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&#13;
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
&#13;
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
&#13;
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work&#13;
&#13;
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed&#13;
&#13;
Video/Films/Audio: (13 linear feet) including media relating to Fredericksâ€™ work, civic interests, and life&#13;
&#13;
Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.</text>
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Figure drawing.&#13;
Fredericks, Marshall M., 1908-1998&#13;
Jesus Christ--Crucifixion--Art.</text>
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In 1946, the archdiocese of Grand Rapids, Michigan opened a new church in the Indian River area of northern Michigan. Although the local congregation consisted of only twelve families, the Diocese recognized the need to service the large number of Catholics who vacationed in the region during the summer months. Following the appointment of Fr. Charles Brophy as the first pastor, plans began to take shape for a shrine that would attract tourists from throughout the country. Inspired by the churchâ€™s woodland setting, Fr. Brophy envisioned an indoor church for residents and an open-air church for summer visitors.&#13;
&#13;
The archdiocese commissioned prominent architect Alden B. Dow to design the church. At the longhouse-style churchâ€™s dedication in 1950, Fr. Brophy announced plans for a Calvary Hill with a large wooden cross. In order to attract the attention of passing tourists, Fr. Brophy decided to erect the worldâ€™s largest crucifix.&#13;
&#13;
After a two year delay, the archdiocese granted permission for Fr. Brophy to proceed with his plans and construction of the crossâ€™ foundation at the rear of the property commenced. A printing plant owner from Indianapolis donated the enormous redwood cross in memory of his late wife. Erected in 1954, the cross stands fifty-five feet high atop a hill overlooking Burt Lake.&#13;
&#13;
Considered by Fredericks to be â€œhis greatest challenge,â€ the figure of Christ took him four years to complete. Funded by contributions from over 10,000 summer visitors to the shrine, the twenty-eight foot corpus symbolizes a Christ on the cross who is still living. Fredericks chose to depict the figure without a crown of thorns or a spear wound in its side. In this design, he â€œwanted to eliminate the suffering and agony for the observer and give the face an expression of great peace and strength.â€ One day, discouraged by the challenge and long days and nights at work on the face of Christ, Fredericks came upon a worker cleaning in the studio, on his knees in front of the clay form. Fredericks knew then he was on the road to achieving his goal.&#13;
&#13;
Since its dedication in 1959, millions of pilgrims from around the world have traveled to Indian River, Michigan to visit the shrine and see Fredericksâ€™ work.</text>
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&#13;
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
&#13;
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
&#13;
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work&#13;
&#13;
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed&#13;
&#13;
Video/Films/Audio: (13 linear feet) including media relating to Fredericksâ€™ work, civic interests, and life&#13;
&#13;
Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.</text>
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Fredericks, Marshall M., 1908-1998&#13;
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&#13;
In 1946, the archdiocese of Grand Rapids, Michigan opened a new church in the Indian River area of northern Michigan. Although the local congregation consisted of only twelve families, the Diocese recognized the need to service the large number of Catholics who vacationed in the region during the summer months. Following the appointment of Fr. Charles Brophy as the first pastor, plans began to take shape for a shrine that would attract tourists from throughout the country. Inspired by the churchâ€™s woodland setting, Fr. Brophy envisioned an indoor church for residents and an open-air church for summer visitors.&#13;
&#13;
The archdiocese commissioned prominent architect Alden B. Dow to design the church. At the longhouse-style churchâ€™s dedication in 1950, Fr. Brophy announced plans for a Calvary Hill with a large wooden cross. In order to attract the attention of passing tourists, Fr. Brophy decided to erect the worldâ€™s largest crucifix.&#13;
&#13;
After a two year delay, the archdiocese granted permission for Fr. Brophy to proceed with his plans and construction of the crossâ€™ foundation at the rear of the property commenced. A printing plant owner from Indianapolis donated the enormous redwood cross in memory of his late wife. Erected in 1954, the cross stands fifty-five feet high atop a hill overlooking Burt Lake.&#13;
&#13;
Considered by Fredericks to be â€œhis greatest challenge,â€ the figure of Christ took him four years to complete. Funded by contributions from over 10,000 summer visitors to the shrine, the twenty-eight foot corpus symbolizes a Christ on the cross who is still living. Fredericks chose to depict the figure without a crown of thorns or a spear wound in its side. In this design, he â€œwanted to eliminate the suffering and agony for the observer and give the face an expression of great peace and strength.â€ One day, discouraged by the challenge and long days and nights at work on the face of Christ, Fredericks came upon a worker cleaning in the studio, on his knees in front of the clay form. Fredericks knew then he was on the road to achieving his goal.&#13;
&#13;
