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Plaster mould with rubber inner mold. Per Scott Slocum this work was not sculpted by Mr. Fredericks but a model lent to use.

Plaster anatomical figure for artists. Shows muscle groups. The plaster has some areas of discoloring.

The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…

The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…

Mrs. Dorothy (Honey) Arbury studied with Fredericks when she attended Kingswood School at the Cranbrook Educational Community in Bloomfield Hills, Michigan, in the 1930s. She met him through her uncle, Alden B. Dow, a prominent architect in Midland,…

ICD Communications Award Dinner at the Waldorf-Astoria Hotel, New York City – October 1981.

An unidentified woman, Urban Hansen, Rosalind Fredericks, Marshall Fredericks and two unidentified men following the landing of the plane carrying DIADEM participants.

The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…

The flying swans represent the atmosphere of the unfolding morning. Fredericks often used swans in his sculptures to symbolize eternal life. The hand of God enfolds the spirit of man as he takes the wings of the morning. The upward flowing contours…

Marshall Fredericks at the opening of the second annual Tivoli Fair sponsored by the Northville Historical Society.
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