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Chrylser Corporation - bronze "Siberian Ram"
Fredericks first completed Siberian Ram in 1941, but a 24-inch tall sculpture installed in 1966 at the rose garden of the Henry Ford estate in Dearborn, Michigan is the first documented bronze cast.
Fredericks carved a Siberian Ram in limestone…
Fredericks carved a Siberian Ram in limestone…
View of Chrysler Corporation
Chrysler Corporation Headquarters in Auburn Hills, Michigan. Site of "Leaping Gazelle," "Victory Eagle" (American Eagle) and "Siberian Ram".
View from Chrylser Corporation of Auburn Hills and Pontiac, Michigan
Chrysler Corporation Headquarters in Auburn Hills, Michigan. Site of "Leaping Gazelle," "Victory Eagle" (American Eagle) and "Siberian Ram".
View of Chrysler Corporation headquarters
Chrysler Corporation Headquarters in Auburn Hills, Michigan. Site of "Leaping Gazelle," "Victory Eagle" (American Eagle) and "Siberian Ram".
Plasteline model for "Wings of the Morning"
The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…
Side view of plasteline model for "Wings of the Morning"
The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…
Alternate side view of plasteline model for "Wings of the Morning"
The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…
Full-scale plasteline model of "Wings of the Morning"
The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…
Front view of plasteline model for "Wings of the Morning"
The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…
Front view of full-scale plasteline model for "Wings of the Morning"
The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…