Browse Items (8302 total)

Ink on paper
8.5" x 11"

This delicately balanced sculpture is evidence of Fredericks' expertise in design and structural engineering. The openness and verticality of the composition are very dramatic.

The large gulls appear weightless, held in…

Ink on paper
8.5" x 11"

This delicately balanced sculpture is evidence of Fredericks' expertise in design and structural engineering. The openness and verticality of the composition are very dramatic.

The large gulls appear weightless, held in…

Ink on paper
8.5" x 11"

This delicately balanced sculpture is evidence of Fredericks' expertise in design and structural engineering. The openness and verticality of the composition are very dramatic.

The large gulls appear weightless, held in…

Graphite and ink on paper
8.5" x 11"

This delicately balanced sculpture is evidence of Fredericks' expertise in design and structural engineering. The openness and verticality of the composition are very dramatic.

The large gulls appear…

Ink on paper
8.5" x 11"

This delicately balanced sculpture is evidence of Fredericks' expertise in design and structural engineering. The openness and verticality of the composition are very dramatic.

The large gulls appear weightless, held in…

Graphite and ink on paper
8.5" x 11"

This delicately balanced sculpture is evidence of Fredericks' expertise in design and structural engineering. The openness and verticality of the composition are very dramatic.

The large gulls appear…

Graphite on tracing paper
16.75" x 13.75"

Original sculpture done in 1960 for Holden Museum of Living Reptiles, Detroit Zoological Institute, Royal Oak, Michigan, Charles N. Agree, architect.

Sculpture depicts two pterodactyls in flight while…

Colored pencil, graphite and ink on tracing paper
16.75" x 13.75"

Monolith/Arrowhead/Spear for the Flint Ink Company, Ann Arbor, Michigan. Possibly unrealized.

Graphite on tracing paper
16.75" x 13.75"

Monolith/Arrowhead/Spear for the Flint Ink Company, Ann Arbor, Michigan. Possibly unrealized.

Temptation from Saints and Sinners stained brown from the shellac used to seal the plaster. The figure sits on a white plaster base. The base and snake are separated from the sculpture.
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