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The erection of The Spirit of Detroit at the City-County Building (now Coleman A. Young Municipal Center) in 1958 marked the formal completion of the structure whose construction began in 1951. Located in front of a white marble wall at the entrance…

The erection of The Spirit of Detroit at the City-County Building (now Coleman A. Young Municipal Center) in 1958 marked the formal completion of the structure whose construction began in 1951. Located in front of a white marble wall at the entrance…

The erection of The Spirit of Detroit at the City-County Building (now Coleman A. Young Municipal Center) in 1958 marked the formal completion of the structure whose construction began in 1951. Located in front of a white marble wall at the entrance…

The erection of The Spirit of Detroit at the City-County Building (now Coleman A. Young Municipal Center) in 1958 marked the formal completion of the structure whose construction began in 1951. Located in front of a white marble wall at the entrance…

The erection of The Spirit of Detroit at the City-County Building (now Coleman A. Young Municipal Center) in 1958 marked the formal completion of the structure whose construction began in 1951. Located in front of a white marble wall at the entrance…

In 1976, Fredericks enlarged these figures for the Midland Center for the Arts from the thirty-inch tall bronze version that he created while at Cranbrook in 1939.

These seven figures are in the style of jamb statues found in the portals of…

One of six limestone reliefs for the Ohio Union Building, Ohio State University, Columbus.

The Ohio Union reliefs won an Honorable Mention in Sculpture from the Architectural League of New York in 1955.

One of six limestone reliefs for the Ohio Union Building, Ohio State University, Columbus.

The Ohio Union reliefs won an Honorable Mention in Sculpture from the Architectural League of New York in 1955.

One of six limestone reliefs for the Ohio Union Building, Ohio State University, Columbus.

The Ohio Union reliefs won an Honorable Mention in Sculpture from the Architectural League of New York in 1955.

This sculpture represents Fredericks' interpretation of Hans Christian Andersen's popular story, The Ugly Duckling. Unlike Fredericks' portrayals of other literary subjects, this sculpture illustrates not one moment in the story, but two.…
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