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Mold for the small scale Lord Byron. Plaster mother mold with inner rubber mold and plaster core.

Small plaster Lord Byron with a shellac coating on a wood base.

"His last monumental work, Lord Byron, designed in 1938, enlarged by the artist, and cast posthumously in 1998 for the Marshall Fredericks Sculpture Museum paradoxically seems to refer back to Fredericks's earliest influences. This literary figure,…

Objects 2000.023.001, 2000.023.002, 2000.023.003, 2000.023.004, 2000.023.005, 2000.023.006, 2000.023.007 are the sections of the Lord Byron plaster Full-Scale model.

"His last monumental work, Lord Byron, designed in 1938, enlarged by the artist,…

Six sections from the full-scale mold for The Poet: Lord Byron. The yellowish discoloring is from shellac used to seal the plaster.

Metal rod for Full-Scale clay Lord Byron. This was used for support for the armature and Full-Scale clay model.

"His last monumental work, Lord Byron, designed in 1938, enlarged by the artist, and cast posthumously in 1998 for the Marshall Fredericks Sculpture Museum paradoxically seems to refer back to Fredericks's earliest influences. This literary figure,…

Looking north at the excavated site for the "Cleveland War Memorial: Fountain of Eternal Life".

Bronze head on tan marble base of Lloyd Westbrook. The bronze is almost black in color.
Lloyd Westbrook was Marshall's roommate while he was in Germany.

In 1946, the archdiocese of Grand Rapids, Michigan opened a new church in the Indian River area of northern Michigan. Although the local congregation consisted of only twelve families, the Diocese recognized the need to service the large number of…