Since its dedication in 1959, millions of pilgrims from around the world have traveled to Indian River, Michigan to visit the shrine and see Fredericksâ€™ work.</text>
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
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&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
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&#13;
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&#13;
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Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.</text>
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Jesus Christ--Crucifixion--Art.</text>
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In 1946, the archdiocese of Grand Rapids, Michigan opened a new church in the Indian River area of northern Michigan. Although the local congregation consisted of only twelve families, the Diocese recognized the need to service the large number of Catholics who vacationed in the region during the summer months. Following the appointment of Fr. Charles Brophy as the first pastor, plans began to take shape for a shrine that would attract tourists from throughout the country. Inspired by the churchâ€™s woodland setting, Fr. Brophy envisioned an indoor church for residents and an open-air church for summer visitors.&#13;
&#13;
The archdiocese commissioned prominent architect Alden B. Dow to design the church. At the longhouse-style churchâ€™s dedication in 1950, Fr. Brophy announced plans for a Calvary Hill with a large wooden cross. In order to attract the attention of passing tourists, Fr. Brophy decided to erect the worldâ€™s largest crucifix.&#13;
&#13;
After a two year delay, the archdiocese granted permission for Fr. Brophy to proceed with his plans and construction of the crossâ€™ foundation at the rear of the property commenced. A printing plant owner from Indianapolis donated the enormous redwood cross in memory of his late wife. Erected in 1954, the cross stands fifty-five feet high atop a hill overlooking Burt Lake.&#13;
&#13;
Considered by Fredericks to be â€œhis greatest challenge,â€ the figure of Christ took him four years to complete. Funded by contributions from over 10,000 summer visitors to the shrine, the twenty-eight foot corpus symbolizes a Christ on the cross who is still living. Fredericks chose to depict the figure without a crown of thorns or a spear wound in its side. In this design, he â€œwanted to eliminate the suffering and agony for the observer and give the face an expression of great peace and strength.â€ One day, discouraged by the challenge and long days and nights at work on the face of Christ, Fredericks came upon a worker cleaning in the studio, on his knees in front of the clay form. Fredericks knew then he was on the road to achieving his goal.&#13;
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Since its dedication in 1959, millions of pilgrims from around the world have traveled to Indian River, Michigan to visit the shrine and see Fredericksâ€™ work.</text>
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Series VIII, Cabinet 1 Drawer 3 Folder 6</text>
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
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&#13;
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Video/Films/Audio: (13 linear feet) including media relating to Fredericksâ€™ work, civic interests, and life&#13;
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
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&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
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&#13;
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&#13;
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Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
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&#13;
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The Fountain, also known as the "Cleveland War Memorial", is composed of a large granite basin set with bronze plaques containing the names of men and women who gave their lives for their country. Located within the basin are four granite carvings depicting the great civilizations of the earth: Nordic, Eastern, Southern and Western cultures.&#13;
&#13;
Centered within is the 10 Â½ foot sculptured bronze sphere representing the Universe as man has imagined it. Its design contains symbols of Eternal Life and Spirit derived from ancient myths.&#13;
&#13;
The bronze central figure towers 43 feet above the basin. This figure expresses the main theme of the Fountain: the spirit of mankind rising out of the flames of war and the destructive elements of life, reaching and ascending to a new understanding of life.&#13;
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Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
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Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
&#13;
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
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Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
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The Fountain, also known as the "Cleveland War Memorial", is composed of a large granite basin set with bronze plaques containing the names of men and women who gave their lives for their country. Located within the basin are four granite carvings depicting the great civilizations of the earth: Nordic, Eastern, Southern and Western cultures.&#13;
&#13;
Centered within is the 10 Â½ foot sculptured bronze sphere representing the Universe as man has imagined it. Its design contains symbols of Eternal Life and Spirit derived from ancient myths.&#13;
&#13;
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