in 1942. Thus Mr. Grindley saw this full-scale model when he decided to use it as a memorial for his wife.&#13;
&#13;
I went to see the fountain yesterday also. The plaque reads:&#13;
Tow Sisters/by Marshall M. Fredericks/gift of/Robert and Mary Grindley/1965"&#13;
&#13;
----------------------------------------------------------------------------------------------------------------------------------------&#13;
From Jennifer Lentz (Collection Documentation Intern 1991-1992)&#13;
Memo dated September 5, 1991 (Excerpt)&#13;
&#13;
"RE: Works at Cranbrook Academy of Art Museum:&#13;
Two Sisters/Mother and Child&#13;
Childhood Friends&#13;
Torso of a Dancer&#13;
Persephone (Bacchante)&#13;
&#13;
Today I met with David Rau at the Cranbrook Academy of Art Museum.  He showed me two works by Fredericks in storage.  One was labeled Two Sisters and dated 1938-39.  Our records from Cranbrook (?) indicate this piece is from 1937 and it is titled Mother and Child.  It is about two feet high (I did not measure it) and is fire gilt bronze.  The figures are similar to the figures in the maquette in Pencil Points magazine from May 1939.  The younger child has the cap-like hair style.  I will have to compare them to tell if the figures are exactly the same.  In any case these figures are closer to the figures in our maquette than to the figures in the actual fountain and to the full-scale plaster of the two figures in the gallery."</text>
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&#13;
Two Sisters (Mother and Child), 1942&#13;
Maquette for fountain&#13;
Plaster original&#13;
&#13;
Gift of Mr. and Mrs. Marshall M. Fredericks&#13;
1994.028</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Use of this image requires permission from the Marshall M. Fredericks Sculpture Museum</text>
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 &#13;
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                <text>Two piece plaster mother mold with inner rubber mold and wax core.  "Eve, M&amp;C. Left Arm" written in blue marker on side of mold.  Mold is held together with plastic zip ties.  </text>
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                <text>Use of this image requires permission from the Marshall M. Fredericks Sculpture Museum</text>
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