Bird Armature, [Plaster, Wire and Wood]
subject: Animal sculpture--20th century
description: Bird armature made from wire and sheet metal mounted on a cube shaped white wood base.
creator: Fredericks, Marshall M., 1908-1998
date: 1970
rights: Use of this image requires permission from the Marshall M. Fredericks Sculpture Museum
type: Armature
coverage: University Center (Mich.)

Bird Armature, [Plaster, Wire and Wood]
subject: Animal sculpture--20th century
description: Bird armature made from wire and plaster mounted on an octogonal white wood base.
creator: Fredericks, Marshall M., 1908-1998
date: 1970
rights: Use of this image requires permission from the Marshall M. Fredericks Sculpture Museum
type: Armature
coverage: University Center (Mich.)

Bird Armature, [Plaster, Wire and Wood]
subject: Animal sculpture--20th century
description: Bird armature made from wire and sheet metal mounted on a cube shaped white wood base.
creator: Fredericks, Marshall M., 1908-1998
date: 1970
rights: Use of this image requires permission from the Marshall M. Fredericks Sculpture Museum
type: Armature
coverage: University Center (Mich.)

Bird Armature, [Plaster, Wire and Wood]
subject: Animal sculpture--20th century
description: Swan or bird armature on wood base. Armature is metal and wire and painted white.
creator: Fredericks, Marshall M., 1908-1998
date: 1970
rights: Use of this image requires permission from the Marshall M. Fredericks Sculpture Museum
type: Armature
coverage: University Center (Mich.)

Bird Armature, [Plaster, Wire and Wood]
subject: Animal sculpture--20th century
description: Bird armature made from wire and plaster mounted on a cube shaped white wood base.
creator: Fredericks, Marshall M., 1908-1998
date: 1970
rights: Use of this image requires permission from the Marshall M. Fredericks Sculpture Museum
type: Armature
coverage: University Center (Mich.)

Black Elk, Upper Torso, [Wax]
subject: Figure sculpture, American--20th century
description: Hollow wax cast of the upper portion of Black Elk. Wax is reddish-brown in color.
creator: Fredericks, Marshall M., 1908-1998
date: 1998
rights: Use of this image requires permission from the Marshall M. Fredericks Sculpture Museum
type: Sculpture
coverage: University Center (Mich.)

Ann Arbor Eagle, [Wax]
subject: Animal sculpture--20th century
description: Red wax cast of Ann Arbor Eagle.
creator: Fredericks, Marshall M., 1908-1998
date: 1950
rights: Use of this image requires permission from the Marshall M. Fredericks Sculpture Museum
type: Sculpture
coverage: University Center (Mich.)

Lute Player, [Plaster]
subject: Figure sculpture, American--20th century
description: Black painted plaster of nude female lute player, ethnic looking, perhaps Polynesian or Hawaiian or Asian.
creator: Fredericks, Marshall M., 1908-1998
date: 1929
rights: Use of this image requires permission from the Marshall M. Fredericks Sculpture Museum
type: Sculpture
coverage: University Center (Mich.)

Fleur de Lis, Relief, [Plaster]
description: Plaster fleur-de-lis from the Founding of Detroit pylon.
creator: Fredericks, Marshall M., 1908-1998
date: n.d.
rights: Use of this image requires permission from the Marshall M. Fredericks Sculpture Museum
type: Sculpture
coverage: University Center (Mich.)

Floyd Starr, [Clay, Plaster and Wood]
subject: Figure sculpture, American--20th century
description: Small clay model on a wood pedestal with plaster base. The base has an embossment on the bottom that reads "Bakers Square". The History Behind Almost 100 Years of Changing Lives Floyd Starr, affectionately known as "Uncle Floyd," founded Starr Commonwealth as a refuge for "homeless, dependent, neglected and wayward boys." His idea for a commonwealth came to him as a young boy when he was growing up in Albion, Michigan. One evening, he overheard a conversation about a man who had adopted many young children. The next day, Floyd asked his mother what adoption was. She told him that it meant taking children who don't have a home, providing for them, and giving them a permanent home with good families. Floyd was so impressed, he told his mother that when he grew up he was going to buy a farm and adopt 50 children. As a young man, Floyd studied at Albion College, and upon graduating, was employed for a brief time at the Bernard McFadden's Hollywoodite in Chicago. He then went to work at the Beulah Home for Boys. When the facility closed, Floyd, the assistant Director at the time, was able to find new homes for all but 13 boys at the facility. It was then that his dream started to become a reality. He purchased a 40-acre farm outside Albion, Michigan and set to work making a home for these troubled boys. The forty acres that Starr purchased in 1913 included a barn where he stayed with the first two boys, Harold Belloir and Thaddeus Newcomb, until Gladsome Cottage was built. Founder's Day, which is observed the first Sunday of every October, marks the anniversary of Floyd, his family and thirteen boys moving into Gladsome Cottage on October 3, 1913. By 1915, enough boys were coming to Starr Commonwealth that Gladsome Cottage was no longer large enough to house them all. That year, Newton Hall was built as a dormitory for the boys and in 1917 the boys had a new school, the Emily Jewel Clark Building. Just 5 years after he began Starr Commonwealth, more than 200 boys had a h…
creator: Fredericks, Marshall M., 1908-1998
date: 1990
rights: Use of this image requires permission from the Marshall M. Fredericks Sculpture Museum
type: Sculpture
coverage: University Center (Mich.)