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&#13;
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
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Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
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Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
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Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work&#13;
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Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
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Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
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Series V, Box 28 Folder 7&#13;
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
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&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
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Byron was a member of the Romantics Poets movement and lived from 1788-1824. As a young adult, Fredericks developed a deep passion for Byronâ€™s poetry.  The Poet: Lord Byron was cast posthumously in 1998 and resides in the Marshall M. Fredericks Sculpture Museumâ€™s sculpture garden.   &#13;
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Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
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&#13;
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&#13;
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Fredericks, Marshall M., 1908-1998&#13;
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                <text>Atop a wooded hill overlooking a small pond in Detroitâ€™s Elmwood Cemetery stands a memorial to the late attorney turned industrialist Alvan Macauley. Commissioned by his wife and son soon after his death in 1952, the sculpture reflects Macauleyâ€™s love of nature and wildlife. On a simple granite pedestal sit two bronze geese as they take off into flight. Beneath their bodies, the tips of swamp rushes bend under the weight of the birdsâ€™ wings.&#13;
&#13;
According to the sculptor, waterfowl are a symbol of eternal life and this sculpture symbolizes â€œthe ascendency of the soul no longer imprisoned by the body.â€ It is a fitting memorial to a man said to have deeply appreciated nature and â€œpeople who worked with their hands.â€&#13;
&#13;
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&#13;
Found throughout the United States and the world, Flying Wild Geese is one of Marshall Fredericksâ€™ most popular sculptures. Many corporations, universities, cultural institutions and private individuals have chosen one of these sculptures for their collections. &#13;
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Series V, Box 11 Folder 20&#13;
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
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&#13;
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                <text>In Greek mythology, Persephone was the goddess of spring.  Following her abduction to the Underworld by Hades, Persephoneâ€™s mother Demeter attempted to rescue her. After discovering Persephone had eaten a pomegranate seed and was therefore unable to return to the land of the living, Demeter refused to bless the harvest leaving the earth sterile. Filled with guilt, Hades made a compromise with Demeter to allow Persephone to spend half of the year with her mother in the upper world and the other half with him in the Underworld.  The purpose of this Greek myth was to explain the continuing seasonal cycle of the earth each year.  &#13;
&#13;
Fredericks created Persephone in 1972 from his 1935 Bacchante sculpture at the request of Henry Booth (son of Cranbrook Educational Community founder George Gough Booth) for Cranbrookâ€™s Greek Theatre, its present location.&#13;
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Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
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&#13;
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&#13;
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&#13;
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&#13;
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&#13;
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                <text>The Victory Eagle on the facade of the Veterans Memorial Building in Detroit is 30 feet high and projects 4Â½ feet from the wall in high relief. Seven free-standing pylons were originally placed in front of the building along the walkway leading to the entrance. Twenty feet high and carved with incised relief, they depict scenes from the military history of Detroit and the United States.</text>
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                <text>Astleford, Elmer L.</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Marshall M. Fredericks Papers&#13;
Series V, Box 24 Folder 3&#13;
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                <text>Detroit (Mich.)</text>
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        <name>Animal Sculpture</name>
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                  <text>The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including:&#13;
&#13;
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
&#13;
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
&#13;
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work&#13;
&#13;
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed&#13;
&#13;
Video/Films/Audio: (13 linear feet) including media relating to Fredericksâ€™ work, civic interests, and life&#13;
&#13;
Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.</text>
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              <text>Color print</text>
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                <text>View of rainbow arc and bronze God from "God on the Rainbow" (Gud Fader PÃ¥ HimmelsbÃ¥gan)</text>
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                <text>Angels in art. &#13;
Bronze sculpture, American--20th century.&#13;
Figure sculpture, American--20th century. &#13;
Fredericks, Marshall M., 1908-1998&#13;
God--Art. &#13;
Milles, Carl, 1875-1955&#13;
Outdoor sculpture--United States. &#13;
Public sculpture, American &#13;
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                <text>Based on a 1946 sketch by Carl Milles for a peace monument intended for the United Nations Building in New York, Fredericksâ€™ enlargement now stands at the entrance to Stockholm Harbor, a project spearheaded by Cilla Jahn, in collaboration with MillesgÃ¥rden and the AP Foundation.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="316621">
                <text>Marshall M. Fredericks Papers&#13;
Series V, Box 14 Folder 21&#13;
</text>
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                <text>n.d.</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="316623">
                <text>Use of this image requires permission from the Marshall M. Fredericks Archives.</text>
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            <description>A related resource</description>
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                <text>V-14-21</text>
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                <text>Image</text>
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            <name>Identifier</name>
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                <text>0A</text>
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            <name>Coverage</name>
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                <text>Nacka (Sweden)</text>
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        <name>Bronze</name>
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        <name>Bronze Sculpture</name>
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        <name>Figure</name>
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        <name>Figure sculpture</name>
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        <name>God on the Rainbow</name>
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        <name>God on the Rainbow (Gud Fader PÃ¥ HimmelsbÃ¥gan)</name>
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        <name>Sculpture</name>
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        <name>Stockholm Harbor</name>
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