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&#13;
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
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Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
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Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
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Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work&#13;
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Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
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Series V, Box 7 Folder 22&#13;
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Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
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Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
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Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
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Series V, Box 5, Folder 12&#13;
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&#13;
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
&#13;
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
&#13;
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work&#13;
&#13;
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed&#13;
&#13;
Video/Films/Audio: (13 linear feet) including media relating to Fredericksâ€™ work, civic interests, and life&#13;
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Jesus Christ--Crucifixion--Art.&#13;
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
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&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
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                <text>A crowd of onlookers, including Marshall Fredericks, watches the reinstallation of the "Cleveland War Memorial: Fountain of Eternal Life" </text>
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Series II, Box 9, Folder 12</text>
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Figure sculpture, American--20th century.&#13;
Fountains.&#13;
Fredericks, Marshall M., 1908-1998&#13;
Granite sculpture.&#13;
Outdoor sculpture--United States.&#13;
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                <text>The Fountain, also known as the "Cleveland War Memorial", is composed of a large granite basin set with bronze plaques containing the names of men and women who gave their lives for their country. Located within the basin are four granite carvings depicting the great civilizations of the earth: Nordic, Eastern, Southern and Western cultures.&#13;
&#13;
Centered within is the 10 Â½ foot sculptured bronze sphere representing the Universe as man has imagined it. Its design contains symbols of Eternal Life and Spirit derived from ancient myths.&#13;
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The bronze central figure towers 43 feet above the basin. This figure expresses the main theme of the Fountain: the spirit of mankind rising out of the flames of war and the destructive elements of life, reaching and ascending to a new understanding of life.&#13;
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The Fountain took nineteen years to complete and is located at the Civic Center Mall A in Cleveland, Ohio.</text>
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
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                <text>A crowd of people at an event celebrating "Nordic Swan and the Ugly Duckling" (Hans Christian Andersen Fountain) in SkÃ¦lskÃ¸r, Denmark </text>
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                <text>Animal sculpture--20th century.&#13;
Bronze sculpture, Danish &#13;
Fountains.&#13;
Fredericks, Marshall M., 1908-1998&#13;
Outdoor sculptureâ€”Denmark. &#13;
Public sculptureâ€”Denmark.&#13;
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                <text>This sculpture represents Fredericks' interpretation of Hans Christian Andersen's popular story, The Ugly Duckling.  Unlike Fredericks' portrayals of other literary subjects, this sculpture illustrates not one moment in the story, but two. &#13;
&#13;
Fredericks placed the unhappy duckling driven from place to place because of his ugliness at the base of the fountain. Located above is the beautiful swan he grew to be.  &#13;
&#13;
Fredericks emphasized the difference between the young and mature bird.  The earthbound duckling is awkward and heavy, with stubby wings and tail while the swan soars overhead in an open form which appears almost weightless.  Fredericks originally conceived this sculpture for the Danish Village retirement home in Rochester Hills, Michigan.&#13;
&#13;
A bronze cast of this sculpture is located in SkÃ¦lskÃ¸r, Denmark where Hans Christian Andersen lived and penned â€œThe Little Mermaid,â€ â€œThe Ugly Duckling,â€ and many other childrenâ€™s stories.&#13;
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Series V, Box 17 Folder 9&#13;
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                <text>Use of this image requires permission from the Marshall M. Fredericks Archives.</text>
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&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
&#13;
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
&#13;
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work&#13;
&#13;
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed&#13;
&#13;
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Bronze sculpture, American--20th century.&#13;
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Fredericks, Marshall M., 1908-1998&#13;
Gruen, Victor, 1903-&#13;
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Limestone and gilt bronze, 8 1/2 feet.&#13;
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Series V, Box 4, Folder 9&#13;
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&#13;
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&#13;
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                <text>A display of armatures and maquettes in the Marshall M. Fredericks Sculpture Museum</text>
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                <text>Animal sculpture--20th century. Figure sculpture, American--20th century. &#13;
Fredericks, Marshall M., 1908-1998&#13;
Saginaw Valley State University. Marshall M. Fredericks Sculpture Museum&#13;
