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After modeling the Torso of a Dancer in about 1934, Fredericks carved it in Belgian black marble for the Cranbrook Art Museum in Bloomfield Hills, Michigan. He subsequently used the original plaster model to create several bronze casts.

The nude…

After modeling the Torso of a Dancer in about 1934, Fredericks carved it in Belgian black marble for the Cranbrook Art Museum in Bloomfield Hills, Michigan. He subsequently used the original plaster model to create several bronze casts.

The nude…

After modeling the Torso of a Dancer in about 1934, Fredericks carved it in Belgian black marble for the Cranbrook Art Museum in Bloomfield Hills, Michigan. He subsequently used the original plaster model to create several bronze casts.

The nude…

After modeling the Torso of a Dancer in about 1934, Fredericks carved it in Belgian black marble for the Cranbrook Art Museum in Bloomfield Hills, Michigan. He subsequently used the original plaster model to create several bronze casts.

The nude…

Forty-six reliefs telling the story of the building's varied functions of science, engineering and education.

Forty-six reliefs telling the story of the building's varied functions of science, engineering and education.

Forty-six reliefs telling the story of the building's varied functions of science, engineering and education.

Forty-six reliefs telling the story of the building's varied functions of science, engineering and education.

Forty-six reliefs telling the story of the building's varied functions of science, engineering and education.
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