Browse Items (8302 total)

Item-#7267.jpg
Graphite and ink on tracing paper mounted on heavy paper
9" x 11.75"

The Ford Empire relief was located in the Ford Auditorium constructed on the Detroit riverfront as the new home of the Detroit Symphony Orchestra during 1955-1956. Perhaps the…

Item-#7266.jpg
Graphite and ink on tracing paper
10.75" x 12"

The Ford Empire relief was located in the Ford Auditorium constructed on the Detroit riverfront as the new home of the Detroit Symphony Orchestra during 1955-1956. Perhaps the most notable feature of…

Item-#7265.jpg
Graphite and ink on tracing paper
9" x 11.5"

The Ford Empire relief was located in the Ford Auditorium constructed on the Detroit riverfront as the new home of the Detroit Symphony Orchestra during 1955-1956. Perhaps the most notable feature of…

Item-#7264.jpg
Graphite on tracing paper
11" x 14"

The Ford Empire relief was located in the Ford Auditorium constructed on the Detroit riverfront as the new home of the Detroit Symphony Orchestra during 1955-1956. Perhaps the most notable feature of the…

Item-#7263.jpg
Graphite on tracing paper
11" x 14"

The Ford Empire relief was located in the Ford Auditorium constructed on the Detroit riverfront as the new home of the Detroit Symphony Orchestra during 1955-1956. Perhaps the most notable feature of the…

2000.954.jpg
Plaster mother mold with inner rubber mold and plaster core. Written on mold is "Boy and Bear Stall A" There are several plastic zip ties banding the mold together.

2000.953.jpg
Plaster mother mold with inner rubber mold and plaster core. Written on mold are "Don Q, bad mould, Stall A".

2000.952.jpg
Peoples Company sphere mold. Written on the mold sections are "1 of 3, 2 of 3, 3 of 3, peoples figure to convert to Midland". There are 3 pieces to this mold.

2000.951.jpg
Small plaster mold with rubber core. Unknown as to which sculpture this is part of.

2000.950.jpg
Small plaster medallion of Henry and Clara Ford. The color is off white probably from the releasing agent used in the mold.

Not a Marshall Fredericks work.
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