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                <text>Mrs. Dorothy (Honey) Arbury studied with Fredericks when she attended Kingswood School at the Cranbrook Educational Community in Bloomfield Hills, Michigan, in the 1930s. She met him through her uncle, Alden B. Dow, a prominent architect in Midland, Michigan, with whom Fredericks worked on architectural sculpture projects. In 1963, Mrs. Arbury was on the founding Board of Control of Saginaw Valley College, which later became Saginaw Valley State University (SVSU). She remained active on that board and on the SVSU Foundation Board into the 1990s. Mrs. Arbury and her husband, Ned Arbury, and Fredericks and his wife, Rosalind Fredericks, formed the idea of a permanent exhibit of Fredericks' work adjacent to the university's then-new facility for the art, music and theater departments. SVSU and the Arburys worked together toward an agreement to have the Marshall M. Fredericks Sculpture Gallery and Sculpture Garden built adjacent to the art department. &#13;
&#13;
The gallery opened to the public in the Arbury Fine Arts Center in May 1988. About half of the $7.2 million of private money raised for the building went to design and construction, restoration, transportation and installation. Fredericks oversaw installation of the more than 200 mostly plaster models in the permanent exhibit gallery. &#13;
&#13;
Through the years, private donors have made it possible for some of the bronze casts to be made for the Sculpture Garden. Fredericks gave the balance of the collection in 1994. After his death in 1998, the gallery received his remaining tools, equipment, archives, architectural site models, sculptures and more. With the growth of the collection, the Board of Advisors elevated the gallery to museum status in 1999. In October 2003, the $2.5 million Phase II Capital Campaign expansion became a reality, nearly doubling the museum's size. The addition includes the Sculptor's Studio, a classroom, archives vault, research reading room, two temporary exhibition galleries and a gift shop.&#13;
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                <text>Marshall M. Fredericks Papers&#13;
Series V, Box 26 Folder 10&#13;
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                <text>n.d.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Use of this image requires permission from the Marshall M. Fredericks Archives.</text>
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                <text>University Center (Mich.)</text>
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        <name>Flying Pterodactyls</name>
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        <name>Nordic Swan and the Ugly Duckling (Hans Christian Andersen Fountain)</name>
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                  <text>The Marshall M. Fredericks Collection consists of 200 linear feet of materials, including:&#13;
&#13;
Correspondence: (13 linear feet) including personal, foreign ministry, and general correspondence as well as special letters and card received by Fredericks&#13;
&#13;
Project (Job) Files: (7 linear feet) including correspondence between Fredericks and both sculpture commissioning clients and vendors that helped to fabricate the pieces&#13;
&#13;
Subject Files: (24 linear feet) document Fredericksâ€™ civic interests such as Disabled Americansâ€™ Denmark meeting (DIADEM), Rebild National Park, and Danish Consular work, as well as fraternal organizations and the Marshall M Fredericks Sculpture Museum&#13;
&#13;
Financial (30 linear feet) document the day-to-day operations of running a studio&#13;
&#13;
Photographs: (25 linear feet) including photographs in a variety of sizes, negatives, and slides relating to Fredericksâ€™ teaching career, projects, civic activities, and personal life&#13;
&#13;
Clippings/Articles/Books: (28 linear feet) including media articles, journals, etc. about Fredericks and his work&#13;
&#13;
Books and Magazines: (16 linear feet) including books and magazines which do not directly relate to Fredericks or his work&#13;
&#13;
Drawings: (10 linear feet) including life figure drawings, sculpture project sketches, presentation drawings, working drawings, etc.&#13;
&#13;
Awards/Medals/Memorabilia: (16 linear feet) including awards and medals given to Fredericks as well as medals he designed&#13;
&#13;
Video/Films/Audio: (13 linear feet) including media relating to Fredericksâ€™ work, civic interests, and life&#13;
&#13;
Ephemera:(8 linear feet) containing portfolio postcards, posters, etc.</text>
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      <name>Still Image</name>
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              <text>Color print</text>
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              <text>5" x 7"</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>A drained "Cleveland War Memorial: Fountain of Eternal Life" with barriers along one side of the basin</text>
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            <description>The topic of the resource</description>
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                <text>Bronze sculpture, American--20th century.&#13;
Cleveland (Ohio)--Buildings, structures, etc. &#13;
Figure sculpture, American--20th century. &#13;
Fountains.&#13;
Fredericks, Marshall M., 1908-1998 &#13;
Granite sculpture.&#13;
Outdoor sculpture--United States. &#13;
Public sculpture, American &#13;
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                <text>The Fountain, also known as the "Cleveland War Memorial", is composed of a large granite basin set with bronze plaques containing the names of men and women who gave their lives for their country. Located within the basin are four granite carvings depicting the great civilizations of the earth: Nordic, Eastern, Southern and Western cultures. &#13;
 &#13;
Centered within is the 10 Â½ foot sculptured bronze sphere representing the Universe as man has imagined it.  Its design contains symbols of Eternal Life and Spirit derived from ancient myths.  &#13;
 &#13;
The bronze central figure towers 43 feet above the basin. This figure expresses the main theme of the Fountain: the spirit of mankind rising out of the flames of war and the destructive elements of life, reaching and ascending to a new understanding of life.  &#13;
 &#13;
The Fountain took nineteen years to complete and is located at the Civic Center Mall A in Cleveland, Ohio.&#13;
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="303143">
                <text>Marshall M. Fredericks Papers&#13;
Series V, Box 8 Folder 17&#13;
</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1991</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="303145">
                <text>Use of this image requires permission from the Marshall M. Fredericks Archives.</text>
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            <description>A related resource</description>
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                <text>V-08-17</text>
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                <text>Cleveland (Ohio)</text>
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