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&#13;
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
&#13;
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
&#13;
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work&#13;
&#13;
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed&#13;
&#13;
Video/Films/Audio: (13 linear feet) including media relating to Fredericksâ€™ work, civic interests, and life&#13;
&#13;
Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.</text>
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                <text>Sketches for "Circus Parade" and "Orchestral Parade" for Henry and Edsel Ford Auditorium</text>
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                <text>Clowns in art&#13;
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&#13;
The Ford Empire relief was located in the Ford Auditorium constructed on the Detroit riverfront as the new home of the Detroit Symphony Orchestra during 1955-1956. Perhaps the most notable feature of the building's interior was the expansive, curvilinear lobby adorned with some of Marshall Fredericks' most delicate and refined sculptures.&#13;
&#13;
A 145-feet long filigreed metal mural, The Ford Empire, swept almost the entire length of the curved outer wall. On the balcony walls at either end of the foyer stood polished metal theatrical groupings of circus performers, musicians, harlequins, and dancers. Formed from literally thousands of pieces of copper, nickel, brass, stainless steel, and aluminum and plated with gold, zinc, and cadmium these pieces were hand-shaped, joined, plated, and polished. </text>
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
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Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
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Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
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&#13;
Numerous artists submitted proposals to the memorial committee, but Fredericksâ€™ proposal best captured the spirit of Yostâ€™s request. The proposed sculpture would depict a â€œmonumental American eagle grasping in its talons the laurel wreath symbolizing the eternal protection of the honored memory of the war dead and â€¦through dynamic forms and outlines represent the strength, courage and vitality of the young men and women to whom the memorial is dedicated.â€&#13;
&#13;
At the memorialâ€™s unveiling in 1950, University of Michigan President Alexander G. Ruthven spoke of the monumentâ€™s significance, saying â€œIt will always stand as evidence of our indebtedness to the gold star sons and daughters of Michigan who died that we might live as free men and women.â€&#13;
&#13;
A gift from the Board in Control of Intercollegiate Athletics, the memorial stands on the lawn near the southwest corner of the Ann Arbor, Michigan stadium. Cast in bronze, the one and a half ton eagle has a wingspan of twenty-four feet and rests on a granite base inscribed with the phrase â€œIn memory of the men and women of the University of Michigan who gave their lives for their country.â€&#13;
&#13;
Fredericks cast several small-scale versions of American Eagle for cultural, educational and religious institutions throughout Michigan. Despite a reduction in size, the sculpture retains a sense of mass and power.</text>
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
&#13;
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
&#13;
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work&#13;
&#13;
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed&#13;
&#13;
Video/Films/Audio: (13 linear feet) including media relating to Fredericksâ€™ work, civic interests, and life&#13;
&#13;
Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.</text>
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                <text>"American Eagle (Ann Arbor War Memorial Eagle)" Front view small scale Plasteline model</text>
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                <text>Marshall M. Fredericks Papers&#13;
Series II, Box 2, Folder 2</text>
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                <text>Use of this image requires permission from the Marshall M. Fredericks Archives</text>
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Fredericks, Marshall M., 1908-1998&#13;
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                <text>In 1945, a group of University of Michigan alumni petitioned the Board of Regents to rename Michigan Stadium in honor of legendary former football coach Fielding H. Yost. Although Yost played an integral role in the stadiumâ€™s design and construction, he discouraged the effort. Instead he suggested erecting a memorial at the stadium dedicated to the universityâ€™s war victims.&#13;
&#13;
Numerous artists submitted proposals to the memorial committee, but Fredericksâ€™ proposal best captured the spirit of Yostâ€™s request. The proposed sculpture would depict a â€œmonumental American eagle grasping in its talons the laurel wreath symbolizing the eternal protection of the honored memory of the war dead and â€¦through dynamic forms and outlines represent the strength, courage and vitality of the young men and women to whom the memorial is dedicated.â€&#13;
&#13;
At the memorialâ€™s unveiling in 1950, University of Michigan President Alexander G. Ruthven spoke of the monumentâ€™s significance, saying â€œIt will always stand as evidence of our indebtedness to the gold star sons and daughters of Michigan who died that we might live as free men and women.â€&#13;
&#13;
A gift from the Board in Control of Intercollegiate Athletics, the memorial stands on the lawn near the southwest corner of the Ann Arbor, Michigan stadium. Cast in bronze, the one and a half ton eagle has a wingspan of twenty-four feet and rests on a granite base inscribed with the phrase â€œIn memory of the men and women of the University of Michigan who gave their lives for their country.â€&#13;
&#13;
Fredericks cast several small-scale versions of American Eagle for cultural, educational and religious institutions throughout Michigan. Despite a reduction in size, the sculpture retains a sense of mass and power.</text>
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                  <text>The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including:&#13;
&#13;
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
&#13;
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
&#13;
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work&#13;
&#13;
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed&#13;
&#13;
Video/Films/Audio: (13 linear feet) including media relating to Fredericksâ€™ work, civic interests, and life&#13;
&#13;
Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.</text>
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Series II, Box 2, Folder 5</text>
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                <text>This 21-foot high relief is located above the entrance of the John Weld Peck Federal Building in Cincinnati, Ohio. The eagle is cast in aluminum and the 13 gold anodized stars surrounding it represent the 13 original colonies of the United States.&#13;
&#13;
The eagle is highly stylized to the point of abstraction and is composed of hard-edged geometric shapes that are rectilinear. </text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="448622">
                <text>This image is in the public domain.</text>
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Series II, Box 2, Folder 5</text>
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Cincinnati (Ohio)--Buildings, structures, etc.&#13;
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                <text>This 21-foot high relief is located above the entrance of the John Weld Peck Federal Building in Cincinnati, Ohio. The eagle is cast in aluminum and the 13 gold anodized stars surrounding it represent the 13 original colonies of the United States.&#13;
&#13;
The eagle is highly stylized to the point of abstraction and is composed of hard-edged geometric shapes that are rectilinear. </text>
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