Plaster model for “Christ on the Cross†which was later installed at the Marshall M. Fredericks Sculpture Museum at Saginaw Valley State University.
Mrs. Dorothy (Honey) Arbury studied with Fredericks when she attended Kingswood School at the Cranbrook Educational Community in Bloomfield Hills, Michigan, in the 1930s. She met him through her uncle, Alden B. Dow, a prominent architect in Midland,…
Mrs. Dorothy (Honey) Arbury studied with Fredericks when she attended Kingswood School at the Cranbrook Educational Community in Bloomfield Hills, Michigan, in the 1930s. She met him through her uncle, Alden B. Dow, a prominent architect in Midland,…
The Victory Eagle on the facade of the Veterans Memorial Building in Detroit is 30 feet high and projects 4½ feet from the wall in high relief. Seven free-standing pylons were originally placed in front of the building along the walkway leading to…
The Victory Eagle on the facade of the Veterans Memorial Building in Detroit is 30 feet high and projects 4½ feet from the wall in high relief. Seven free-standing pylons were originally placed in front of the building along the walkway leading to…
Mrs. Dorothy (Honey) Arbury studied with Fredericks when she attended Kingswood School at the Cranbrook Educational Community in Bloomfield Hills, Michigan, in the 1930s. She met him through her uncle, Alden B. Dow, a prominent architect in Midland,…
This sculpture represents Fredericks' interpretation of Hans Christian Andersen's popular story, The Ugly Duckling. Unlike Fredericks' portrayals of other literary subjects, this sculpture illustrates not one moment in the story, but two.…
Inspired by the verse, "The leaves of the tree were for the healing of the nation" (Revelation 22:2), the aluminum relief is located on the facade of William Beaumont Hospital in Royal Oak, Michigan.
Based on a 1946 sketch by Carl Milles for a peace monument intended for the United Nations Building in New York, Fredericks’ enlargement now stands at the entrance to Stockholm Harbor, a project spearheaded by Cilla Jahn, in collaboration with…